Cleaning the Gold by Karin Slaughter and Lee Child

Another quickie from Reacher, somewhere in the short story/novella range, this time from Lee Child working with Karin Slaughter, who I’ve never read but obviously I know the name. An introductory Authors’ Note tells us that the authors have been friends for decades, and that their contributions to this story are merged “so you won’t necessarily know who wrote what.” Cleaning the Gold involves the head-to-head meeting of the authors’ respective serial stars: Will Trent of the Georgia Bureau of Investigation and Jack Reacher, retired Army MP. The former is new to me, but I like him.

In a nutshell, and with a mild spoiler, both these men are sent undercover to the United States Bullion Depository at Fort Knox, for different reasons. Reacher’s there to catch somebody on the inside, in a crime I won’t name here. Trent is there to catch Reacher. They both have to do some figuring-out, and they have to figure each other out, too.

Like “The Christmas Scorpion,” this is a satisfying enough short story, but not a perfect one – neither Child nor the Slaughter/Child team is on par with Hemingway or du Maupassant in terms of the deft, poetic turn of masterful short fiction. It’s fine. Both leads get cute and pithy lines and the scenes that convey their characters; there is a fight scene or two. In close third person, chapters alternate their points of view, and it’s fun to see each man from his counterpoint’s perspective. There are a few layers of mystery, which is always neat, but it might be a hair ambitious for a story of this length (listed at 144 pages, but only about 100 of that is Cleaning the Gold; the rest is a preview of a then-forthcoming novel by Slaughter). It ends with an loose thread that is not entirely typical of Child’s work; he’ll leave an opening for the next installment, but not an actual loose end. I wasn’t crazy about that in the finish; I think we could have used a bit more closure, which might have helped with the neatness of the short-story-as-genre. And I do think the story would have tolerated losing that last layer of mystery.

I faltered on the very first page, too, with two details that felt very atypical of Child/Reacher. (Despite the authors’ assurances, I did feel that I could tell who was who, at least here.) I cannot imagine Reacher ever noting that “the temperature outside had already passed the boiling point” unless it were literally true, which (Google tells me) has never been recorded on earth. He’s pretty pedantic like that. Then, Will “watched a bead of perspiration drop from his nose and roll across the floor.” Something about the bead of sweat, itself, as a bead, rolling across the floor bothers me, in terms of physics. (Reading Reacher makes me extra pedantic, too?) On the other hand, a judicious number of jokes (two) about the place being “guarded like Fort Knox” went over well with this reader. And a single reference to Tom Cruise and the most unbelievable scenes in action movies, which I am reading as a joke about his (problematic) role as Reacher in two films to date, went over very well.

Maybe not my favorite thing ever by Child, but a perfectly nice way to spend a little time on my front steps with a beer and a little dog.

Also, the teaser of Slaughter’s next Will Trent novel, The Last Widow, is good.


Rating: 7 gold bars, obviously.

“The Christmas Scorpion” by Lee Child

Very short review for a very short story – I love that I can use my local library to catch up on all the little Reacher snippets I may have missed! This one took just a few minutes to read. Reacher heads south for the winter, by habit, because he doesn’t like the cold. But he finds himself outside Barstow, California in a freak blizzard, and then is quickly sucked into a plot involving a foreign dignitary and a mysterious would-be assassin. It’s a fun Reacher-style puzzle, with building tension and a whodunit, but actual violence is minimal.

Despite the title, this is not a Christmas-themed story, although there is snow.

The short format doesn’t leave room for much development of Reacher or the other players, so I think this one reads best for preexisting fans who know the background – not a great entry point for newcomers, because there’s not enough background. (Short stories are hard. This one relies on the rest of Child’s body of work.) But as a quick hit for the fans? I loved it.


Rating: 7 shadows.

The Sentinel by Lee Child and Andrew Child

Here we have it: the first book of Lee Child’s transition to his brother’s eventual takeover of the Reacher series. The Sentinel credits Lee Child and Andrew Child together, as will the next (Better Off Dead is due later this year). I have had my doubts, but I really enjoyed this installment. Hooray!

A little like Blue Moon, this plot has Reacher step into a scene in media res, where he sees something bad about to happen. (This is not an uncommon Reacher device, actually; I’m thinking of Gone Tomorrow too.) In a little town in Tennessee, the streetlight is out and the police phones are down. Something’s a little odd here, and why does everybody seem so angry at one rather nerdy man in particular?

