Personal by Lee Child (audio)

personalWhat else can I say about Reacher? In some ways, my review of this book is going to say “this is like all the other Reacher books,” but I mean that in the best possible way. He is still a whiz, a he-man, a polymath expert – although I do like the odd bit where he is lacking. For example, we’ve heard before that he’s not a very good driver: it’s not a skill he had much time to develop in his Army-based life. I also found it refreshing that in this installment (minor spoiler here) he does not sleep with any of the beautiful women. I mean, I enjoy those scenes; but it’s more realistic for him to bat less than 1.000, don’t you think?

Briefly: in Personal, Reacher is tracked down by an Army contact to whom he owes a favor. There has been an assassination attempt against the French president, and all the major world powers are pitching in to help solve the crime, because they fear for their own leaders’ safety at an upcoming G8 meeting. The shot was taken so accurately from such a distance that only a few snipers in the world could have done it, making the list of suspects very short. Reacher resists the conclusion, but it does seem likely that an American took the shot – specifically, a man Reacher sent away to prison for 15 years, just 16 years ago. He is paired up with a young woman from the State Department (…or is she?) to investigate, and travels from Seattle to North Carolina to Arkansas to Paris and London, etc. It is, typically, an exciting and blood-splattered storyline, and I loved every minute of it.

I’m not saying much new here – if you know and love Reacher, you’ll be pleased by Personal, another chapter in the longer story and not at all Lee Child’s weakest. Next!


Rating: 7 pills.

The Treacherous Net by Helene Tursten

Detective Inspector Huss works to protect a Swedish city beset by multiple violent crimes.

treacherous net

The Treacherous Net is the eighth book in Helene Tursten’s series starring Detective Inspector Irene Huss, who continues to be challenged by upheaval in her workplace and her personal life.

In the city of Göteborg, Sweden, Huss is frustrated with the new female boss of her Violent Crimes Unit, who uses her sex appeal to manage the men in her department; she has no use for Huss, the only other woman. Huss has lost her longtime partner, now the boss’s deputy, and the unit is short-staffed and overextended by an unusually high crime rate. Gang-related murders are up, a mummified corpse has been found bricked into a chimney during demolition of a burned-out building, and two teenaged girls have been raped and murdered. One was from an affluent family who promptly reported her missing; the other had scarcely been missed. Meanwhile, Huss worries over her supportive but stressed and overworked husband, her aging mother and her young adult daughters, now out on their own. A new addition to her work team will ease some of the load–and present new challenges.

Huss is a tough, committed investigator and a loving family woman, and her shifting alliances present a twist on the standard police drama. Several of the actors involved with the crimes in question are well-developed characters as well. But The Treacherous Net is most accomplished in its plot, with several threads exploring history, long-standing social stigmas and the power of the Internet. This fast-paced, gritty thriller offers both a dark story and a striking hero.


This review originally ran in the January 5, 2016 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 6 cups of coffee.

Maximum Shelf: Breaking Wild by Diane Les Becquets

Maximum Shelf is the weekly Shelf Awareness feature focusing on an upcoming title we love and believe will be a great handselling opportunity for booksellers everywhere. The features are written by our editors and reviewers and the publisher has helped support the issue.

This review was published by Shelf Awareness on December 9, 2015.


breaking wildBreaking Wild is the first adult novel by Diane Les Becquets, author of highly praised young adult novels including Season of Ice and The Stones of Mourning Creek. Carefully crafted characters and measured pacing define this tale of two women’s parallel personal journeys in the wilderness of northwestern Colorado.

Amy Raye Latour is a wife and mother, an accomplished outdoorswoman and a strong personality. She is on a camping and hunting trip with two male friends. The men have brought down elk with rifles, but Amy Raye hunts with a compound bow; she needs to get away from her companions to find the stillness and quiet required to get close enough to her prey. So she sneaks away from camp on their last morning, with only a light pack. When she doesn’t show up again that night, her friends call local authorities.

Pru Hathaway lives in the nearby town of Rio Mesa with her teenaged son, Joseph, and her dog, Kona. Pru is an archeological law enforcement ranger with the Bureau of Land Management; Kona is certified for search-and-rescue, including avalanche conditions. The sheriff, Colm McCormac, is a friend; when he gets the call about Amy Raye, he turns to Pru.

