The Queen of Sorrow by Sarah Beth Durst (audio)

Posted on August 21, 2026 by pagesofjulia

This third and final book in the Queens of Renthia series lives up to its name, with hardships and sorrows, but ends on a surprisingly hopeful note. The Queen of Blood was Daleina, and The Reluctant Queen was Naelin; this third titular queen is Naelin again, facing new challenges. Thematically, to some extent, these might be summed up as the tension between caring for one’s own, as individuals (in Naelin’s case, her two children) and caring for the masses (in Naelin’s case, her realm of Aratay, and perhaps even beyond it to the people of all of Renthia). A ruler with individual loved ones is ever in a position of conflicted loyalties, with no easy solutions. We also see in this book a return of an earlier antagonist. The spirits are bad enough – killers, but only by instinct, without much in the way of personality, or motivations beyond those instincts; and they may be managed, even somewhat humanely, by a queen who is both good and powerful. But then there is Merecot: powerful, but not entirely ‘good,’ she is ambitious, self-centered, and arguably amoral. Since book one she has been at least a little bit at odds with Daleina, who is undeniably good (Merecot would say, obnoxiously so), but distressingly unpowerful in her command of the spirits. Naelin is very powerful, but poorly trained, and compromised by her personal loyalties, as above; she might be the chaos to contrast with Daleina’s good and Merecot’s less-than-good. And yes, all three of these are pitted against the spirits, characterized almost as a force of nature (indeed, they are the embodiments of natural forces), but perhaps with more agency than we originally thought.

Whew.

As a series closer, The Queen of Sorrow is powerful: there is no question of the strength of the emotional experiences of each of our queens, and I’m stimulated by a number of secondary characters, too, including several loves (and one ex), a sister, and a mother-in-law-to-be, not to mention Merecot and her machinations (and predecessor). There are weddings, deaths, a wolf with a backstory, new worlds. There’s a lot of new for a series closer, and I see we do have a (standalone-ish?) “Tales of Renthia” book already, as well. I guess I appreciate that Durst left so much possibility, although it might be frustrating for the supposed final work in a series! I think the whole thing has been a feat of worldbuilding. There’s something about the darkness here that has kept me at a bit of a distance, that I can’t quite put a finger on, but I’m also gripped by the plot and completely invested – when I spotted that fourth book I knew I had to have it. I think I relate more closely to Durst’s cozier outings, but I want this kind just as badly. Maybe I’ll figure out how to better articulate this in the next edition.

Rating: 7 jewels.

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The Warbler by Sarah Beth Durst (audio)

Posted on August 14, 2026 by pagesofjulia

I have followed Sarah Beth Durst through cozy fantasies (The Spellshop and its sequels), darker ones (The Queen of Blood and her fellows), and now here, to a deeply imaginative and deliciously weird look at the choices we make and those we may try to make for others.

Different chapters focus on three different women in three timelines, but it is Elisa who steps forward as protagonist. She has never lived anywhere longer than ten months, and lives by an elaborate set of rules and strategies, taught by her mother, to leave no trace and take no souvenirs. A family curse, passed from mother to daughter, decrees that if she ever “puts down roots,” that concept will be come literal. Elisa will turn into a tree, as her mother did before her. In alternate chapters, we see Lori, also on the run, and Rose, who always wanted to leave her hometown but never got a chance. Is a home something to be desired, sought after, built, and cherished? Or is a home a cage? We meet many weird, twisting, fascinating characters: a handsome bookstore owner, a moon-eyed lover in Paris, a possibly suicidal woman dressed entirely in pink, a gloomy pair of young women, a mystical trio of blue-haired old ones, and a bird-obsessed recluse, among others. I am over the moon that Margaret Atwood’s The Edible Woman gets a cameo here, because that’s the book this one reminds me of – it may even inspire a reread.

