Fire Exit by Morgan Talty

Posted on May 10, 2024 by pagesofjulia

On the boundary of Maine’s Penobscot reservation, a solitary man wrestles with questions of truth, family history, and what is owed to the next generation.

Fire Exit by Morgan Talty (Night of the Living Rez) centers on one man navigating issues of family: the death of his father figure, his mother’s lifelong and worsening health conditions, the daughter he knows only from afar and who doesn’t know who he is. In hardscrabble circumstances, surrounded by poverty, alcoholism, and family violence, he wishes to give his daughter a meaningful gift: the truth. Stark and tender, Talty’s debut novel compassionately addresses tough choices in matters of family and love.

Charles Lamosway has grown up on the Penobscot reservation in Maine, but does not have Native American blood. Although very close to his Native stepfather, Frederick, whom he generally refers to as father, his biological parentage meant he had to move off the reservation when he came of age. Frederick purchased land and helped to build the house where Charles lives now, just across the river. Largely isolated with few friends, Charles watches from his porch the family on the other side: Mary, Roger, and their daughter, Elizabeth. Charles is Elizabeth’s biological father, a secret he has kept at Mary’s request. But as he ages, and as his mother Louise’s health worsens, he feels increasingly that Elizabeth, now an adult, must know the truth.

Charles insists, “Maybe her body and mind know something is missing.” This urge becomes a fixation, a bodily need. Elizabeth faces medical problems, and he is convinced she needs the truth–including Louise’s medical history–to survive: “I felt she should know her body was special, and she should know its history, especially the one it would not tell her and the one she could not see. And I decided to tell what I knew, because she deserved to know it.” But it is just possible that what Charles sees as necessary will have an entirely different outcome from what he intends.

Fire Exit is concerned with bodies, with visceral needs not only for food and shelter but for truth. Louise’s failing body and mind are wrapped up with unresolved questions about Frederick’s death. Talty’s tersely poetic, descriptive prose grounds this story in the physical: “Between the river’s flow and the summer breeze rippling hard-to-see leaves and the sound my scraping shoe made on the porch, I heard night silence. I heard the workings of my inner body, the pump of my heart and the expanding of my lungs.” In Maine’s harsh winters, Talty’s characters face elemental as well as human dangers.

This first novel grapples with family issues and hard choices about love and responsibility; blood, culture, and belonging. It is an utterly absorbing story, always firmly rooted in the corporeal; tough, honest, but not bitter.

This review originally ran in the March 28, 2024 issue of Shelf Awareness for the Book Trade. To subscribe, click here.

Rating: 7 loads of laundry.

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A War of Swallowed Stars by Sangu Mandanna

Posted on May 6, 2024 by pagesofjulia

This review contains spoilers for books that precede it in the series, but is spoiler-free for this book.

This is the third in a trilogy, following A Spark of White Fire and A House of Rage and Sorrow. And it had me pretty rapt, y’all. I was on the edge of my seat throughout, and I cried at the end, but in a good way, which makes me feel glad for the newly-12-year-old I’ve just gifted it to for her birthday. (I teased her that she had to wait because these books are labeled 12 and up!) The world we have come to care about over three books is in great peril, as are the relationships we’ve invested so much in. And it’s not that nobody we love is lost in this book; but it all ends in a way that feels right.

The Celestial Trilogy has featured magical weapons, gods and monsters, murderous family members, and friends where we’d least expect them. Esmae has experienced great and intense trauma, and weathered some very real depression. “I don’t know how to make my way through to the other side of it… I can’t see anything but the dark. I feel like I’ve fallen down a cold, dark hole and I’ll never get out.” Whew. But she has good friends. And she has good on her side. Hang in there, readers.

Mandanna took us through a lot in this series, but the emotional roller coaster has been well-earned, and it pays off in a big way. I can’t wait to hear what my young friend thinks. And you all.

Rating: 8 moments of eye contact.

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Cactus Country: A Boyhood Memoir by Zoë Bossiere

Posted on May 3, 2024 by pagesofjulia

This hard-edged, incisive memoir of gender-fluidity in a desert trailer park offers an essential perspective.

