A Witch’s Guide to Magical Innkeeping by Sangu Mandanna (audio)

Loving everything I’ve read by Sangu Mandanna, but **especially** The Very Secret Society of Irregular Witches, I was delighted to hear about this new one on audio. Thanks, Liz!

This is quite in the spirit of that other title, with themes of family, love, belonging, finding one’s own tribe, and owning one’s own strengths, weaknesses, and specialties. When we meet her, Sera Swan is a teenaged witch in training. More or less abandoned by her parents, she lives with her much beloved great aunt Jasmine at the Batty Hole Inn, which they run together. They have recently been joined by a witch in fox’s clothing (she is trapped in a fox’s body after a spell gone wrong) named Clemmie. When Jasmine dies in the garden, Clemmie gives Sera the spell to resurrect her, which Sera quickly does. She is probably the most powerful witch in all of Britain – despite being a girl, and still young, and most upsettingly to those in charge, a half-Icelandic, half-Indian, nonwhite person (the British Guild of Sorcery being as stodgy and, yes, racist as we might expect it to be). Jasmine is indeed brought back to life, along with (accidentally) her long-dead pet rooster, Roo-Roo, a mere rooster skeleton but avidly underfoot. But this great powerful spell has cost Sera virtually all of her magical power. This is devastating, because Sera loves her magic. Because the resurrection spell was not strictly legal, Sera has been exiled from the Guild to boot. (None of this is especially spoiler-y as it all takes place in the first few pages.)

Fast forward, and an adult Sera remains at Jasmine’s side, managing the Batty Hole Inn with much frustration, creative cursing, and precious little magic. She still mourns what she has lost, and thinks constantly about how to regain her power. But she is lucky to have Aunt Jasmine, for one – and Roo-Roo – and a motley crew of other residents: there is Nicholas, an awkward young man who thinks himself a knight, complete with shining armor and a very real sword; Matilda, a grumpy older woman who loves to garden (badly) and has become close to Jasmine; Sera’s cousin Theo, another young witch whose immediate family has abdicated; and still Clemmie, still a grumpy, meddling fox-witch. One of Sera’s spells from back before she lost her powers still protects the inn from those who wish harm, but reveals it especially to those in need of its particular kind of succor, which is how Sera has found herself surrounded by such loveable, messy eccentrics. And then a new addition to Batty Hole arrives. Luke has long been at odd angles to the Guild, but finds meaningful work in academic research if he keeps his head down; but his younger sister Posie is not so under-the-radar. At nine years old, she is a powerful witch and also autistic, which means she is not inclined to follow rules, including the all-important one about not letting mainstream society find out about magic. Luke is running out of options to keep his dear sister safe; they are quite on the run when they arrive at Batty Hole. The refugees only mean to stay a short while, but the two magical children, Theo and Posie, do well together, and Luke and Sera (onetime misfit magical children themselves) may have assistance to offer each other in turn. The newcomers fit neatly into the inn’s batty little family. Sera might even get her magic back – but at what cost?

Sera had always been good at fortitude. Fortitude was her friend. She had fortituded her way through undependable parents, megalomaniac mentors, scheming foxes, the death of a loved one, the resurrection of said loved one, the loss of her magic, and quite a large number of fiascos big and small since then. Unfortunately, she and fortitude seemed to have now parted ways, because Sera, glaring fearsomely at an empty glass teapot, was at her wits’ end.

So. There is a lovely built family of oddballs, finding ways to relate to each other on nontraditional terms. There is the trick of finding where we each fit in, and caring for children – and adults – who are different, but not less than. There are many kinds of love, including familial and romantic (and just a little sex), and at every stage of life. There is awe and magic, and there are bad guys and one battle in particular. There are absolutely laugh-out-loud lines, and Nicholas’s loveable but quite silly jousting. It’s extremely sweet, but I brought a sweet tooth to this cozy fantasy tale about community and gumption. Samara MacLaren’s narration was fun and expressive (and great points for so many accents) – perfect. I am 100% all in for Sangu Mandanna.


Rating: 8 scones.