There is nothing new about the broad strokes: Reacher takes on the PI role even though nobody really wants him to, let alone the local cops, whose job he can do better than they can. The details are rather fascinating, though. I’m not sure it always works for me when Child tries to be uber-timely (here, the Russians might be trying to hack an American election, which is a subject I’d like a break from in my fiction, I think). But that’s a personal call, maybe. I do like when Reacher finds himself a team of local amateurs, or quasi-amateurs, as he did in Blue Moon, to my great enjoyment then and again here. And I think I appreciated that we took a bit of a break from Reacher’s amorous exploits.

Instead, Reacher ends up the knight in shining armor for a dweeby, dreamy (male) IT manager, and that relationship struck me as sweet and a bit of a departure for our hero. Knight-in-shining-armor is a bit of a theme here, actually, because the opening Reacher scenes involve both his love for quality live music (and especially blues), and his tendency to stick up for the little guy. I liked that the action didn’t open with Reacher, but jumped around among a few characters whose relationship is not immediately clear. I found a few lines of dialog here and there a bit out of character – and I’m sorry I didn’t mark those to share with you, but I read this book in a day, staying up too late to finish it, which doesn’t happen much these days (because it shouldn’t; teaching has me busy and exhausted). Being a smidge out of character may be a result of bringing in a new coauthor (who, we assume, knows the Reacher oeuvre as well as anybody, but still). However, my need to finish this book in a single day is an excellent commentary. It’s been a while.

I’m shying away from plot here, as I sometimes do with Reacher, to say that this is pretty straight-on Reacher with just a few twists, already mentioned, which worked well for me. If this is the new Andrew Child style, I am sorry I doubted, and I’m looking forward to more.


Rating: 8 cables.

Night School by Lee Child

My mother also reviewed this novel here. We had similar feelings.

Above-average, even for Reacher. I loved this one. It’s set back in the time when Reacher was still serving as a military police detective – maybe we need more of those; they make up a minority of the canon. Here’s the set-up: fresh off receiving a medal for “the thing in Bosnia,” Reacher is sent back to school for a course in “Impact of Recent Forensic Innovation on Inter-Agency Cooperation.” He finds himself in a room with two guys from the FBI and the CIA, respectively, in similar positions: good competent agents who’d expected better than some bullshit course in cooperation. Luckily it’s not what it seems. Reacher and his counterparts are instead assigned a top-secret mystery involving an unknown American trying to sell something to someone for an unknown reason. They can have anything they need; so Reacher gets Sergeant Frances Neagley, who we know from books like Without Fail and Bad Luck and Trouble (among others). I like her.

The action of Night School takes Reacher and Neagley (and some of his new teammates) to Hamburg, back to Virginia, and back to Hamburg again, where they tangle with some far-right Nazi-types and the mostly pretty good Hamburg police. Plus of course the mystery American and the mystery foreign interest who wants to buy the mystery thing.

I thought this one was excellent fun. I enjoyed seeing Reacher do the kind of mental detective work he excels at (a la Criminal Minds), and I enjoy seeing him still in the Army’s grasp; that system gives him something to push-and-pull with in ways that I think serve the narrative well. There is a little less physical ass-kicking here than in some Reacher novels, and that’s fine with me; that action stuff is fun here and there but it doesn’t make a story the way the mental game does. There’s also a little sex (as usual) but not in a way that takes over the novel, either. And again, I really like Neagley. The mystery itself has elements of unreality, but welcome to Child’s fiction: it’s escapist-realism, not hyperrealism.

Without spoilers, I will say that I often thought this was one of the more cinematic efforts of the series; I especially enjoyed thinking of the final action’s setting onscreen. But as long as they keep Tom Cruise as the big screen’s Reacher, nah.

This is the most enjoyment I’ve gotten out of a Reacher novel in some time. Maybe it just caught me at the right time.


Rating: 8-and-a-half backpacks.

