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The fifth Stevie Bell novel, and the last to date, although I saw that Johnson is writing more.

Stevie’s back at Ellingham, with most of her friends: Janelle, Vi and Nate are there as well, hard at work on their college applications, while David is away at school in London. Stevie is struggling: she lacks focus except when hyperfocused on a case, and right now there’s no case. “[Hers] was a good brain, but it had only two modes–fog and frenzy.” She’s not functioning well at ‘just’ going to school; she pines for David, and she’s unmotivated. She can’t wrap her head around the college stuff at all. (I begin to think that there’s something diagnosable about Stevie, between her unfocused/hyperfocused poles and her difficulties with social cues, but that’s not my job and she’s fictional. That’s Johnson’s job.) To save the day, a drunken late night call from David sets up a trip for Stevie and her friends to visit London: ostensibly for a little study abroad but mainly, obviously, for the couple.

There’s a cold case – Stevie’s specialty. It involves nine friends who called themselves ‘the Nine’ when they were college students back in the 1990s, and they are obviously counterparts to Stevie and her crew in some respects. There is also Stevie’s evolving relationship with David, her troubles relating to other humans in general, her detective mastermindedness, and everyone’s anxiety about college applications.

I had some frustrations about this novel. I’m disappointed in Stevie, and in David, and frankly, in Johnson as well. [Mild spoilers follow.] In this installment, Stevie makes a big error in her friendship with – well, with all of them, but particularly with Janelle. It is in line and in theme with the title, and the themes of the case she’s working on (which she points out to us herself, in case we’d missed it): the friend group who’ve experienced the murders (two in an old cold case and one present-day missing) are guilty of lying, and so is Stevie. Her crime against Janelle feels so serious to me, and I’m dreading Janelle busting her because I know Stevie’s life is going to change so profoundly when that friendship takes the blow. And then it just fizzles out, like, oh, everything is fine. I feel that Stevie doesn’t suffer consequences appropriate to her misstep. I was dreading the consequence; but when she gets to skip it, I feel that the author has let us down. I feel it was out of character for Janelle to respond the way she did.

And then comes David’s big bonehead move at the end. I guess it’s not entirely out of character, nor out of character for dumb teenagers. But I feel the let-down pretty hard. This one is less about inconsistency, at least, and more about my frustration with the character himself. My bigger gripe here (especially after it’s been a few days) is about the cliffhanger she’s left us on! (I think it was book two that also ended on a big one. But I was already holding book three! And book six doesn’t even exist yet!)

If anything, my frustrations are because I feel so much love for this series, so all is not lost yet. But I am now anxious for the next book in more ways than one.

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The Stevie Bell series continues, but we’ve left Ellingham behind, Stevie having solved the Truly Devious murders (although the world only knows a bit of that story). At this novel’s start, she’s puttering around at home with her parents, selling deli meats and cheeses at the grocery store and cleaning up the salad bar by night. Then she gets an invitation to really go to work: as far as her parents know, she’ll be a counselor at Camp Sunny Pines, but she’s really there to investigate the Box in the Woods murders of 1978, from back when this was Camp Wonder Falls. The tech-bro who’s hired her says he’ll employ her friends, too, which means Nate and Janelle, because David is enjoying his voter registration work in a different (and I’m pretty sure unnamed) part of the country. Stevie’s a bit disappointed, but she respects his mission.

Camp Sunny Pines is an amusing setting. Massachusetts is warm and muggy in the summertime, and Stevie is more cerebral than outdoorsy. She buys into the idea of rugged go-everywhere detectiveship in theory, but she quickly runs out of signature black t-shirts because she has to change them so often – these are sweaty environs, and she’s also doing far more running and biking than she’d like. It’s kind of fun to see her challenged in these ways. Her tech-bro boss does not have a good bedside manner for engaging with the community; Stevie is better at this, but less adept with her personal relationships, and one in particular: David (now her actual boyfriend) finds a reason to come out after all, but Stevie’s responsibilities and preoccupation with the case mean she doesn’t engage all that well with him. He does some driving her around, and tries to have an important conversation, but she’s too checked out. In contrast to what I said about the last few books, I felt sorry for David, who tries to be a good boyfriend and friend, while Stevie’s a bit awkward and inattentive.

