three shorts from the Magic & Mystery collection

I was delighted to try out a couple of these shorts as part of the “Magic & Mystery” collection of Amazon originals. (I am not thrilled about Amazon but I do want Baldree, Fawcett, and Durst, so here we are.)

Travis Baldree’s “Miss Gentle and the Case of the Very Flat Monk” is a mystery with a mystery within it. Abbot Listrum has a dead monk on his grounds whom nobody liked, and a bishop on the way. But when he puts his trust in an odd, suit-of-armored old woman (??) who calls herself Miss Gentle, the questions seem only to multiply. This story offers Baldree’s usual sense of ridiculousness and fun, even when the monk is indeed very flat. There is less space for comraderie and developing relationships, but I’m standing by for more. Preferably from Viv and the rest of the Legends and Lattes gang!

Heather Fawcett’s “A Labyrinth of Honeybees” contains perhaps still more a sense of mischief, even though the stakes are at least as high for the priestess of the Goddess of the Garden, in a world where the king has outlawed that Goddess and all the rest of the eighty-three (or eighty-four, depending on who’s counting) of the gods that the people have long respected. Upon a visit from the royal inquisitor, the priestess must use her wits to sidestep difficult questions. Luckily, the garden itself has a role to play. I found this one a little darker than I generally expect from Fawcett: less light-hearted and playful, more sinister, but every bit as delicious. I’m reminded of course of “St. Valentine, St. Abigail, St. Brigid”, another short, by C. L. Polk, that also involved honeybees and darkness. I’d happily return to this world.

Finally, I think my personal favorite of these three was “The Wednesday Witches Book Club” by Sarah Beth Durst, perhaps because, while magical, it approached most closely a world I live in. Ashley believes absolutely that “Every witch needs a book club,” and following a divorce and cross-country move, she’s ready to give one a try, even if her new acquaintances, and the home they meet in, are uncomfortably put-together and awfully… beige. They have some very interesting problems, however, and in facing them together, Ashley finds a book club and a new group of friends. Despite some serious themes (friendship, belonging) and stakes (remaining human), this story of the three had by far the greatest sense of fun, which is often something I seek, especially in fantasy.

I am glad to take some small bites from several authors whose writings I am always eagerly, anxiously awaiting. These were enjoyable, but I’m still so much looking forward to more full-length works from each!


Rating: 7 ears.

The Weed That Strings the Hangman’s Bag by Alan Bradley (audio)

I read the first Flavia de Luce mystery many years ago. When I read recently that Alan Bradley had died, I felt moved to try the second. This eleven-year-old narrator and amateur sleuth is funny, impressive, indomitable, precocious, and very clever, but not precisely likeable. I keep coming up against this in my reading: I know likeability is not supposed to be a requirement for our reading enjoyment, but it sure does help, and in its absence, something else must step in. Here, happily, it was plot. I was drawn in by the twisting mystery and a genuine curiosity about whodunit (there being at least two crimes for which to assign blame), but I have to say, I don’t feel moved toward book three.

The problem with we de Luces, I decided, is that we are infested with history in much the same way that other people are infested with lice. There have been de Luces at Buckshaw since King Harold stopped an arrow with his eye at the Battle of Hastings, and most of them have been unhappy in one complicated way or another. We seem to be born with wisps of both glory and gloom in our veins, and we can never be certain at any given moment which of the two is driving us.

I like Flavia’s backstory, the murkiness surrounding her late mother, her beloved bicycle Gladys (which belonged to her late mother), and the difficulty with her terribly obnoxious two older sisters. The historical framing is pleasing, and the twistiness of the plot is expert. I think Alan Bradley was quite talented. I just don’t quite fall into line with Flavia herself – and everyone else in this world seems purposefully at least a little bit unsympathetic. I thought about putting this one down until maybe halfway through, at which point I was fully committed, and I don’t regret this time, but won’t pick up another either. So many books in the world, and clearly, there are many readers perfectly matched to this series. If you’re one of them, please come tell me what you love about it!


Rating: 6 beautiful laboratory instruments.

Addendum: Jayne Entwistle’s narration feels perfectly suited to me and I love her voices for these characters – full points for the performance.