Blue Moon by Jack Reacher (audio)

I’m going to say this is the best Reacher I’ve encountered in a while. They can be a little up-and-down. But this is classic, vintage Reacher: he blows through town without intending to stay. He sees a (relatively minor) injustice about to play out, and sticks his toe in. Events snowball; he has no fear; he takes on each progressively trickier scenario until he’s chest-deep in it, but he keeps winning. He meets a nice woman and they have an intense, time-limited, but ultimately satisfying time together, both in terms of the sex and the other action. He rides off into the sunset (so to speak). What’s new here is that he builds up a little posse; I can’t think of another example offhand in which he teams up with more than one other person (or maybe two). I found the mix of characters in that posse fun, even if they’re not super well developed. This is a Reacher book, after all. We know better than to get too attached to anyone else.

Other reviewers (on Goodreads and the like) are frequently not so pleased with this installment as I am. For one thing, to each her own; some of Child’s more highly-rated novels have not been among my favorites. For each book, a reader in a time and place, is part of it. Some of the complaints I saw noted that the plotline is unrealistic in many of its details: two rival gangs, Albanian and Ukrainian, in a mid-sized middle-American city (I sure wish I knew which one, but Child doesn’t like to specify), get into a sort-of turf war, with Reacher in the middle. Really, he’s responsible for the body count each ascribes to the other. Many, many deaths receive almost no police response (because the gangsters have bought off the police, naturally). Reacher is Superman. His short-term girlfriend takes up the fight with surprising alacrity. It’s true, all of this is wildly unrealistic; but buying into that is absolutely part of the Reacher experience. I didn’t find this one any more so than usual. If realism is a concern, I’m not quite sure how you got to be a Reacher fan. Oh – and some reviewers were bothered by the excessive violence. Now, if violence is a concern, same answer: Reacher may not be for you. That said, this novel definitely has a higher-than-average body count, so take note.

All the usual good stuff plus a little new good stuff (but not too much, because familiarity is part of the comfort). I am comforted.

This audiobook is narrated by Scott Brick. I have been missing Dick Hill’s work, but Brick has been growing on me, I suppose; I enjoyed this performance. It felt like returning to a place I know and love. Yes, a place of unrealistic plot lines, superheroes, and lots of violence. The good news is it’s only fiction, friends.


Rating: 7 cell-phone pictures.

No Middle Name: The Complete Collected Jack Reacher Short Stories by Lee Child

All the Reacher short stories! I thought I could take this one in chunks, but no: I stayed up later than I should have to rush through the whole thing, as per usual. I loved it.

I’d read “Second Son” before, but I was glad at another chance. It’s definitely one of those that requires a suspension of disbelief, as Reacher at (I think) thirteen is just a slightly smaller version of himself: badass, a fighter, and very clever. He solves two mysteries for the MPs, which seems a bit unrealistic, although also an excellent backstory for a later MP.

I’d also read “Small Wars,” but I doubted my memory of the ending, which made it fun again. There is an element almost of a Poirot-style detective in Reacher’s intuition, his ability to take scattered facts and build a whole story out of them.

Some of these stories star Reacher in adulthood, in his post-military rambling stage, which is when most of the novels are also set, and some see him still in the Army. But we also have several instances of teenaged Reacher. These are fun for me, although they make that mistake, as mentioned above, of treating younger Reacher as a miniature (still very large) version of adult Reacher. Whatever; it’s a departure from realism, but the Reacher corpus is not about hyper-realism. “Everyone Talks” is told from the first-person perspective of a character who’s not Reacher, and according to my memory, that’s unique. I appreciated the variety, being a bit outside his own perspective. By contrast with longer stories of 40+ pages (“High Heat” runs over 70), some of these stories are very short, almost vignettes, and might serve as character studies of Reacher himself: what does a guy like this do in a particular situation, that sort of thing. He’s a problem solver, he’s a hero, he’s an eccentric, he does the right thing. He’s a romantic, and a sexual creature, and he uses his fists, but with a code.

As a collection, I think No Middle Name is an excellent addition to the Reacher world, satisfying fans’ desires both for plot, storytelling, and action, and the Reacher character himself. (Also the odd romance or sex, which I think is a well-established if secondary element.) Longer, more involved stories come earlier in the collection; it wraps with several shorter ones. The final story, “The Picture of the Lonely Diner” (reference to the Hopper painting), felt like the perfect closer. Again, I thought short stories might help me take smaller sips of the fiction I love, but I ended up binging as usual, so consider that a warning of sorts. Possibly a good entry point for a curious reader. Certainly, a great read for the established fan.