The tension between staying and going, and what each of us fears and yearns for among these options, occupies much of the book. Also the gifts and the chains that come out of a mother’s love for her daughter, and the question of what power we have and should have to choose for others. There is romance, and there is some ‘light’ fantasy, but mostly, there is an examination of these big questions, absolutely within the gendered constructs of a society that historically encouraged women to care for husband, children, and home, and what it does and does not encourage now. But it’s not a pointed study, because it’s couched within mysteries, creepy bird collectors, the fine art of dumpster diving, the handsome bookstore owner, etc. I had the best time! And my appreciation of Durst’s work only grows. Onward.

Rating: 8 reels of microfiche.

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Platform Decay by Martha Wells (audio)

Posted on August 10, 2026 by pagesofjulia

Platform Decay is book 8 in the Murderbot Diaries series, to which Liz originally tipped me; and is it possible this is the first one I’ve listened to on audio?! I’ve got to say, the experience disrupted some of my impressions of Murderbot, to a distracting extent, especially early on; but I really did enjoy hearing it in a different way, too. I almost wonder if I should just turn around and reread (relisten to) it again immediately. But I’ll take pity on the next person on the library’s hold list for this sought-after title.

SecUnit (formerly Murderbot, but it feels like we’re moving away from that epithet over the course of this series) has come a long way. They have, however reluctantly, resigned themself to working on their mental health, and developing relationships and even trust with humans. They’re working on ‘clear communication.’ Much of this is about their new employer/mentor/friend, Dr. Mensa. In this story, SecUnit is on a mission to rescue Mensa’s family, which of course immediately expands into a little more than that. They continue to struggle with humans: so slow, and always with the feelings, the emotions, the touching, the bodily functions (ew). But it’s always clear that SecUnit loves and cares about humans, too. Especially these ones.

Liz, as a more hardcore devotee and student of this series than I am, will have a more incisive review. At my more cursory level, I call this an appropriate extension of the Diaries: SecUnit continues to develop and grow, as do their relationships; there are surprises in the small-scale plot, but none in terms of the general arc of the series, and I mean that in a good way. This is the Murderbot we love, for all the same reasons: a combination of insightful observations about human nature with humor, and however surly the narrator gets, a hearty dose of love and devotion. I’m still here for more. I might go back to reading text, though.

Rating: 7 hot liquids.

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The Somewhat Wicked Witch of Brigandale by C. M. Waggoner (audio)

Posted on August 7, 2026 by pagesofjulia

Props to my colleague Jaclyn Fulwood’s Shelf Awareness review which sold me on this title.

Gretsella was firmly opposed to life lessons of all kinds. There were, in her view, two proper ways to come to an understanding about the ways of the world: through native intelligence and old-fashioned common sense, as she had, or by having the ways of the world firmly explained to you by Gretsella, as she preferred for everyone else. It was much simpler for everyone that way, so long as she wasn’t forced to repeat herself.

The Somewhat Wicked Witch of Brigandale is a joy, starring a grumpy curmudgeon of a witch who thinks herself a bit less sentimental than she turns out to be.

Gretsella has built a life that suits her, as the witch with the reasonable prices, who lives alone in a cottage in the woods, mostly unbothered – until someone deposits a baby on her doorstep. She raises him to be a handsome ninny of a young man, deeply kind but not burdened by much intellect, a hairdresser’s apprentice who is developing his craft when the woodland creatures identify him as heir to the throne. Gretsella is able to push this aside until the knights show up with the same message, and one very handsome knight in particular. Bradley cannot resist a handsome knight. And so he is off to try to run a kingdom, with barely the sense needed to serve as hairdresser’s apprentice in a small village where he lives with his mother.

Gretsella, who loves to be useful (and right), is gratified when Bradley asks her for help. She arrives at the palace in the capitol to try and put things back together, hiring a council of sensible elders to help guide Bradley’s actions. He is likeable enough, and absolutely well-meaning, but unfit to rule, and would be happy to step down if he could figure out how to do it. Leave it to Gretsella to arrange to overthrow her son’s rule – with love. What could go wrong?

This novel is part fairy tale, part political satire; a completely hilarious, gleeful piece of escapism; and a lovely, earnest study on the different kinds of love, familial and otherwise, how we get hurt and that we must keep going anyway. It’s touching, exuberant, and cantankerous, like Gretsella herself. She is nothing if not opinionated: “No mother should have to endure anything half so dreadful as her own son developing the ability to formulate independent thoughts.”