An Arcane Inheritance by Kamilah Cole

“…it was nice to have [him] remind her that there was more to her life than school and murders.”
Dark academia, smoldering romance, mystery, fantasy, and examinations of systemic concerns to do with race and class: An Arcane Inheritance is a compelling, plot-driven story to get lost in, mostly. There were a few snippets that could have used another round of edits, but I’m still glad I spent my time this way, and I was definitely hungry for a sequel that doesn’t seem to exist. At least not yet!

Ellory Morgan is a Jamaican immigrant to Queens, where she lives with her Aunt Carol, only rarely hearing from her parents who remain in their home country. An accomplished student, she was accepted to Ivy League schools, but they remained out of financial reach, so Ellory had been working two jobs, caring for Carol (who is in poor health), and wishing for more, when she received an unexpected and unsolicited letter from the ninth Ivy: Warren University. They want to give her a full ride. Flash forward to three weeks in. She’s drowning in her con law class and beefing with the handsome, arrogant, privileged Hudson Graves (whose family name is on the Graves Library where she studies), when a strange thing happens. She steps into another realm, or hallucinates, or – could it be magic? – sees impossible things. And it’s not even the first time. For Ellory, Warren’s campus is filled with half-memories, déjà vu, and an increasing sense of danger. She could swear she’s been here before.

Ellory is drawn to journalism, to research and the quest for truth, so it’s not a great leap for her to begin investigating Warren’s history, especially the more disturbing chapters, like Warren’s ties to the esoteric, to old magic, and the Lost Eight: students of color who disappeared without a trace, over the course of years. To find answers, she finds herself allying with Hudson Graves, who remains both magnetic and highly irritating. What they discover together will threaten lives.

I’ll stop here to acknowledge the small things that, however minor, did detract from my experience. There is a humidifier running in the rare books room of a college library. Rare books generally need dehumidifying. The ideal humidity is nonzero, so you could conceivably find yourself in a place where they need more humidity, but that would be an awfully dry place, and I suspect not Connecticut. The rare books room is also unstaffed, and we’re watching these undergrads just idly drag their hands along the spines, which is not good rare-books-room behavior. Look, I know these are nitpicky little silly details, but they took me out of the story. If the author doesn’t have library background, no sweat – that’s why the publishing house has editors.

Check this one out:

This hidden balcony was barely large enough for three men of Hudson’s size, but it was perfect for the two of them; she placed her hands on the railing with almost enough room between them to open an umbrella.

I kept coming back to this sentence. It’s hilarious to me. There are not three men in this scene, of any size. There is a young man and a young woman. It is also not raining, and no umbrella appears within several chapters of this action. Why on earth are there three hypothetical men of Hudson’s size, let alone a random umbrella (which is anyway what, a pocket umbrella? a golf umbrella? This is like saying “the size of a car” when cars come in Smart and Excursion) on this balcony? It has that whole “don’t think about a pink elephant” effect.

I took such hang-ups with good humor, I promise I did. I like Ellory, her story mattered, I felt stress when the author wanted me to – there are definitely some running-through-the-woods, body-horror, life-on-the-line scenes that worked well. There were some less polished moments, but this is a well conceived plot and mostly very well written. And oh! I almost forget to mention a lovely design element: the page edges are decorated with some fairly intricate art, which is really nicely executed and makes for a genuinely gorgeous package. Not deckled edges (my archnemesis)! Like I said, I’d buy a sequel. Looking forward to more from Cole.


Rating: 7 glasses of white wine.

Wolfsong by TJ Klune (audio)

I took great pleasure in this great big Klune novel, first in a series (squeal!). At 19 hours, and over 500 pages in print, this is a nice deep dive: make sure you have the time, and it will be well rewarded.

We meet Ox when he is 12 years old, and his father, a violent drunk, is leaving. The father is not seen again, but he looms throughout the story, quoted as telling Ox that he’s stupid, that he will get shit all his life, that men don’t cry. Ox does go through some shit, but also finds so much love and surrogate family. The father is proven wholly wrong in the other respects, repeatedly and throughout, but Ox will be the last to believe that he is not stupid, that he is special, strong, capable, loved, and that his tears are okay.