The Case of the Murdered Muckraker by Rob Osler

Following on the events of The Case of the Missing Maid, Harriet Morrow is working on settling in to her job at the Prescott Detective Agency. It is 1898, Chicago. Harriet is an outlier, as a young woman (just twenty-one years old) employed as a detective – a ‘girl detective,’ they call her. She is also an outlier in her preference for unadorned living, hard work, using her bicycle for transport – not particularly ladylike qualities, especially for her time – and she has recently discovered a preference for wearing men’s clothing. She is attracted to women, and in book one, began a romantic involvement with a young woman named Barbara Wozniak, a Polish immigrant. One of the throughlines of this book and this series is Harriet’s search for a place in a world where she mostly feels like she does not belong, does not live up to expectations. In one of the subplots of her investigation, in fact, Harriet will take to full male drag – a disguise, and a false identity as Harry Dunn. This strategy makes sense from an investigatory standpoint, and takes advantage of her large, sturdy frame. It also doubles as an experiment, and allows her to observe that she does not think of herself as a man nor wish she was one. She wishes rather for a version of womanhood that her society doesn’t recognize. Without putting modern labels on Harriet’s 1898 experiences, this nicely parses some aspects of her sexuality and sexual identity.

But ho, this is a mystery novel. The back blurb tells us that “Rob Osler writes traditional mysteries featuring LGBTQ+ main characters.” While I mostly agree, I think these facets of Harriet’s identity are more than a mere twist on the traditional genre. In The Case of the Murdered Muckraker, we do pursue the murderer of the muckraking journalist, and the evidence of political corruption for which he was killed. But the social issues creeping in there – political corruption, wealth and wage disparities, immigrants’ experiences, working and living conditions, and more – I think play a larger role than the ‘framing elements’ in a knitting mystery or a culinary mystery. I think this is a mystery novel inseparable from its historical setting, and concerned with social-political conditions and change. As well as the character arc of a young woman we would definitely call a lesbian in today’s terms.

Harriet is a delight. She is earnest and serious in her work – admittedly a pure amateur at detective work, but committed to the job, to serving justice, and to making her own way in the world. She is a head of household, providing for her sixteen-year-old brother Aubrey since their parents’ death, and did you catch that Harriet is herself just twenty-one? She and Aubrey’s relationship is not always smooth sailing, but it’s written with compassion for both of their circumstances. Her budding romance, though it doesn’t play a huge role in this story, is also told with nuance – I hope that plot thread will continue to play out. She is developing some meaningful friendships, too: the wealthy, older Pearl gives Harriet an important outlet, and then there is her friend and colleague Matthew, who is also queer. Osler is doing a lot of work with Harriet’s story: the mystery plots, the detective agencies, the social-political time-and-place setting which is super rich, and his main character’s own development, as a queer person and just as a person. It all feels pretty ambitious, but he has it all in hand at this point, by my standards. I can’t wait for book three – as yet unannounced, but surely?!


Rating: 7 sticks of dynamite.

Strangers Behind Closed Doors by Catherine Adel West

Disclosure: I was sent a galley copy of this book by a publisher’s representative in exchange for my honest review.


Giovanni Mason – Gio to her friends – is the chief concierge at one of Chicago’s most exclusive premier hotels, the Ivory. She was the first Black concierge of any kind, let alone chief, and she’s very proud of this accomplishment, even if her mother (a longtime Ivory housekeeper) hoped she’d wind up somewhere different. Detective Redding Stark has followed her father’s path with the Chicago PD. Like Gio, Red is a workaholic, whose commitment to her work has not always proved healthy. She remains preoccupied with the cold cases of five missing women – young Black women, whose disappearances have been far too easily forgotten by the system Red works for. Then a beauty influencer, who also happens to be Gio’s former best friend, vanishes from one of the Ivory’s extra-rarified upper floor rooms, a room now marked by broken glass and blood splatter. Gio fought with Natalie just hours earlier, and now has bruises on her wrists and no memory of a chunk of her evening. But Red suspects the chief concierge is innocent. She believes instead that Natalie’s case is linked to the others.

The two form, in fits and starts, a mistrustful alliance, motivated by concern that Natalie may be alive and in danger, wanting to prove Giovanni’s innocence, and wishing for justice for women who look like them. There are few people in either woman’s life whom they can trust. Instead, the Ivory Hotel and the Chicago Police Department are filled with politicians, social climbers, and the very rich. In chasing the truth, as they reveal plots, corruption, and double-crossings, Gio and Red place themselves in great danger.

Strangers Behind Closed Doors offers intrigue and action scenes by the truckload. Amid luxury suites, fine dining establishments and neighborhood classics, flower shops and cozy homes, fight scenes and family drama unfold. The impulse toward friendship between Gio and Red feels real, and poignant, even as both are limited by their own trauma. I was definitely propelled by the twisty-turny plot, which kept offering surprises. It was not completely without unbelievable details, but that’s not too unusual in the genre. The background big issue, that the disappearances of women of color are overlooked, is a point well taken. West’s Chicago is well done: it’s not a city I claim great familiarity with, but I recognized some landmarks, and it felt fully realized. I never stopped rooting for the two stars, even in their flaws.