I remain baffled by her friendships: Janelle, the purported best friend, is totally rad but much less a day-to-day ride-or-die joined-at-the-hip BFF than Nate, who I feel doesn’t get enough credit.

One of the things that made Nate and Stevie such good friends was their mutual hatred of sharing emotional things. Somehow, they managed to have a deeper bond by staying on the surface–as if they were snorkeling their feelings, floating along side by side, observing all of nature’s wonders without getting close enough to be stung by something under a rock.

That Janelle gets the best friend label is a feature of Johnson’s writing that just confuses me.

But I still love Stevie herself, even in her bumbling. There was, again, a passage that I hold onto as emblematic of her loveable personality. She’s preparing to meet David, and considers fixing herself up a bit, and then just kind of gives up – I love this facet of her, that she’s aware she’s not quite meeting an external social measure of so-called beauty but can’t bring herself to entirely care. (And David doesn’t. It’s fine.) I relate to this entirely.

The mystery is compelling, and I appreciate the final scene, even if the solution is a bit awkward too… I’m really here for Stevie’s clever mind, her interactions with other humans (for better and for worse), and her dear strangeness. I enjoy Johnson’s use of the classic feature wherein the detective just talks it out with her friends and acquaintances, and lets her mind drop things into place. I’m definitely excited about book five.

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On a day that I claimed to be overwhelmed with the student papers I had to grade, I also managed to wake up and immediately begin this book… and then stay up til midnight finishing its nearly 400 pages in the same day. I loved Truly Devious and was even more entranced by The Vanishing Stair, which annoyed me with a cliffhanger the night before and sent me directly into this one, book three. My main goal today is not to read a whole book by accident when I’m supposed to be working.

The Hand on the Wall is book three of three in the Truly Devious series – but the Stevie Bell series continues for two more books, a bit confusingly. The Truly Devious murders themselves (aka the crime of the century, the murder/kidnapping at Ellingham Academy in the 1930s) are wrapped up in this book, but newly minted detective hero Stevie apparently continues on. (I haven’t read book four yet! I’m staying strong.) This installment sees the advancing of Stevie’s investigations and her modest decline in terms of personal hygiene and nutrition; the beginning of real fears for her personal safety and/or that Ellingham may indeed be cursed; the continuing friendship and alliance with Security Larry (this is a relationship I have really enjoyed in two books now); and the bumpy evolution of Stevie’s match with the troubled David. I said in my last review that getting to know him a bit better would yield more sympathies, and we do get that here. I still find him a bit obnoxious and don’t appreciate his treatment of Stevie, but they’re making progress.

Stevie grows in her relationships with others. A bit weirdly, the amazing Janelle continues to be identified as Stevie’s best friend, but our hero actually spends more time talking with and confides more in Nate, a hilariously Eeyore-like blocked writer. Janelle is a great friend, but involved in her own love match (that’s going more smoothly than Stevie’s), and it’s actually Nate who ends up fulfilling a day-to-day best-friends role. We have a new friend as well, Mudge, who is loveable if a bit of a cariaciture: he’s here to exhibit exactly how drolly eccentric Ellingham students can be.

Mudge was Stevie Bell’s lab partner–a six-foot-something death-metalhead who wore purple-colored contacts with snake pupils and a black hoodie weighed down with fifty Disney pins, including some very rare ones that he would show off and explain to Stevie as they dissected cows’ eyes and other terrible things for the purposes of education. Mudge loved Disney more than anyone Stevie had ever met and had dreams of being an animatronic Imagineer. Ellingham Academy was the kind of place where Mudges were welcomed and understood.