Ox does have a lovely mother, and over time, forms bonds with his father’s former boss, now his own: Gordo, who runs an auto shop. The other employees at Gordo’s treat Ox as their own, too. And then, on his sixteenth birthday, he meets a ten-year-old boy named Joe, and will never be the same. Joe and his family are charismatic, powerful, beautiful people; they take Ox as one of their own, although it takes a little while to figure out what-all that means.

What follows is the building of family ties that are both literal, in this fantasy world, and figuratively, rather a fantasy of what we regular people might dream possible: indelibly strong connections and complete commitments. But also, drama and violence and betrayals, death and loss and grief; and also such love and passion, and just one or two extremely hot and fairly detailed sex scenes, quite late in the book. There were lines of absolutely exquisite humor, even among some of the worst and most painful parts. I wanted to include some of those here, but they were either too spicy or too spoiler-y, so please just believe me when I say Klune can make me laugh and cry at the very same time. For this reader, at least, he just excels at making me feel so much, so deeply. I would follow these characters anywhere.

This story is set in Green Creek, Oregon, a small, working-class town where the gritty real-world sort of bad things happen, but magic is also possible. A young boy who was told that he was big and dumb and slow can grow up to find and do surprising things. A young boy who has been horribly traumatized can remake himself, surrounded by love. I think I’ll stop here, because I want this beautiful book’s many, deep, complex twists and surprises to find you – if you choose – as they found me, unawares. I’m really excited about the rest of this series.

Kirt Graves narrates this audiobook beautifully. I’m sad that I’m not listening to him right now.


Rating: 9 slices of cucumber.

The Enchanted Greenhouse by Sarah Beth Durst (audio)

That’s what magic was: words that brought thought to life. And Terlu was very, very good with words – or at least with words like this. She couldn’t guarantee that the right ones were going to come out of her mouth in a random conversation, but this… this she felt confident about.

I love this series. It is snuggly and comforting – that is, it begins in a very different place, cold and lonely and frightened; but it spends these long hours getting to a place of calm and warmth.

At the end of The Spellshop, in my audio edition at least, readers (listeners) were treated to a bonus beginning of this novel. In that first chapter, we learn a little bit about what happened to Caz’s creator. The sentient spider plant was spelled to life by a librarian named Terlu Perna. Terlu was not a sorcerer, and therefore her magic was illegal; but she had been hopeful that it might be overlooked, because Caz’s creation was harmless, resulting only in new life. Her magic was not overlooked. In chapter one, we see her convicted and sentenced to be turned into a wooden statue. It seems she is doomed to be a statue – a mostly aware statue, but unable to move or speak – forever. Indeed, in The Spellshop, Caz and Kiela assume that when the Great Library burned, Terlu burned with it.

But now we know she didn’t. She awoke, came all the way back to flesh and blood, in the snow in an unfamiliar forest. Alive, but still alone, which is Terlu’s least favorite thing. She had created Caz because she was lonely and friendless, and needed a friend so badly that she risked everything. Now here she is, grateful to be back in her body, and then on the verge of freezing to death, and still alone.

She finds her way into a greenhouse. She meets a man, a gardener, apparently the only gardener in what he calls the Greenhouse of Belde, an enormous, elaborate, all-containing place, with many, perhaps even countless rooms. There is a greenhouse just for roses, one just for tomatoes, and four for vegetables, one in each season of the year. There is a greenhouse of singing plants, and one filled with saltwater and ocean plants. Terlu has never heard of the island of Belde or its wondrous, mythic greenhouses. The terse, grumpy gardener, a very handsome man named Yarrow, tells her he is the only one left. The sorcerer who created the Greenhouse is dead. All of the other gardeners had been sent away. And the greenhouses are slowly dying, one by one.

Terlu is likewise alone in the world, and moved by this puzzle, especially because the fate of Yarrow and his beloved Greenhouse seems tied to her own: she has nowhere else to go. And so, slowly, they build something. With the eventual company of a sentient rose named Lotti, and then a whole squadron of talking plants, they determine to try to repair what is failing on Belde. For Terlu, this means working illegal magic again, risking her worst nightmare coming true a second time. For Yarrow, it means trusting, opening himself up again after being abandoned by everyone he ever cared about. The story grows from there.