Rebecca Stern’s narration felt perfect: I was lost in another world with this book (even as we were critiquing bureaucracy!), and couldn’t wait to get back there. In fact, I’m hopeful that Gretsella may not be done adventuring and advising on the fate of the kingdom. I’ll be looking up this author’s backlist, as well. I hope you enjoy this somewhat wicked witch as much as I did.

Rating: 8 slices of delectable cake.

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We Burned So Bright by TJ Klune (audio)

Posted on August 3, 2026 by pagesofjulia

A bit of a complicated story for this one. I started it for the first time maybe six weeks again, and had to put it down about halfway through. On Liz‘s good review, I did decide to try it again, and got back on my library’s wait list. My track record with TJ Klune has been to passionately love almost everything of his, and fail to make it through the rest. This one was indeed worth reading (listening to), but I struggled with one rough part.

The world is ending. A black hole is scheduled to devour the earth, along with everything else in the solar system. Human society has reacted more or less as we might expect: many people take to looting, rioting, and general bad behaviors; some continue living on as if everything is normal; some seek their final, profound experiences, bucket-list-style. There is friction at those intersections. Our protagonists are two older men, Don and Rodney, who have been a couple for more than 40 years. (I think they are in their 70s, but I did not search up that detail.) They are making a cross-country trek in an aged RV, headed for the west coast, where they have an important task to complete, a promise to keep, the nature of which remains murky for much of the story, although there are hints.

Along the way, they meet people from the different rough categories I’ve drawn above. Some might call these ‘bad’ or ‘good’ people, or say that Don and Rodney have better and worse experiences with them, but, you know. People. It is in one of these episodes that I initially had to put the book down. (If you’ve read it, you can probably guess which one. At least it feels obvious to me!) Liz was right: the book moves again through light, through better experiences and better faces of humanity. The final revelations and final scene… are more uplifting, and certainly thought-provoking. There was much that was good to contemplate, and some of it was also good in that other sense. Klune does expose his reader to some darkness – that was not unexpected. Some of it hit me a little wrong, or more likely, a little at the wrong time in my life, but we got through.

“Luck,” Don said. “Rotten, shitty luck.”
Jerri laughed. “It is. So much. But here we are, strangers who never would have met. Maybe that’s what the point of all of this was. To have these random moments of collision, to learn from each other, to hear stories.”
“To live,” Rodney said.
Jerri looked back out at the animals. “I suppose you’re right…”

I really love this author. I remain on the edge of my seat for whatever he does next. I appreciate his take on grief, aging, and the end of the world in whatever form, and I trust his wisdom on these questions. (He is not so aged, just almost precisely my age, ha! but does have some experience with loss.) It’s a gorgeously written story, full of detail and specificity and beauty and wonder, and I’m not done thinking about it. I’m actually still thinking quite a lot about Take Me With You, and finding some parallels there. It’s a beautiful book. As ever, beware the darkness.

Also as ever, Kirt Graves’ narration is spot-on. I don’t want any Klune from anybody else.

Rating: 8 night swims.

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The Weed That Strings the Hangman’s Bag by Alan Bradley (audio)

Posted on July 27, 2026 by pagesofjulia

I read the first Flavia de Luce mystery many years ago. When I read recently that Alan Bradley had died, I felt moved to try the second. This eleven-year-old narrator and amateur sleuth is funny, impressive, indomitable, precocious, and very clever, but not precisely likeable. I keep coming up against this in my reading: I know likeability is not supposed to be a requirement for our reading enjoyment, but it sure does help, and in its absence, something else must step in. Here, happily, it was plot. I was drawn in by the twisting mystery and a genuine curiosity about whodunit (there being at least two crimes for which to assign blame), but I have to say, I don’t feel moved toward book three.

The problem with we de Luces, I decided, is that we are infested with history in much the same way that other people are infested with lice. There have been de Luces at Buckshaw since King Harold stopped an arrow with his eye at the Battle of Hastings, and most of them have been unhappy in one complicated way or another. We seem to be born with wisps of both glory and gloom in our veins, and we can never be certain at any given moment which of the two is driving us.