Rating: 8 lines of adult dialog.

Past Tense by Lee Child

I was having a bad day and hit a couple of not-great books in a row, so I checked this one out from my local library and sat back. It’s a wonderful system, to get that ebook on my Kindle in minutes. Fixed my day right up.

Even a mediocre Reacher novel is a fun time, but this is one of the better ones: a real joy ride. Past Tense sees Reacher leaving Maine and aiming for San Diego, more or less, as winter approaches. Why not the beach and some warm weather? But of course he doesn’t make it that far. Instead he takes a spontaneous turn toward Laconia, New Hampshire, because he knows that name: it’s where his father is from. Stan Reacher, who never talked much about his past, whose origins Reacher has never visited before. So why not? And when he gets to Laconia and goes looking for the old homestead – property records and all – thinking he’ll cruise by and see it from the curb at least – the records are dodgy. Where did Stan Reacher hail from, really, exactly?

Also, being Reacher, he gets himself into a scuffle or two right off the bat. First, he’s awakened at 3 a.m. by a cocktail waitress being assaulted in an alley, which he fixes for her, with the result that some people come looking for revenge. Secondly – but that’s a longer story. There’s also a parallel storyline going on with some unrelated characters off in the nearby woods.

This novel (the 29th published, called #23 in the series) has everything I love about a Reacher thriller: hand-to-hand combat, with clever internal monologue; intrigue and fast guesses; front of brain versus back of brain; some great Reacher family history; fascinating twists and surprises; and for a refreshing change, romance that isn’t just about a thin, hot, young woman having sex with our favorite hero. The collision of the two storylines is pretty neat, too. I like that I can see it coming but not precisely how it’ll come. I loved the ending. This is classic stuff here, Lee Child more or less at his best. On the one hand, I can see the caricature pretty clearly at this point – I don’t know if Child’s writing has gotten more over-the-top or if it’s just my having read a few dozen of them. I don’t really mind, but it does require some suspension of disbelief. On the other hand, I am always pleased when a mystery/thriller (especially from an author I know so well) can surprise me, and this one did.

I’m still a huge fan.


Rating: 8 quad-bikes.

The Midnight Line by Lee Child

I read these nearly 400 pages in a single sitting, because that’s how compelling I continue to find Jack Reacher.

At the conclusion of another brief love affair, Reacher takes a bus out of Milwaukee, and gets out to stretch his legs at a comfort stop in a small Wisconsin town. In the window of a pawn shop, he spots a West Point class ring from 2005. It’s tiny; its owner must have been female, and small. He’s bothered: graduating West Point, as a diminutive woman, in 2005 – and whatever might have come afterward in Iraq or Afghanistan – would have been hard, meaningful. She shouldn’t have pawned her ring. Being Reacher, he doesn’t get back on his bus, but instead follows the ring’s tracks backward, through South Dakota into Wyoming.

He liked Wyoming. For its heroic geography, and its heroic climate. And its emptiness. It was the size of the United Kingdom, but it had fewer people in it than Louisville, Kentucky. The Census Bureau called most of it uninhabited. What people there were tended to be straightforward and pleasant. They were happy to leave a person alone.

Reacher country.

Being Reacher, again, he gets into scuffles along the way – in Wisconsin, in South Dakota, in Wyoming – and makes alliances: a retired FBI agent turned PI; a wealthy young woman with a mystery to solve. This installment in the series is satisfying in some of the usual ways. There are brawls and matches of wits, random trivia and landscapes and local color. There is rather less sex than in some Reacher novels (but not none). That last I didn’t mind; I was getting a little sick of Reacher getting laid in the same fashion and with the same type of woman over and over. I’d encourage Lee Child to keep exploring Reacher’s options in this regard. (Although now I have to lobby someone different, don’t I. Fingers crossed for the new guard.) And this time, there are cowboys. Mostly the retired, drug-addicted kind.

I found everything I wanted in this read, which was escapism; action; and the comfort of returning to an old favorite. I’m glad there are still a handful of Reacher books left (written by Child alone) for me to snuggle into.