It wasn’t lost on me that Terlu made herself a friend – Caz – out of loneliness, because she deeply needed fellowship. And then Caz was inherited (so to speak) in book one by Kiela, who insists she needs no one and would prefer to be alone – but I think we can see now that her solitude is enabled by the company of the wonderful Caz. Terlu nearly lost everything, but Kiela was perhaps saved. And there is still time in their world for the good deeds to keep on snowballing.

For what it’s worth, I love that Terlu is solidly an academic. She enjoys study. She speaks (and reads) many languages, and likes to puzzle and learn. Also, as we know, it’s central to the plot that she is very social, needs company and conversation. There’s a charming bit (which I can’t find, because audiobooks can’t be riffled through like print ones) in which she recalls telling her family she wanted to be a librarian, and then having to explain to them that no, not all librarians just shush people and hide in the stacks; there are public-facing, people-oriented librarians, too. I love that! (Kiela was the other kind, happy to hide.) Faced with the markedly unfamiliar challenges of Belde, Terlu wants to be of assistance, and luckily finds a way to help through study, reading, and linguistics. Hooray!

The Enchanted Greenhouse is about loneliness and company, about finding where one belongs, about overcoming fears (and paranoia, even), taking risks and trusting. It’s about fellowship and building community. It does end in romance, as did book one. And there are plant friends (and a charismatic winged cat named Emeral). Variously labeled romantasy and ‘cottagecore’, this is a decidedly cozy novel, filled with good food and other comforts (but especially lots of good food). It moves at a decidedly measured pace – some readers will find it slow, but I’d offer the more positive descriptor, that it proceeds in leisurely or even cautious fashion, and rewards the reader’s settling in. Trusting, even. Once again, Caitlin Davies’ narration feels perfect. I’m anxious for this trilogy’s third installment, coming later this year, and will be looking into Durst’s other work. I’m delighted I found this one.


Rating: 8 honey cakes, obviously.

Bookshops and Bonedust by Travis Baldree (audio)

I am completely taken with this very sweet series. Here, we get a big flashback from Legends and Lattes, to Viv’s youth. We meet her when she was just a young mercenary orc, on one of her earliest missions: full of cocky bravado and the joy of battle, she made the sort of error that cocky young warriors do, and found herself badly wounded. When she awakens from the fever of infection and pain, she finds that her crew has left her to recuperate in the small seaside village of Murk. Her boss has paid for her ongoing medical care and for the start of her lodging costs, and she is well funded to take her time recovering. But Viv is deeply frustrated to have been left behind – even though, when she tries to walk on her bad leg, she has to admit she could never have kept up with the pace of battle.

So. Viv is set back, cooling her heels, physically limited, furious, bored. She begins stumping painfully around town, looking into what there might be to do (not much), and committed to keeping up her training, as her injuries allow. It’s terrible! But she slowly discovers: a bookshop (terribly dusty and smelly, but staffed by a charmingly foul-mouthed ratkin named Fern who becomes a friend); books (reluctantly, then fiercely, she learns to love reading); a wonderful bakery (with a proprietor who finds Viv most appealing); and an indomitable young gnome who aspires to be a mercenary like Viv. She begins to find a rhythm, a new way of living. She helps Fern around the bookshop – together, they clean and reorganize, bring in a local author for a reading, and start a book club. Viv even, slowly, befriends Fern’s pet, a gryphet named Pot Roast. She enjoys a bit of a romance with the gifted dwarf baker, Maylee. And she develops a camaraderie with the gnome, Gallina, whom we already know from the later timeline. Viv is aware that these ties will be short-lived; she is anxious to get back to work with her mercenary crew when they come back through for her (fingers crossed). This gives the young love, in particular, a bittersweet flavor. Then, just to highlight how much she’s learned to care about her new friends in Murk, a threat arises. In her warrior work, Viv had been on the hunt for a necromancer called Varine the Pale. In her convalescence, it seems that Varine’s forces have come to her. It may take all she has, in both limping physical prowess and cleverness, to keep safe the people she’s met in her short stay on the coast.