Rating: 7 photographs.

Miss Kopp Just Won’t Quit by Amy Stewart (audio)

Here we have book four in the Kopp Sisters series, and I think I’m more and more bought in with each one. There’s a trajectory here. As ever, I’m not sure how much of it is about differences in the books, and how much is me. I always find this a fascinating question, about beers and mountain bike trails and everything else: how much has it changed, and how much is my taste buds / skill level / preferences? We can never know. Thank you for making it through that moment of philosophy, and now the novel.

If anything, Miss Kopp Just Won’t Quit takes a step further from the mystery or puzzle sort of plot, and (while absolutely telling a story about Deputy Kopp and her work) considers the time and time in which it is set.

…the sheriff maintained his posture of unruffled detachment.

I, on the other hand, was the very opposite of unruffled. John Courter was, in every way, a small-minded, petty, vindictive man unworthy of public office. I didn’t care to stand at the edge of a crowd and listen to him hurl insults and lies at us.

What made it worse, though, was that the crowd seemed to love it. It was an uncertain time in Bergen County: there was labor unrest in the factories, a mistrust of immigrants who might be German sympathizers, and the very real fear that a munitions depot might go up like so many crates of firecrackers at the hands of secret agents of the Kaiser. And most of all, there was the absolute terror of war – a war we surely couldn’t avoid much longer.

These people were looking for an enemy, and John Courter had one on offer.

Constance has been at work as a sheriff’s deputy for a while now. She’s been involved in investigations and arrests, including wrestling in the streets with male criminals (she would be affronted that that even needs pointing out). She’s cared for the female inmates at the jail, which includes basic food-and-shelter sort of needs as well as something we might call counseling, and questioning. She has pioneered a system of probation that (with the help of a friendly judge) allows women whose crimes are minor, or that shouldn’t count as crimes at all, to keep their freedom, work, and contribute to society. In a world that still isn’t sure women should do this sort of work, she has not only had some real successes, she’s also gotten to contemplate and enact improvements in the system. She’s the breadwinner for her household of three adult women, with her sister Norma and her ‘sister’ (biological daughter) Fleurette. And in that last role, she has also undertaken some thoughtful changes and modernizations. All of this is arguably made possible by her supportive boss, Sheriff Heath.

Thus the great conflict of this novel: the sheriff is an elected position, and Heath is term-limited. A change is coming for Constance either way, but the two men running for election offer rather different outcomes for her: bad and worse. The shift away from police work and into politics pleases no one – not Sheriff Heath, not Deputy Kopp, and not the reader. But here we are. Constance loves her work, and has found a comfortable place in the world, where she feels good about what she can contribute. In a nutshell, Miss Kopp Just Won’t Quit is about what she’ll do when continuing on that path is no longer an option. It’s terribly sad, but it’s also heartening to see her come to terms. Not all reviewers agree with me, but I really liked the ending, and I can’t wait to see what she’ll do in book five.


Rating: 8 first names.

Miss Kopp’s Midnight Confessions by Amy Stewart (audio)

I continue to feel deeply involved with the indefatigable Miss Kopp and her earnest pursuit of betterment for herself, her sisters, and her community.

Following closely on the events of Lady Cop Makes Trouble, Constance Kopp efforts at the Bergen County Jail to keep her female inmates safe, in line, and pointed toward rehabilitation. She continues to enjoy a good relationship with Sheriff Heath, whose progressive ideals inspire her. It’s 1916, and times are changing: much of Miss Kopp’s Midnight Confessions deals with the options of young women to make their own way in the world, in terms of work and housing. (Other lifestyle choices remain yet more controversial.) Edna Heustis, for instance, left home to go to work in a munitions factory, patriotically hoping to contribute to the war effort as her brothers prepare to go fight in France. She lives in a respectable (strict) boarding house for young factory-working women like herself – and yet is arrested for waywardness, because her mother would rather she stay home and keep house. Minnie Davis left home with the (perhaps slightly less righteous) ambition of having a little fun and getting out from under her parents’ thumb. Shacked up with a young man she’s not married to, working in a mill and drinking at night, Minnie is likewise subject to criminal charges, just because she’s interested in flexing the moral boundaries of her day. (Minnie and Constance both repeat the question: why isn’t the young man locked up for ‘waywardness’ or ‘moral depravity’ as well?)

Constance feels strongly about defending the rights of women like Edna and Minnie to find their own paths in a changing world. But when it’s Fleurette who wants to leave home and work for a living, and maybe have a little fun – well. Constance’s values will be put to the test. And Norma is even less ready to entertain looser restraints on the youngest Kopp sister.

