residency readings, part I


Note: I am away for my residency period at school for two weeks or so. This is a previously scheduled post. I will respond to comments, but not as quickly as usual. Thanks for your patience, and thanks as always for stopping by.


As I’ve done before, I’m going to run through some of the reading I did to prepare for this summer’s residency. For more information, check out the schedule I’ll be keeping and the seminars I’ll be attending, including some information about assigned readings.

Going in order:

I tackled first Jon Corcoran‘s assigned packet of three stories by Alice Elliot Dark, Ursula K. Le Guin, and Flannery O’Connor. This was an easy, quick, and very enjoyable packet; all three stories were riveting. The O’Connor, “A Good Man Is Hard to Find,” was the only one I was familiar with, and my least favorite of the three, with its unpleasant characters and dark themes; I’m looking forward to having some guidance with this one. The stories by Dark and Le Guin were pure pleasure, even though they too involve some darkness. I loved the realism of “In the Gloaming” contrasted with the fancy of “The Ones Who Walk Away From Omelas,” with its twist at the end. The topic of Corcoran’s seminar is endings, and I struggle with this, myself, so I’m very much looking forward to it. (Although what I write are more essays than stories, less contained narrative – does this make my job harder? will his seminar offer me as much as it does the fiction writer?) Also, Jon Corcoran has been a visiting faculty member at our program before, and I liked him very much when we met last.

Next came Mesha Maren‘s packet for her seminar on language. I’m a fan of Mesha’s, too, and find her reading, speaking, and teaching very poised and impressive; I love language for its own sake, and I love a good neologism like ‘hishing’ (in her seminar’s title), so I came to this with anticipation. The packet opens with a 100-page book excerpt that nearly killed me, though. I think I took a week to read these 100 pages, which began so dry and (as far as I could tell) far from the content of this program that I thought maybe I was being pranked. It got better, but remained a challenge til the end. I am still trying to synthesize what I found in these pages from David Abram’s The Spell of the Sensuous.

This book strikes me as a sort of ecologic philosophy of language and especially of written language: what it means for humans to communicate as we do, in pre-historic/oral times and later, in what Abram calls alphabetic cultures. There are also different kinds of writing, from pictographic to rebuslike to the alphabet we know now, and the significant distinctions here are about how far away from sensorial the letters get: that is, from a pictograph that directly references a paw print or a cloud, to a letter like Q, referencing nothing (until you get into the history of the letter Q, that is). Abram is concerned with how far we get from nature and from a participatory, cooperative relationship with the more-than-human world. It gets to be interesting stuff, for sure, as arguments are presented for how oral versus written languages change how we think, as well as how we relate. In preparing for this seminar, I’ve made notes about the philosophies of Husserl, Merleau-Ponty, Saussure, and Socrates, as Abram presents them. This excerpt was hard to get through because it’s rather academic in tone, and lacked context, starting in the middle as it did–except actually, it starts with chapter 2, on page 31. Maybe I needed whatever introduction Abram originally included. At any rate, I trust in Mesha to lead us through.

The rest of her packet looked up quite a bit. A lovely lyric piece by Susan Brind Morrow; a somewhat academic, impassioned piece on “The Language of African Literature” by Ngũgĩ wa Thiong’o; some extraordinary stories by Ann Pancake, a West Virginia writer who I (shamefully) have still not read outside of assigned excerpts like this one. (From her astonishing “Wappatomaka” comes the title of Mesha’s seminar, “hishing in the riffle.”) Anne Carson’s essays and poetry weirded out on me a little. I think I can remember having trouble with her before. And finally, Raymond Queneau’s exercises in style, which were interesting and, mercifully at the end of this long packet, easy to take in. Wait no, one final piece by Georges Perec, but my brain was too tired for this absurdism. Again, I trust in Mesha, and look forward to her illumination of this wild collection.

Matt Randal O’Wain‘s radio essay assignments were a change. I listen to podcasts when I can (having put audiobooks on hold pretty much for the duration of this MFA program, as my brain can only hold so much), so this was friendly. I appreciated being able to “read” for school while I cleaned the house and cooked and stuff. And six of the seven assigned radio essays I found very enjoyable. In fact, I often forgot to look for craft, finding myself so involved in the stories presented by (for example) This American Life‘s “Unconditional Love,” or Howard Dully’s “My Lobotomy.” I’m really excited about what this seminar has to offer.