This is just the sweetest tale: young love, earnest friendships, and the hard, dusty work of running a bookshop. (I feel a bit misled by Legends and Lattes: Viv did have some retail experience.) There are once more delicious pastries, and a quirky, sometimes-snuggly pet. The story ends with Viv’s departure, back on the road and back to slinging steel; but an epilogue ties these youthful events directly to Viv’s later life with Tandry at the coffee shop, and neatly sets us up for the next installment, Brigands and Breadknives, for which I am most anxious. Stay tuned! I’m entirely sold on this cozy fantasy series. Onward.


Rating: 8 bottles of bonedust.

“Pages to Fill” by Travis Baldree (audio)

“Pages to Fill” followed Legends and Lattes, packaged in with the same audiobook, read by the author*, and offering a tidbit of prequel background. At just about an hour long, it’s a good short view into Viv’s world of magical beings, and her own character and yearnings. It informs the novel I just finished, and keeps me interested in more. (I’m starting Bookshops and Bonedust next.)

I’ll keep this short, especially for such a short work. I enjoyed learning about Viv: a bruiser, but not invulnerable, and already showing signs of the special interest we see in Legends and Lattes, as well as the disillusionment with her then-current livelihood. She’s got a soft spot, which is beginning to be a point of conflict with her more hard-nosed colleague Gallina, despite their close relationship. I’m also left feeling curious about what happened to this short story’s antagonist. I’m excited to get into the rest of the series!

*Travis Baldree’s narration of his own work is something I failed to address in that earlier review. I liked it very well, not least because I love knowing how the author thinks a certain character will sound, or how a certain line will be delivered. If anything, this feels even more important in fantasy, where some names or other words may be the author’s inventions, or, we may have less context for what orcs and gnomes sound like than we do with fully human characters. I love hearing things the way the author imagines them, assuming the author has some basic performing chops – as this one certainly does. Baldree has other narration credits beyond (and predating, I think?) his own work. Definitely keeping this series in the mix, and stoked for it.


Rating: 7 bottles.

Legends and Lattes by Travis Baldree (audio)

I somehow got this book recommended, I think as a comp for The Spellshop which I loved. It was a good rec! Legends and Lattes is likewise cozy, although not without threat and even violence; offers subtle romance; and incorporates fantasy and worldbuilding elements. It was on the short side, and I got so engrossed I finished it in just two days! (I’m currently engaged in the included short story, a prequel, and will write that one up for you soon.)

This novel features Viv, an orc who has worked as a mercenary – hunting bounties, killing bad guys and monsters – with a small group of associates (who are mostly also friends). She’s been dreaming of getting out of the game, though. Her back hurts. As the story opens, we see her grasp a mysterious item, a bit of a good luck charm. She journeys along ley lines to the town she’s chosen for its advantageous position. Between her luck object, the ley lines, a witching rod, and a nest egg she’s saved up, she methodically sets about establishing the first coffee shop in the town of Thune. In an interesting retail challenge, no one in Thune has ever heard of coffee; Viv herself had only encountered it in a distant gnomic city. Not only is she embarking on her first retail venture, she’s introducing an unheard-of product. Bean water?, her first few acquaintances ask her, clearly doubtful. But she has her good luck charm.

The truly cozy aspect of this story lies in Viv’s earnest desire to leave behind a life by-the-sword in favor of a more wholesome one – ‘cozy’ is in fact the word. The gnomic coffee shop she’d fallen in love with was warm, bustling, with a sense of community, as well as delicious drinks. In Thune, she slowly builds her own version of this, making friends (almost by accident and almost without noticing it) along the way. First she hires a builder, an expert craftsman but one disregarded by his local society, making him ready to appreciate Viv’s valuing his services. Next she hires an assistant, also a bit of a social outcast, but who turns out to be PR/marketing whiz (and an artist, who enlivens the chalkboard menu and signboards). Then she stumbles almost by accident on a baker, a tiny ‘ratkin’ of few words but a genius with dough and flavor. A painfully shy giant comes in to play the lute. An awkward scholar comes to study and eventually share his skills. Viv wanted a new life and livelihood; she winds up establishing a community, even a built family. And good thing, because the troubles of her old life are just around the corner.