The personalities of the two women shape the novel: they are both more complicated than they seem on first meeting, and while they are very different, both have concealed and storied pasts. One of Les Becquets’s triumphs is the tantalizingly paced release of new information: about Pru’s personal history, about Amy Raye’s troubles and the tangled web of her life, any strand of which may be implicated in her disappearance. Similarly meticulous is the build-up to Pru and Amy Raye’s expected meeting. This is the story of a chase: Pru and Kona pursue Amy Raye through the backwoods, tracking her movements through drifting snow and rugged terrain, hoping to find her before she succumbs to a mountain lion or the harsh winter conditions. As one party makes a move, the other makes a corresponding move, and the pressure increases. Breaking Wild is not only a masterpiece of characterization, but a feat of taut anticipation and suspense.

Somewhat relieving this tension are flashback interludes to Pru’s and Amy Raye’s respective histories, and the personal dramas of the present timeline. Pru’s son, Joseph, although not entirely untroubled, is a sweet young man; he wonders if Pru and the sheriff–himself an intriguing minor character–should date. Amy Raye’s marriage is not without its cracks, a situation perhaps symbolized by the description of her hunting in the early pages: her husband prefers to shoot with a camera, and has asked her not to keep guns in the house. Thus she uses the compound bow instead, and it is this choice that causes her to leave camp alone in the first place.

Three sections–entitled “Bear,” “Cougar” and “Deer”–further shape the book; chapters within those sections alternate between Pru’s first-person perspective and a third-person view of Amy Raye’s experiences. This format is telling. The natural landscape of northwestern Colorado is a pivotal feature, the backdrop that sets the stakes for a spectacle of life and death, informing every detail, every decision made. Both Pru and Amy Raye repeatedly note the temperature and humidity level, the wind strength and direction, in judging where, when and if to travel. When Pru first tells Kona to “go find,” on page 36 of more than 300, the reader knows that Amy Raye will not be so easily located. From then on, animal life and nature’s rhythms are increasingly crucial to Amy Raye’s subsistence. Is she hunting, or being hunted? She has gone into the wild seeking something undefined: “In that moment she felt everything–life, death, the tangy sweet smell of pine, the freshness of the rain. It was the immensity of those feelings that drove her mad at times.”

While the niceties of backwoods survival are fully developed, the drama of the natural world is less central to the story than the human dramas. The travels of Amy Raye and Pru give them room to grow, and to ask and answer questions of how to love; what a healthy relationship looks like; the nature of addiction; and the meaning and forms of family and community. Indeed, part of what Amy Raye has gone into the woods to find is a connection to her past; Pru found solace in the outdoors when she suffered a personal tragedy. So the two threads of the story–family and community, natural wilderness–intertwine, just as the lives of two women do.

Les Becquets portrays a credible and compelling cast of characters, especially the two strong women at its center. Breaking Wild is a rare novel in its mastery of both plot and character, with deliberate rhythm, thrilling suspense and a striking backdrop. Its breathless momentum carries through to a dramatic conclusion.


Rating: 7 arrows.

Come back tomorrow for my interview with Les Becquets.

book beginnings on Friday: The Magician by E. J. Stauffer

Thanks to Rose City Reader for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

magician

This weekend’s reading is a shortish thriller starring a retired assassin.

Ben Knight could have been any man in his early thirties, of average height and weight and with no outstanding features. If you were to meet him, you would most likely be unable to describe him an hour later. As he walked to the bar, he casually ran over a scenario in his mind that seemed promising at first but was not very practical.

There are a few recognizable patterns here: the nondescript and forgettable man, who then walks into a bar… but there is promise within those standards. Stay tuned.

The Last September by Nina de Gramont

As a literary novel of both suspense and emotion, this flashback-filled murder mystery has broad appeal.

last september

The Last September, by Nina de Gramont, portrays an immediately gripping world of secrets, trauma, and conflicting loyalties. Spanning mental illness, the meaning of family, and the lengths we go to for love, this novel begs to be read in a single sitting.