Rating: 7 hikes uphill.

reread: Never Go Back by Lee Child (audio)

In my defense, it’s been more than four years since I listened to this audiobook for the first time (and reviewed it here): I had forgotten what happened, and got to find it new again. I seem to have reached the stage of forgetfulness in which I can enjoy a thriller/murder mystery novel a second time, with the same fresh eyes. Hooray! That always looked like one of the best features of aging. (Perhaps my brain’s just saturated.)

I recently took a road trip with a friend, and he wanted to listen to a book, and I figured Reacher would work for him, so here we are with an unplanned reread. I’ll keep this brief, because I think my earlier comments remain true. I was deeply concerned this time around with the erroneous use of the 50/50 coin toss idea. Reacher (and therefore Child) is usually so smart! But the many scenarios where the coin toss idea is used here are all binary choices, having two options; rarely do they hold even odds. Ugh.

On the other hand, I still love the sexiness, the cleverness, and the depth of the Susan Turner character (Reacher’s romantic alliance in this episode). I still love the formula, and formula it most certainly is; but having acknowledged that, what’s the problem? It works for me every time.

The extent to which I’d forgotten this plot excites me. It’s got me thinking about all the Martha Grimes books I enjoyed in my teens and early 20s: those should all be new to me now, too!

On that note, Happy Friday, y’all. I hope you have a weekend as awesome as a Lee Child novel (but with less violence).


Rating: I’ll stick with those 7 cars.

guest review: Night School by Lee Child, from Mom

I’m so glad to have my mother around to review Lee Child along with me – or in this case, to review one I haven’t read yet! (For the moment, this is his newest, but I’m sure there’ll be another along shortly.) Night School follows my most recent Reacher read, Make Me, although the two are not chronological sequels. My mother sent this as an email to me, not intended as a formal review, but I appreciated it and she gave her permission to post.

Here’s Mom.
night-school

I really liked this book, especially compared to Make Me, which I finished afterwards. (And found excessively cruel and graphic, although well-plotted.) The story line carries us along beautifully. Another working of what’s up?, as in Make Me, where we don’t know quite what the deal is, but we have enough info to be looking hard at the details. And of course we get to tangle with some bad guys in number, and whip their fascist asses in entertaining variety.

Here Reacher is still in the army, which means a lot of structure and conflict built in from the bureaucracy. (In Make Me, he’s a bit of a drifter looking for adventure – and I know that’s a claim to fame for his fans.) So the Army sends him to Germany in this quest for the problem they need to solve. He bumps against the neo-nationalists so much you start to wonder if they are part of the plot. Hmmm.

So the plot is the thing, but Child’s writing is beautifully not present. I noted at first the short declarative sentences. After a 50-page warm-up, the story just flowed through. Some of the great stuff: He says to the German adversary, So why do you suppose you speak my language but I don’t speak yours? (Something to do with how important your language/country might be?) Or – the Germans thought they were uniting under one umbrella, but the West saw it as an arrangement of military bases with the people there efficiently manning the hotels and cafes.

I remember that Child is originally British, not to suggest he has an ax to grind. His character is man of integrity without a lot of allegiance to the system. His assistant in this is Neagley, the sergeant in War Games (the short story included at the end of Make Me). She’s perfect here, completely at his command (“adores him,” someone says), but has some complex that doesn’t allow any touch. So the sex interest is his boss, and of course the sex does not get in the way of the plot advances.

I could do some more page-turning like this, and I can’t help but like this impossible character.

Well said all around, in my opinion. I like what you said about the bureaucracy and the foil it provides. Cruel & graphic, yes: this is an important note for prospective new Reacher readers. Must have high threshold for blood. And the plot is indeed the thing. Lee Child excels at several things, I think: that invisibly expressive writing you mention, and action sequences (suspenseful fights I can really see), and a hell of a charismatic lead man. You said it: he’s an impossible character but we just can’t help but follow him. But the plots are nice and complex, filled with technical details and enough to challenge the experienced mystery/thriller reader. That is what I think you’re saying here, anyway.

About that “beautifully not present” writing, I find Reacher’s voice to be distinct and entertaining. Some of the books in this series are written in third person and some in first. And perhaps since I’ve listened to so many as audiobooks (and I highly recommend what narrator Dick Hill does with them!), I think that voice is a big part of the charisma. Those short, declarative, sarcastic, witty deliveries, even just inside his own head, really serve to characterize him.

Well done and thanks. I look forward to Night School and more of the page-turning and impossibilities.

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