Sweet, entertaining, page-turning. Can’t wait for more.


Rating: 7 Thimblets.

The Spellshop by Sarah Beth Durst (audio)

What a sweet, charming fantasy/romance story about librarians, sentient plants, and the challenges of stepping outside one’s comfort zone. I’m a new fan of Sarah Beth Durst.

We meet Kiela just before she discovers that the library is burning. She’s been sort of lackadaisically sorting books into crates for rescue, not really believing that the rebels would really burn the library – books are sacred! But we quickly escalate through smoke into evacuation: Kiela, eight or so crates of precious spellbooks, and her assistant and best (and only) friend, a sentient spider plant named Caz, load up in a small sailboat and pole out into the imperial city’s canal network and then into the sea. As the city burns, they sail for a place Kiela’s not seen nor thought much about in many years: the island of Caltrey, where she was born and where she lived until her late parents moved the family to the city when she was nine. Kiela and Caz move back into the family’s cottage – not too badly decayed – and immediately face a shortage of both food and funds. They also face a neighbor named Larran, who is handsome, kind, and too friendly for Kiela’s tastes: “We prefer neighborly,” he responds when accused, “but ‘nosy’ is probably just as accurate.” To be clear, Kiela is a total recluse: for years, since her parents died, she’s lived in a corner of the imperial library where she also worked, ordering and receiving her meals without human contact. It’s been an embarrassingly long time since she even talked to another person. And now she is challenged to deal with the inhabitants of Caltrey. Larran is helpful, but Kiela has trouble appreciating this quality, at least at first.

Indeed, at first Kiela feels a little off-putting. Her attitude toward a new acquaintance who’s trying to help is a bit harsher than felt warranted, and I found it strange how unprepared she was to do the simplest things for herself: not knowing how to forage for food or start a fire is one thing, but as an extremely well-read librarian, how has she not at least encountered the concept of survival skills, as in, enough to appreciate how little she knows? But she picks things up quickly. First, she realizes that the island is not quite as idyllic as remembered. The plants and trees are sickly, the springs drying up, the storms worsening, and the merhorses unable to reproduce. (Merhorses are essential to the island’s fisheries, and Larran’s special love: he is a merhorse herder.) Bravely, and not quite legally, she decides to use the knowledge she’s brought to the island. She opens the spellbooks she saved from fire and tries to help. Because remember, this is a magical world: Kiela’s skin and hair are both (naturally) blue. One of her new friends in town has antlers, and another the hindquarters of a horse. The island’s natural rhythms have been thrown off by an imbalance of magic, which is a political issue: the empire’s capitol keeping powers for itself and ceasing to care for its outlying islands like Caltrey. And then there’s Caz, a wonderful character, a wonderful researcher, Kiela’s devoted friend, and possessed of profound anxiety.

Even as I’m writing this review I’m realizing how many facets of this book I found intriguing. I loved the cozy community of Caltrey, both in its flora and fauna and cottages and bakery, and in its community-mindedness – imperfect, as ever we are, but still cozy. I loved the well-built fantasy element, the merhorses and winged cats and purple-swirling storm sky and Caz the spider plant, et al. I did appreciate Kiela’s character, however prickly and hapless she was up front; she has a background of both suffering and neurosis to explain her personality, and best of all, she experiences a real arc of change and growth throughout the book (while retaining, believably, some of her quirks). I loved Larran, and found their trajectory snuggly and loveable, if not complexly plotted. There was a political thread to the story, one that mostly passes Kiela by, at least in her former life: the empire’s power, helping only its urban and upper-class citizenry, what it allows the outer islands to suffer. Even the misapplication of magic that’s led to ever worsening storms is a thinly-clad metaphor for anthropogenic climate change. The politics are not front and center to this story, but I appreciate the sense that Kiela lives in a realistically complicated world, whether she chooses to engage with those parts of it or not – and, realistically, she finds that those elements touch her life and the lives of those she loves, regardless.