I like Flavia’s backstory, the murkiness surrounding her late mother, her beloved bicycle Gladys (which belonged to her late mother), and the difficulty with her terribly obnoxious two older sisters. The historical framing is pleasing, and the twistiness of the plot is expert. I think Alan Bradley was quite talented. I just don’t quite fall into line with Flavia herself – and everyone else in this world seems purposefully at least a little bit unsympathetic. I thought about putting this one down until maybe halfway through, at which point I was fully committed, and I don’t regret this time, but won’t pick up another either. So many books in the world, and clearly, there are many readers perfectly matched to this series. If you’re one of them, please come tell me what you love about it!

Rating: 6 beautiful laboratory instruments.

Addendum: Jayne Entwistle’s narration feels perfectly suited to me and I love her voices for these characters – full points for the performance.

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Take Me With You by Catherine Ryan Hyde (audio)

Posted on July 13, 2026 by pagesofjulia

I’m pretty blown away by this one, which seems to have hit me just exactly right.

We begin in scene, and put together details as we find them. A man named August is living, with his little dog Woody, in his RV where it is parked at a car repair shop; he wanted very badly to make it to Yellowstone this summer, but the cost of these repairs may make that impossible. He waits and worries. The mechanic, Wes, wonders if they might make a deal. His two young sons play with August’s dog. The two men talk. Wes is about to go into jail for a 90-day sentence and has no one to watch his boys. He suggests that Yellowstone may still be possible: he’ll do the repair gratis if August will take his sons away for the summer. This is a crazy idea on its face, of course. August is a stranger to Wes. But off we go.

August is a high school science teacher, and a recovering alcoholic, grieving the loss of his nineteen-year-old son almost two years previous. It doesn’t take much to put together that August will be moved by two slightly damaged, very sweet young boys (it’s not like August’s son was ever twelve or seven years old, August’s gruff AA sponsor points out with dry sarcasm), or that the boys, twelve-year-old Seth and seven-year-old Henry, are in need of a patient, stable father figure. Wes, it turns out, is an alcoholic.

August wondered if his job would be different if kids looked up at him with eager faces. And if even these two kids would have been the slightest bit eager for a science lesson if they had been in school. Maybe the school was the problem, August thought. Maybe everybody wants a science lesson if they’re sitting in the middle of one of the greatest geothermal wonders of the world. Maybe we’ve removed all the relevance from the information we teach kids so they have no idea why they should care. Maybe it’s not the kids’ fault. Maybe we made the first mistake. “I’ll start with geysers,” he said.

The odd threesome (foursome, with Woody, who has much to offer) have a pretty great summer together, although punctuated by the challenges of August’s grieving and the boys’ pain. When Wes has gone to jail before, they entered a county facility, and Henry hasn’t spoken since. He speaks, very little, but does eventually speak, to August. The bond is delicate but undeniable. But he’ll have to take them home again.

Take Me With You is gorgeous, wise, funny, heartbreaking, and a lovely evocation of natural beauty in several of our national parks, and of the pain and joy of making connections across grief and trauma. We meet a few indelible characters along the way (and the AA community looks awfully good in this context, really), but mostly it revolves around August, Seth, and Henry, with Wes coming in for the occasional hard edge. There are no villains and no real heroes, although August’s impact on these two young lives is significant.

Everybody is a good person and a bad person at the same time. The only real variation is in the balance.

Jeff Cummings’ narration feels pretty spot-on to me, capturing voices like that gruff AA sponsor, troubled Wes, and the timid cartoon mouse of young Henry’s rare words, as well as August’s careful, intentional slowing down to take questions seriously even when it hurts. The novel is contemplative, lovely in its descriptions, and cautious about coming to conclusions. Some of the relationships it describes are impossibly tender. I would love to continue to know these characters, and will be thinking about this book for a long time. It’s been a special journey; I think it’s going to be one of my favorite books this year.

Rating: 9 pictures.