Memoirist Zoë Bossiere writes, “I see a lone, barefooted boy with short blond hair walking along the road in Cactus Country… looking for something despite feeling uncertain it could ever be found.” At age 11, Bossiere moved with their parents to a trailer park on the outskirts of Tucson, Ariz. Before leaving Virginia, Zoë gets a short haircut “like a boy’s.” “I’d thought I might need to go by a new name to pass as a boy in Tucson. But it quickly became apparent I was the only Zoë most people I encountered had ever met… so I kept it.” Cactus Country: A Boyhood Memoir tells of living as a boy in the desert, struggling with gender, class, and a shortage of options for self-expression, and eventually taking a great leap in leaving for a wider world.

Although Bossiere’s father introduced them as a daughter, they were on the whole able to make a fresh start in Cactus Country, inhabiting a long-held dream of boyhood. The version of masculinity they found in the desert is characterized by stoicism, camaraderie, and violence, as they learned from the trailer park’s revolving cast of boys and men how to perform toughness through acts of cruelty and self-defense. Especially as their body entered puberty, Bossiere struggled with gender expression in a world where they never encountered the concept of transgender, and the only queer role model they met insisted on a gender binary and harbored suspicions about bisexuality. Bossiere for a spell accepted the feminine identity assigned by the outside world, without settling into a self-identity that felt right. After a troubled childhood and young adulthood, it was by studying creative writing that they eventually saw a way out of the Tucson area and into new spaces, geographic and otherwise, including the concept of genderfluidity.

Cactus Country is a wise and wonderfully crafted memoir, treating its characters and subjects with compassion in the face of assaults, addictions, dysfunction, and violence. The desert and Bossiere’s experiences there are stark and severe but also include earnest attempts at connection. They must leave Cactus Country to grow and to find their truest self, but it’s only by returning in memory that their journey begins to feel whole. After a childhood as harsh as the desert sun, they write tenderly about place and a past “where broken boys with sunburned faces could be beautiful, kings worthy of inheriting the place they called their home. A place where a Cactus Country boy would always be a Cactus Country boy.”

Gorgeously written, thoughtful, and tough, this memoir of gender and a hardscrabble coming-of-age in the American Southwest excels at nuance.

This review originally ran in the March 19, 2024 issue of Shelf Awareness for the Book Trade. To subscribe, click here.

Rating: 7 paloverde beetles.

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A House of Rage and Sorrow by Sangu Mandanna

Posted on April 29, 2024 by pagesofjulia

As I’ve decided will be my regular procedure around here, this review contains spoilers for books that precede it in the series, but is spoiler-free for this book.

Following A Spark of White Fire is A House of Rage and Sorrow, book 2 in the Celestial Trilogy by the author of The Very Secret Society of Irregular Witches. I love it.

Esmae is still reeling from the loss of her best friend at the end of book one. Also quite painful is the fact that Rama was killed by her twin brother in a duel, as he thought he was fighting Esmae herself: not only did Rama die, but her brother meant to kill her. Esmae’s anger is beyond description. She wants to burn it all down. She is also carefully avoiding a burgeoning romance, because (I judge) she is as angry with herself as with anyone, and doesn’t think she deserves it.

She is also, however, making friends. Surly Sybilla has cracked open and become as loyal to Esmae as to Max; beloved Rama’s sister Radha has appeared on the scene and begins making her way into the group, not without hiccups. There is a small, new, perhaps fragile, but very real family of friends forming around the girl who has always mourned not having a family.

Then again, the political intrigues and betrayals surrounding her flesh and blood keep multiplying, and the revelations and bad news keep coming. Just how much can one teenaged girl go through? A House of Rage and Sorrow ends on a cliffhanger, not unlike book one; but unlike that finish, this time I had the next installment at hand. Stay tuned for book three in this trilogy.

I love that romance keeps developing (and not just for Esmae!) alongside anguish and intrigue, and a very real and believable coming-of-age arc in which Esmae tries (at least a little) to balance her rage against her better wishes for her loved ones and her wider world. I can’t wait to see where we’ll go next.

Rating: 7 lions.

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Nothing’s Ever the Same by Cyn Vargas

Posted on April 26, 2024 by pagesofjulia

With a remarkably true-to-life adolescent narrator, this novella charts the large and small traumas that accompany a girl’s coming of age.

Cyn Vargas’s Nothing’s Ever the Same is a starkly honest coming-of-age story told in the disarming voice of its 13-year-old protagonist. Simple but moving, this novella documents events that are traumatic but not unusual, thus marking the kinds of pain that are heartrending, as well as common, for a child approaching young adulthood.