This was a really fun, absorbing adventure. I was sad when it ended, and I can’t wait to get my hands on the next related story. For the audio production, I thought narrator Caitlin Davies did a fine job acting and enunciating. I’m all in.


Rating: 8 cinnamon rolls.

A Power Unbound by Freya Marske

Same disclaimer as last time.

Well, it is early in the year for this, but I have possibly found the best book of the year. I am crazy about this Last Binding trilogy.

Book three, like the two before it, centers around one couple that makes a connection and then sizzles hot. But it also advances the world-level plot that’s been building in all three books: a group of powerful and power-hungry magicians, of the sort who hold enormous social capital, titles, and wealth as well as magic, aim to monopolize still further, stealing power from the bulk of magical humankind. It’s egregious, but very human of them. Our motley crew, which now comprises Violet, Maud, Robin, Edwin, Addie, Jack, and Alan, aims to stop them. But despite their combined riches in titles, wealth, magical power and expertise, smarts and pure scrappiness, our group pales in comparison to the established power of magical England. It’s grim, in fact.

Alongside the trilogy’s thread about magical power and threat to the world – with a growing sense of social justice, thanks not least of all to Alan’s contributions – and a delightful romantic-and-sexy thread with our third couple to take center stage, there is a growing sense that these friends are building something beautiful as a group. Several, or nearly all, of these protagonists considered themselves loners when the story began. One important but understated headline to A Power Unbound is that they are no longer alone, but members of the kind of built family that will take care of one another in the most important and profound ways.

I cannot understate how devastated I was to finish this book. I don’t remember the last time I was this sad about there being no more. I’m relieved to learn that Marske has two other novels, which you’ll hear from me about soon. But gosh. The Last Binding. I can’t believe I’m going to live without this group of funny, plucky, curious, hard-loving young people. Here in the first month of the year, I think this is the one to beat. All hail.


Rating: 10 cufflinks.

A Restless Truth by Freya Marske

As is my more-or-less usual practice, this review will contain spoilers for the book that preceded it in the series, but not so much for this book itself.

Book two was every bit as good as book one.

We’ve made a pretty thorough shift away from that cast of characters. Robin and Edwin are still there, but off-screen. In my review of that first book, I mentioned Robin’s beloved younger sister only as such, without even giving her name: that’s how minor a character she was there, but here, Maud stars. She has been assigned (at her own insistence) the duty of bringing back from America to Britain a most important Mrs. Navenby, member of the Forsythia Club alongside the now deceased (see book one) Flora Sutton. In the novel’s opening scene, we see Mrs. Navenby murdered, onboard the ship Lyric en route to London. This leaves Maud Blyth, under the pseudonym Maud Cutler, alone in her remaining task to bring home, if not the wisdom of Mrs. Navenby, at least her piece of the Last Contract. Unfortunately Maud does not even know what form that piece might take.

In short order, the enterprising if not terribly worldly “Miss Cutler” manages to enlist the help of Lord Hawthorn (who we met in book one) and a new acquaintance, Miss Violet Debenham, a thoroughly disgraced member of a good English family who has been living in New York and acting in the theatre (horrors), although she is now set to inherit from an also somewhat disgraced but very wealthy and now dead relative. Along the way to identifying and protecting or recovering Mrs. Navenby’s magical item (piece of the Last Contract), Maud’s crew will pick up a journalist who is also a jewel thief and pornography dealer. Maud takes a special interest in the pornography; she takes advantage of this voyage to become a little more worldly. The novel’s title comes in when her new lover must confront their own resistance to the vulnerability that comes with honesty – in contrast to Maud’s fanatical unwillingness to tell a lie. Whew.

A Restless Truth, like A Marvellous Light, excels at the fine details of historical setting, the meticulous building of this magical world, and the absolute rush of discovery that comes with good love and/or sex. I am breathless with anticipation for book three.


Rating: 9 parrots.