Norma’s lips worked furiously over her composition. From time to time a word escaped: presumptuous, unconscionable, iniquitous, abhorrent. She took a breath and continued: indecorous, opportunistic, unprincipled, opprobrious.

Fleurette had been right not to breathe a word of her plans to her sisters. Nothing – not a tour with a theater troupe, and certainly not an offer of marriage – stood a chance against Norma’s formidable vocabulary of refusal.

It’s one of Amy Stewart’s greatest strengths that she can tell such complex, fascinating, moving stories about history and women’s rights, alongside absolutely laugh-out-loud funny moments, perfectly played by audio-narrator Christina Moore.

I love the interplay of serious (and true historical) issues with family dynamics and simple human struggle. These moments can be both funny and serious.

Constance had grown to count on Norma to be that domestic presence who sat in the parlor and disapproved of things. She did not, however, like to find Norma disapproving of things at [Constance’s] place of employment, and wished she knew how to discourage the habit.

I’m still having a riotous good time, and simultaneously, enjoying considering some hefty issues through the lens of these expertly drawn mysteries. Three cheers for Amy Stewart, and on to the next one.


Rating: 8 trinkets.

Lady Cop Makes Trouble by Amy Stewart (audio)

It’s been years since I listened to Girl Waits with Gun, and I guess I’d forgotten all about it*, but I’m so happy to have now rediscovered Stewart’s work. I love Constance Kopp: subversive, contrary, big and strong, determined to do the work she sees fit. As we left her, Miss Kopp lives in the New Jersey countryside with her two sisters: no-nonsense Norma, who loves her carrier pigeons and has strong opinions about everything but rarely leaves the farm; and Fleurette, young, flighty, fashion-forward, and yearning to live in a wider world. (Also, Fleurette is not in fact a sister but Constance’s own daughter, although I still don’t think she knows it.)

Lady Cop Makes Trouble offers us two main mystery plotlines, but also importantly follows the home lives of the Kopp sisters and of Sheriff Heath. Following the events of that earlier book, Constance is proud to be employed as a sheriff’s deputy in her rural county. She was promised a badge, but that’s now in jeopardy because, predictably, the 1915 New Jersey public (not least, the sheriff’s wife) is not sure about having a “lady” deputy (or a “girl” one), let alone Constance’s take on the job, which involves wrestling suspects to the grimy ground, whether in New Jersey or New York City. It’s quite unfortunate, then, that Constance happens to be the one on duty guarding an inmate who escapes from custody – never mind that he’d faked a debilitating injury and was in the hospital, during a power outage and a mass casualty event, and the (male) deputy who was supposed to be on duty had defected. It just goes to prove to those who wanted it proved, that Constance is unfit. Worse, it goes a ways toward making Constance question her fitness. She ramps up her devotion to the job in hunting down the fugitive – sometimes crossing over into insubordination in her enthusiasm. I found it interesting to see the conflict between following orders and Doing Right, especially as Sheriff Heath has always been a sympathetic character. And here we see him face some difficulties of his own.

The manhunt is the main mystery-plot-driver, but there is also a secondary puzzle of a case involving one of the female prisoners Constance is in charge of, a woman whose murder confession is being questioned. I like this second line for the foundation I think it might offer for future books.

*I had also forgotten that I wasn’t a huge fan of that first book, apparently, but I’m glad I did forget this. Something changed – about the books, about me? – and I was on board with the pace this time around. I can’t explain to you whether it got snappier or I got more patient, but this reader and this series have come into sync. (Stewart did bring this one down to 320 pages.) A benefit to my long hiatus: there are now seven books in the series! Oh, good.

I was once again pleased by Christina Moore’s narration, and appreciated the same things I did in that earlier review: historical setting and detail; some very funny exchanges, between the Kopp sisters but also Constance with many others; characters; and now pacing. I am already on to book three, with no more qualms.


Rating: 7 nights in a cell.

The Jewelled Moth by Katherine Woodfine

This sequel to The Mystery of the Clockwork Sparrow begins by introducing a new family of characters: first we meet Mei Lim, the daughter of a Chinese immigrant father and an English mother. She and her family live in the Chinatown section of Limehouse in London’s East End: her two parents, her older brother and younger twin brothers, and until recently, her grandfather, now deceased. We learn early of the Lims’ concern for the missing Moonbeam Diamond, a storied piece of Chinese and family history.