“The first time I saw my mom cry was after my dad’s heart attack,” Itzel begins in the opening chapter, “Angioplasty and Piñatas.” The heart attack comes during preparation for her 13th birthday party. After a brief hospital stay, he comes home and improves quickly. But this event, coming at an important symbolic point in Itzel’s adolescence, is the first of a number of upheavals, as Vargas’s title suggests.

Itzel’s beloved father recovers from his heart attack, but something feels off. “Dad was different, like moving the lamp… the light and shadows hit in a different way that made all that I was used to seem a little strange.” The family suffers one loss and then another. Itzel explores new feelings for her best friend. And then she sees something that will change the course of life for her entire family. “I shut my eyes tight to make it go away like erasing the wrong answer on a test, but I still saw… the wrong answer etched into the paper though the lead was brushed away.” What to do with her new knowledge? Who to blame? As the known routine is uprooted for Itzel and her parents, she has to navigate redefining relationships. While the circumstances of these changes for Itzel are specific and acute, her experience reflects universal elements of being a teenager: disappointment, betrayal, discovery, acceptance, and always, unavoidably, change.

Vargas (On the Way) gives Itzel a straightforward storytelling voice, often naïve but also sharp-eyed. She is clever, thoughtful, and quick to question what she or others have done wrong to bring pain and difficulty to her family. Her father, mother, Tia Amelia, and best friend Fred are characters sketched only briefly in Itzel’s telling, but each has personality and redeeming qualities even when making mistakes. The author behind the narrator commands this story with a quiet compassion. Nothing’s Ever the Same is a work of restraint and understatement, its young narrator capable of stoic relating of events as well as emotional reaction. The effect is deeply moving.

This review originally ran in the March 14, 2024 issue of Shelf Awareness for the Book Trade. To subscribe, click here.

Rating: 7 cups of orange soda.

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Junia, The Book Mule of Troublesome Creek by Kim Michele Richardson, illus. by David C. Gardner

Posted on April 22, 2024 by pagesofjulia

Well, I was sure I’d been sold on this book by one of my talented colleagues at Shelf Awareness, but I cannot find that review. Somebody sold me on it, and I’d credit them if I could, because it was a solid recommendation.

Junia is an absolute delight. Aimed at readers aged 4-8, it’s a sweet picture book in simple but fun prose, starring the mule Junia that some readers will know from 2019’s successful novel The Book Woman of Troublesome Creek. Junia and her Book Woman travel the hills and hollers of eastern Kentucky during the Great Depression as part of that state’s Pack Horse Librarian project, under the WPA. (The books are fiction but strongly rooted in fact; Richardson is a recognized researcher of this unusual bit of history.) The book follows them for a single day of environmental and climactic hardships, including encounters with wildlife and a narrow miss when a bridge washes away. They visit diverse households and communities, delivering reading material and having amiable interactions with readers. The relationship between Junia and her Book Woman is loving; it’s an all-around wholesome story.

There is alliteration, fun onomatopoeia, and perfectly wonderful illustrations that reward a close look: note the identifiable rhododendron, the child with the paper airplane and a book called Flight, and a faraway fire tower that we’ll approach on later pages. The visual style is sort of soft-edged but quite detailed, with a bit of whimsy, and lots of personality for the starring mule. I love the regional, historical focus, and I feel it strikes a lovely balance between entertaining and readable, and educational. The book’s text is followed by an Author’s Note with “real” facts and historical photographs, so the young reader (perhaps with extra help in this section) can get a bit more enrichment out of it, and quite painlessly, I think.

I did buy this book with a particular reader in mind, who is eight years old, and I thought of her several times as I read: I know her dad will tickle her with his own “soft whiskered muzzle” as Junia does to her favorite little readers, and I know they’ll enjoy the farts. This quick read was really fun for me – I’m glad I stepped out of my usual zone to check it out. I guess I’ll try the Book Woman novel next!

Rating: 8 shiny red apples.

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The Witches of Bellinas by J. Nicole Jones

Posted on April 19, 2024 by pagesofjulia

In this atmospheric and suspenseful novel, an exclusive coastal California community is either the best thing to ever happen to an unhappy newlywed, as her husband believes, or a frightening trap.