…Click here to read the full review.


This review was published on August 27, 2015 by ForeWord Reviews.

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My rating: 8 tiny scribbles.

Last Ragged Breath by Julia Keller

last ragged breathThis is the fourth novel in Julia Keller’s detective series starring Bell Elkins, a lawyer with a high-powered degree who has returned to small-town West Virginia to work as a prosecutor there. I tried to read (or actually, listen to) the first, A Killing in the Hills, and found the characters a bit flat. In a nutshell, Last Ragged Breath was very enjoyable, but did not entirely solve that problem.

The Buffalo Creek Flood of 1972 is a true historical event in West Virginia history, in which a coal mining company’s irresponsibility and disregard for human life led to more than 100 deaths. In this novel, a childhood survivor of that tragedy, Royce Dillard, is now a grown man, a recluse living alone in the woods with a number of rescue dogs. A tourism development company looking to build a resort in the nearby hills has been bothering him to sell a small parcel of land; when the chief botherer turns up murdered on Royce’s land, he is arrested for the crime. Although the forensic evidence is overwhelming, something about this case doesn’t sit right with prosecutor Bell Elkins. Meanwhile, she struggles with sideplots: her best friend the sheriff has just retired, and she’s not done being angry and grieved about it; she is learning to work with his replacement; and a potential love interest offers distractions.

Bell Elkins is noted as a well-developed character by many, inspiring complimentary blurbs from the likes of Michael Connelly. Sadly, I continued to feel that a few aspects of her personality felt predictable. The teenaged daughter who bothered me so much in the first novel is now mostly removed, although I recognized the same awkward dialog between the two of them when she reappeared. Other characters (like the new sheriff, and the owner of the resort-building company) also felt just a bit too typed from time to time, and scenes sometimes get a bit overwrought. This is my only complaint with the book, though, and it is a minor one (and perhaps my sense of it was heightened by that earlier experience). Overall, the story is compelling, and carries significant momentum: I was happy to spend a day and a half doing almost nothing other than finishing the book. Its comments on corporate responsibility and the complexities of coal mining’s regional legacy were well done. The people of Acker’s Gap mostly recognize that coal is dirty, and mining is dirty work; but they also need work, and see that there’s nothing to fill the hole it would leave. Nothing is simple.

An intricate plot, neatly paced suspense, and yes, likeable (if not perfectly realized) characters make for not only an enjoyable and entertaining read, but one accompanied by commentary on our real world. I’ve made my peace with the Bell Elkins series. And stay tuned for my upcoming interview with the very gracious Julia Keller.


Rating: 6 kibbles.

In a Dark, Dark Wood by Ruth Ware

An enchantingly unsettling thriller with mysterious characters and a classically spooky setting.

dark dark wood

Ruth Ware’s chilling, atmospheric thriller In a Dark, Dark Wood is her first novel and the inaugural title published by Simon & Schuster’s new imprint, Scout Press.

Nora is a writer of crime novels, a loner who buys her groceries online and appreciates her solitude. But when she gets an invitation to a hen party being thrown for a woman she hasn’t spoken to in 10 years, her carefully structured life is disrupted. Against her instincts, she agrees to attend, and the party’s setting serves as a disturbing beginning: an isolated castle of steel and glass set deep in the English woods, populated for the weekend by nervous guests, each apparently with secrets to keep.

In the novel’s disjointed timeline, Nora later wakes up in the hospital with fractured memories of being covered in blood, running through dark woods with a sense of urgency; the police are waiting outside her door. What happened to her? Or… what has she done? As the narrative switches between Nora’s confusion in her hospital bed and the events leading up to her hospitalization, she and the reader together begin to wonder: Can she really not remember, or does she not want to? Both timelines accelerate with building suspense toward the big reveal, and eventually Nora will have to go back and recall events from her past that she’d rather leave forgotten.

In a Dark, Dark Wood is peopled by mysterious characters set to a classically spooky backdrop and culminating in blood, broken glass and memory loss. Readers who appreciate being unnerved will be charmed.


This review originally ran in the August 14, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!
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Rating: 7 tequila shots.
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