Next Jessie van Eerden‘s assigned readings in the epistolary form, which began gently with one I’ve read before, Jane McCafferty’s “Thank You for the Music,” which is lovely. Actually, every item in this packet was lovely, although naturally my comprehension broke down with the poetry midway through (sigh). I didn’t even break stride with the optional reading by Alice Munro, and I recommend that piece (“Carried Away”) as much as any in the packet. Thank you, Jessie, for such a transcendent, and easy to read, experience.

She also assigned some questions to consider while reading and a writing assignment too, though, and I found myself out of practice. But that was probably the point: good to stretch those muscles again, as I head off to school.

I’m going to break this terribly long post here, and continue next week with the rest of the assigned readings. By then I’ll be home from residency, but not yet recovered! so it’ll have to hold you over. Stay tuned for another wide-ranging collection of fiction, nonfiction, poetry, visual art, and sundry. Happy weekend, friends.

notes on podcasts & a DNF

I’ve started a new job, part-time on the weekends, serving beer in the taproom of a craft brewery a few towns over. It’s great! but I have a good bit of a commute again now. I haven’t listened to an audiobook since school started in January, because I haven’t wanted to crowd my brain any more than it already is (or get my stories crossed). So Liz has recommended a few podcasts for me. She is super into the podcasts, so I know she restrained herself, by starting me off with just six. On my last few drives to and from the brewery, I have really enjoyed listening. I’m going to try to stick to just a few sentences per story here…

Another Round, Episode 85: The Same Stuff as Stars (with Amanda Nguyen).

Heben Nigatu and Tracy Clayton discuss rape culture and outer space with Amanda Nguyen, a college student who has founded an advocacy organization for rape survivors, written new legislation and gotten it passed in Massachusetts, and is studying to be an astronaut (wow). All three women have engaging voices & personalities here, and the story is obviously layered and impactful.

Criminal, Episode 63: Rochester, 1991.

Kim Dadou served 17 years for the murder of her boyfriend, who beat her within an inch of her life, which life she was defending when he died; now she’s an advocate for domestic assault victims. Excellent intimate tone and a narrative that is horrific but compelling. Listener is left rooting for Kim, naturally.

Death, Sex & Money, I Was Your Father, Until I Wasn’t.

When a woman he’d slept with called to say she was pregnant, Tony became a father to a little girl he loved deeply–until he found out she wasn’t his after all. He and the biological father discuss their experiences. They are disarming, honest, vulnerable.

Embedded, Police Videos: Flagstaff.

A 2014 video shot from a police officer’s eyeglasses shows his death by shooting, perhaps the first of its kind and a major internet sensation. Kelly McEvers delves into this video and its meaning to various viewers, in particular the families of the officer and the shooter. I appreciate Kelly’s personal approach–sharing her own reactions–and the variety of perspectives she finds.

Death, Sex & Money, Live from the Internet: Jason Isbell, Amanda Shires & You.

(This is the podcast that got Liz & I started on this exchange, because I’m an Isbell fan. I remember listening to the first Death, Sex and Money show with Isbell back in 2014.) Live-recorded call-in show with Anna Sales taking questions for Jason & Amanda about addiction, relationships, and their art. These are two wise, thoughtful, compassionate and smart individuals, and I could listen to them all day (and have).

Other Liz-recommended podcasts I’ve got queued up include Revisionist History, Planet Money, and Radiolab, so stay tuned. And, this one did not come from Liz, but about a year ago I really enjoyed Love + Radio‘s Choir Boy, an interview with a bike-racer-turned-bank-robber. What a weird story, truly stranger than fiction.

In other news, briefly: I had a strong negative reaction to Donald Revell’s The Art of Attention (from Graywolf’s The Art of series). I guess the good news is this book seems to be aimed exclusively at poets, and I am not one. Revell seems to me to be more interested in showing off his vocabulary and convoluted constructions than communicating; I found him deliberately opaque; and a central thesis seems to be that the “craft” of writing is neither teachable nor worthy of teaching—so why this book? Anyway, moving on.

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