Security Larry, mentioned above, is a former police detective and becomes a mentor to Stevie in her own work, both cautioning and trying to enforce the rules upon her and gradually, increasingly, viewing her as a peer. He’s great. Several other faculty members develop as well. I very much related to poor Dr. Quinn trying to convince her students to do the readings before class.

I love Stevie more and more. She “would rather eat bees than share her tender inner being with anyone else–she didn’t even want to share it with herself.” She undergoes an actual epiphany (pages 108-109) when she realizes that her weird, awkward self is just a perfectly fine version of a human, and that her own unique combination of qualities is precisely what’s gotten her where she is in life; this is a passage I would like to share with everyone I know, but especially young people and especially girls just making their way and finding themselves. I would follow this protagonist anywhere.

As befits the final book in a trilogy, this one ends on a note of triumph, closure, and hope – perhaps a bit neatly tied up, in fact, but I know there’s another Stevie Bell book to follow. Again, for the sake of my sleep I’m taking a day or two off, but expect more any time now. Maureen Johnson is my new favorite. Thanks again, Liz.

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Book two of the Truly Devious series flew by. I stayed up late to finish this one and it ended on a serious cliffhanger, so look for my review of book three to follow this one immediately.

At the close of Truly Devious (for which there are mild-to-moderate spoilers here), The Vanishing Stair opens with Stevie glumly returned home to her parents’ house and her public high school. The gamechanger comes quickly in the form of the despicable Senator Edward King, her parents’ hero and employer and (surprise) the father of her love interest from Ellingham Academy. King has arranged everything for Stevie to return to Ellingham – funding the trip, heightening security following a student’s mysterious death, and convincing her parents of her safety. He wants Stevie, in return, to keep an eye on his wayward son David, with whom Stevie’s not on particularly good terms anyway. She’s thrilled to be back at the school where she feels stimulated: with her friends Nate and Janelle again, working on her life’s greatest passion, the solving of the 1930s Ellingham murders, and yea, David. Quickly a second body is added to the modern Ellingham count. Stevie gains a new advisor, an eccentric academic from the local (Burlington, Vermont) university with a drinking problem and a very nice nephew. David’s moods and attitude toward Stevie continue to swing wildly, hot to cold to nuclear.

The best thing about these books is Stevie herself. She’s socially awkward but mostly doesn’t care; she’s occasionally bothered by her inability to fit in back in the ‘normal’ world (of which Ellingham is not part), but only when she remembers. Despite sometimes showing signs of a standard teenager’s low self-esteem, she generally carries on as herself, unbothered. I like her. She’s an extremely focused detective – perhaps to the point of mild self-neglect, but that’s part of a long tradition of detective types in fiction (a fact she’s aware of). Johnson’s prose is downright funny: after camping out overnight in the school’s yoga studio, Stevie “felt a waffle pattern of yoga blanket on the right side of her face and the faint smell of lavender and patchouli permeating her being. It was like she had been run over by a boulder made of hippies.” Our young hero can be a little bumbling and dense – just like a teenager, no matter how smart. I have a little less patience for David’s antics, perhaps in part because he’s a rich boy? but mostly, I think, because we don’t have the close third person window into his interior self that we have into Stevie’s. He’s a suffering kid, too, and I think if we got inside his head it would be just as sympathetic as hers.

The mystery plot remains compelling: this book focuses in on the riddle that Albert Ellingham left behind on his final day, which the title of this book nods to. We’re learning things, about the historic murders as well as the modern suspicious deaths, but not the big final thing we want to know. Again: this one ends on a mad cliffhanger; I was actually a little peeved, and even more relieved that I already had book three ready and waiting. I recommend you do the same.

Liz was (as ever) 100% correct about this one. I’m pretty sure she said she ripped through the whole series, as I am clearly going to do as well.

These books are recognizably YA in a few ways: teenaged protagonists, a gentle handling of gore, violence, and sexual content, and humor. But the plotting is not too simplified for adult readers to enjoy, and a strong female lead who is still in her teens appeals to this reader at any age. I’m a fan.

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