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Miss Kopp Just Won’t Quit by Amy Stewart (audio)

Posted on June 29, 2026 by pagesofjulia

Here we have book four in the Kopp Sisters series, and I think I’m more and more bought in with each one. There’s a trajectory here. As ever, I’m not sure how much of it is about differences in the books, and how much is me. I always find this a fascinating question, about beers and mountain bike trails and everything else: how much has it changed, and how much is my taste buds / skill level / preferences? We can never know. Thank you for making it through that moment of philosophy, and now the novel.

If anything, Miss Kopp Just Won’t Quit takes a step further from the mystery or puzzle sort of plot, and (while absolutely telling a story about Deputy Kopp and her work) considers the time and time in which it is set.

…the sheriff maintained his posture of unruffled detachment.

I, on the other hand, was the very opposite of unruffled. John Courter was, in every way, a small-minded, petty, vindictive man unworthy of public office. I didn’t care to stand at the edge of a crowd and listen to him hurl insults and lies at us.

What made it worse, though, was that the crowd seemed to love it. It was an uncertain time in Bergen County: there was labor unrest in the factories, a mistrust of immigrants who might be German sympathizers, and the very real fear that a munitions depot might go up like so many crates of firecrackers at the hands of secret agents of the Kaiser. And most of all, there was the absolute terror of war – a war we surely couldn’t avoid much longer.

These people were looking for an enemy, and John Courter had one on offer.

Constance has been at work as a sheriff’s deputy for a while now. She’s been involved in investigations and arrests, including wrestling in the streets with male criminals (she would be affronted that that even needs pointing out). She’s cared for the female inmates at the jail, which includes basic food-and-shelter sort of needs as well as something we might call counseling, and questioning. She has pioneered a system of probation that (with the help of a friendly judge) allows women whose crimes are minor, or that shouldn’t count as crimes at all, to keep their freedom, work, and contribute to society. In a world that still isn’t sure women should do this sort of work, she has not only had some real successes, she’s also gotten to contemplate and enact improvements in the system. She’s the breadwinner for her household of three adult women, with her sister Norma and her ‘sister’ (biological daughter) Fleurette. And in that last role, she has also undertaken some thoughtful changes and modernizations. All of this is arguably made possible by her supportive boss, Sheriff Heath.

Thus the great conflict of this novel: the sheriff is an elected position, and Heath is term-limited. A change is coming for Constance either way, but the two men running for election offer rather different outcomes for her: bad and worse. The shift away from police work and into politics pleases no one – not Sheriff Heath, not Deputy Kopp, and not the reader. But here we are. Constance loves her work, and has found a comfortable place in the world, where she feels good about what she can contribute. In a nutshell, Miss Kopp Just Won’t Quit is about what she’ll do when continuing on that path is no longer an option. It’s terribly sad, but it’s also heartening to see her come to terms. Not all reviewers agree with me, but I really liked the ending, and I can’t wait to see what she’ll do in book five.

Rating: 8 first names.

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Brothersong by TJ Klune (audio)

Posted on June 26, 2026 by pagesofjulia

As ever, here you will find spoilers from previous books in the series. And, well, I’m revealing the ‘ship of this novel, but that will surprise no one who read book three.

I love these books and am very sad that the series is over.

Each of four books has focused on the development of a certain couple, and the development of one of the two characters in particular. Wolfsong was Ox’s story, and followed his relationship with Joe. Ravensong was Gordo, and his with Mark. Heartsong followed Robbie on his way back to Kelly. Now Brothersong sees Carter, eldest of the Bennett brothers, move fully into his relationship with Gavin. As the final book, it also wraps the whole larger story, and circles back around to Ox, who has become arguably the heart of the Bennett pack. I laughed, I cried.