From here, the novel continues in the same satisfying vein as Sparrow, starring our foursome – Sophie, Lil, Billy, and Joe – but especially our two plucky heroines. All four are employed at Sinclair’s, with Joe in particular marveling at his good fortune to have escaped the Baron’s gang and found a legal and relatively comfortable lifestyle. It’s debutante season (and brief excerpts from a manual on those social mores punctuate this text, as a similar etiquette book did the last), and it is a fashionable, wealthy, privileged, not to say spoiled, young debutante who approaches Sophie and Lil with a case. A precious jewelled moth brooch, a gift from a very eligible suitor to Miss Veronice Whiteley, has been stolen. At its center: the famous Moonbeam Diamond.

Sophie and Lil, and their male counterparts and assistants and admirers Billy and Joe, are slowly joined by a few high-society friends and the Lims in chasing down the moth and the diamond, ferreting out the true identity of the intimidating Baron, and righting all the wrongs – including, hopefully, ensuring their own safety. Incidentally, Sophie finds a photograph of her late parents that calls some of her own history into question, and thereby sets us up neatly for book three.

I continue to find these books fun, engrossing, and easy to read. I look forward to more.


Rating: 7 dumplings.

The Mystery of the Clockwork Sparrow by Katherine Woodfine

I picked this paperback up in a coffee shop where it had been abandoned with other, clearly used magazines and newspapers and such. It just looked fun: the cover, the back blurb. I read a few chapters that night and otherwise finished it in a single sitting. Fun fact: Amazon rates this book as being for ages 11-14, or grades 1-3. (Facepalm.) At any rate, it would be friendly for younger readers – I’d go with the age range rather than the grades listed there – but, obviously, was plenty enjoyable for this adult.

In the first years of the 1900s, a sumptuous new department store is set to open, one like London has never seen. Our protagonist is Sophie Taylor. She lost her mother young, and now, at age fourteen, she has just lost her father, a mostly-absent but loving military man. Raised in comfortable wealth, she’s now orphaned and on her own. Plucky Sophie feels lucky to have landed a job at Sinclair’s, where she’ll work in millinery and earn just enough for a spartan room in a working girls’ boarding house. But the night before the store is set to open, a priceless object is stolen: a jewel-encrusted clockwork sparrow that purportedly plays a unique song each time it’s wound. A young man is attacked in the commission of the burglary. And, in an unlikely twist, the cultured Sophie is implicated! Luckily, she has already made some new friends: junior porter Billy, who tends to get lost in his books; indomitable Lil, a chorus girl and ‘dress mannequin’; and perhaps even a less savory character with secrets of his own. Together, the young people set out to solve a mystery – or several of them – and clear Sophie’s good name. But the case is increasingly complicated, as major organized crime, police corruption, and shopgirl dramas intertwine. And the stakes get higher, as livelihoods and even lives are revealed to be at stake. But Sophie, Lil, Billy and Joe are not pushovers. They rise to the occasion. A delightful sequel is already headed my way. This is a series of four books so far!

The Mystery of the Clockwork Sparrow does indeed involve the grand, the daring, the dastardly, and the bold, as the back cover claims. I found it a delicious tale of adventure, friendship, and self-determination, not to mention mystery, danger, and code-breaking. I can’t wait to follow up with our two strong female leads. Best book picked up off a coffee shop table in years!


Rating: 8 iced buns.

Secrets of the First School by T. L. Huchu

The fifth and final book in Huchu’s Edinburgh Nights series, Secrets of the First School does indeed pull things together and wrap them up neatly (though not overly so). Since The Legacy of Arniston House, Ropa has been through a lot and learned a lot. She continues to evince a teenager’s quick-changing moods and loyalties, but if this is occasionally jarring or even a little irritating, that’s not unlike “real” teenagers, is it. And she’s going through it: the loyalties unto her have taken some jarring turns, too. Avoiding spoilers, I will say we learn some shocking truths about Ropa’s own past, which challenge her relationship with everything and everyone around her.

Ropa dwells in a dystopian and at least mildly post-apocalyptic Scotland heavily influenced by her family’s Zimbabwean roots, in which magic is real and fairly complex. Ropa has special powers to communicate with the dead, who inhabit several afterworlds with varying levels of porosity with her own living one, and she has an unusual ability to travel in between. I admit I never fully grasped the details of the rules of this fictional sphere; I let it all float by me when things got a little confusing, which is often how I handle fantasy and sci fi – a personal failing? or maybe a way many of us read these genres? Not sure. At any rate, I think this is something the real world sometimes asks of us, too, and it’s always felt okay to me. I’m not sure I ‘get’ everything Ropa encounters, but who among us does? Which is all to say: this is a highly detailed act of worldbuilding. Ropa and her crew feel quirky and odd at times – like real people do. I cared deeply about what happened to her. I’ll miss her.


Rating: 7 bodies.