I prefer this cover image

One of the things I love most about the Carter-and-Gavin development is that Carter has, until recently, thought he was a straight man. None of the other three couples seemed to struggle with being men attracted to men, although Ox dated some girls before deciding he was bi (or pan – I think they used the term bi). Carter is over 30 and has always been clear that women were for him. But now it is finally clear to Carter (as it has been clear to literally everyone else in his life for years) that his mate – the wolfish term for a deeply felt life partner and soulmate – is Gavin. Carter is a member of ‘like, the gayest pack ever’ (their words), with two gay brothers, etc., etc., and that’s all fine with him, but he’d never expected to be trying to figure out sex with a man himself. He’s both fine with it and quite shaken, and nervous about the actual sex part. I find this a fascinating line of inquiry. Not least, I’ve always wondered how I’d do if I found myself in love with a woman (hasn’t happened yet); I feel like I understand his confusion. And when I talk to young people these days I think about keeping our language open, and I admire the fluidity or the lack of labels that they seem to enjoy. Something about this aspect of the story really appealed to me.

Klune continues to engage me with action, intrigue, drama, pain, love, and yes, sex; I love that we can laugh in the middle of a very compelling sex scene. And he also continues to play with my feelings, threatening to off a major-major character, not for the first time. We continue to learn the rules of this werewolfed world. We have human heroes as well as werewolf ones (not that that’s new). And the pack continues to develop and grow.

I am bereft that this is over. I will miss these people forever. All the kudos to Kirt Graves, as ever.

Rating: 8 sparkles.

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Miss Kopp’s Midnight Confessions by Amy Stewart (audio)

Posted on June 19, 2026 by pagesofjulia

I continue to feel deeply involved with the indefatigable Miss Kopp and her earnest pursuit of betterment for herself, her sisters, and her community.

Following closely on the events of Lady Cop Makes Trouble, Constance Kopp efforts at the Bergen County Jail to keep her female inmates safe, in line, and pointed toward rehabilitation. She continues to enjoy a good relationship with Sheriff Heath, whose progressive ideals inspire her. It’s 1916, and times are changing: much of Miss Kopp’s Midnight Confessions deals with the options of young women to make their own way in the world, in terms of work and housing. (Other lifestyle choices remain yet more controversial.) Edna Heustis, for instance, left home to go to work in a munitions factory, patriotically hoping to contribute to the war effort as her brothers prepare to go fight in France. She lives in a respectable (strict) boarding house for young factory-working women like herself – and yet is arrested for waywardness, because her mother would rather she stay home and keep house. Minnie Davis left home with the (perhaps slightly less righteous) ambition of having a little fun and getting out from under her parents’ thumb. Shacked up with a young man she’s not married to, working in a mill and drinking at night, Minnie is likewise subject to criminal charges, just because she’s interested in flexing the moral boundaries of her day. (Minnie and Constance both repeat the question: why isn’t the young man locked up for ‘waywardness’ or ‘moral depravity’ as well?)

Constance feels strongly about defending the rights of women like Edna and Minnie to find their own paths in a changing world. But when it’s Fleurette who wants to leave home and work for a living, and maybe have a little fun – well. Constance’s values will be put to the test. And Norma is even less ready to entertain looser restraints on the youngest Kopp sister.

Norma’s lips worked furiously over her composition. From time to time a word escaped: presumptuous, unconscionable, iniquitous, abhorrent. She took a breath and continued: indecorous, opportunistic, unprincipled, opprobrious.

Fleurette had been right not to breathe a word of her plans to her sisters. Nothing – not a tour with a theater troupe, and certainly not an offer of marriage – stood a chance against Norma’s formidable vocabulary of refusal.

It’s one of Amy Stewart’s greatest strengths that she can tell such complex, fascinating, moving stories about history and women’s rights, alongside absolutely laugh-out-loud funny moments, perfectly played by audio-narrator Christina Moore.

I love the interplay of serious (and true historical) issues with family dynamics and simple human struggle. These moments can be both funny and serious.

Constance had grown to count on Norma to be that domestic presence who sat in the parlor and disapproved of things. She did not, however, like to find Norma disapproving of things at [Constance’s] place of employment, and wished she knew how to discourage the habit.

I’m still having a riotous good time, and simultaneously, enjoying considering some hefty issues through the lens of these expertly drawn mysteries. Three cheers for Amy Stewart, and on to the next one.

Rating: 8 trinkets.

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