J. Nicole Jones’s The Witches of Bellinas sets a newlywed couple in a vibrant small community–a lovely wealthy commune, or a cult?–and watches the fallout, in an atmospheric, suspenseful experiment involving witchcraft, love, and dividing loyalties.

Tansy and Guy have been married mere months, although they’ve been together for a decade, when they move from New York City to the hamlet of Bellinas on the coast of northern California. Wealthy, health-oriented, idyllic, and highly exclusive, Bellinas is led by the charismatic Manny, or Father M to his followers, a business mogul turned self-styled guru, and his wife, Mia, a former model. Guy falls easily and head-over-heels into the lush, indulgent lifestyle: surfing, diving for abalone, carousing. Tansy, expected like all the wives to serve her husband’s whims, finds Bellinas a bit suspicious. But the town’s high shine, like its perfect weather, is hard to resist. She so wants things to work out with Guy: “I let the happiness I felt in that moment of renewed closeness grow taller than the forest of disappointments we had collected in the course of years together.” So she goes along. “Everything would be fine. How could it be otherwise? Bellinas was so perfect-looking.”

The Witches of Bellinas is narrated by Tansy in hindsight, from an apparent confinement in the town schoolhouse, after something has gone awry. With her academic background in the classics (a vocation sacrificed for Guy), she flavors her conversations and her narrative with literary references that increase her story’s sense of deep foreboding, frequently comparing herself to Cassandra. The reader must wait, however, to discover the precise nature of the trouble in paradise. Is the creeping dread about the neighboring forest fires? The ocean’s force? The local blend of calming tea? Are the powers at work in Bellinas magical or cult leadership at work?

Jones (Low Country) gives Tansy a strong sense of the wrongs done women at the hands of men, from both her scholarly work and her experience. “The plans of women have been called plots, schemes, murder, but if we do not claim the future as our bodies are claimed by men, then both are gobbled up by husbands and historians.” She writes, it seems, for her life. “Do not discount the truth of the old wives’ tales…. What is this history if not a wife’s tale? A truth revealed by unlikelihoods does not make it less true.”

At the intersection of the supernatural and simple human ugliness, The Witches of Bellinas gives its readers chills and thrills along with a profound sense of wrongs done, but no heroes or villains. This is a novel for anyone who’s wondered if the picturesque might be too good to be true.

This review originally ran in the March 8, 2024 issue of Shelf Awareness for the Book Trade. To subscribe, click here.

Rating: 6 crackers.

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Soulstar by C. L. Polk

Posted on April 15, 2024 by pagesofjulia

Book three of the Kingston Cycle does not disappoint. It did feel somewhat like a shift in tone for me, and changed up my pacing. But I am a big fan of Polk and hope they’re at work on more like this.

In this installment we see a new protagonist again: Robin Thorpe, who we knew in the first two books as a nurse, Miles’s dear friend, and a witch of the less-privileged, illegal sort. She is also an activist and an important member of the movement to free the witches from asylums and gain some basic human rights for all citizens. She was suspicious of Grace at first (for which I don’t blame her), but also a big enough person to remain open-hearted and learn to trust. (This process we also saw with Grace learning to accept Tristan over her original prejudices.) We’re building communities and coalitions: Robin working with her people, including the Solidarity movement, and their elected official; Robin, Miles, Tristan, and Grace working together and with the Amaranthines for the good of Aeland and its people. Trust has to develop slowly and naturally in several of these relationships; the process is slow and messy, but it’s working.

Early in the book, we have a bit of a revelation. One of the freed witches is Robin’s spouse, Zelind. Mere kids when they married in secret, they are now reunited, but only after decades of separation and trauma. Robin will now navigate the political activist roller coaster she’s entered into, while also trying to reintegrate a longed-for relationship with some profound challenges. Zelind of course turns out to have some talents to offer as well, aside from being Robin’s love.

It was my feeling that Soulstar takes a darker turn than the previous two books. The stakes are getting higher, or the problems the reader is aware of are getting bigger – they’re not new, but we’re getting deeper into this world and learning more. As I’ve said before, this world’s problems are easily seen as analogous to our own.

Grace led us through the gilded reception hall, looking neither left nor right at the people lifting priceless works of art from the walls. It pricked my conscience until I turned my face up to behold our reflections in the mirrored tiles in the ceiling fixed together by gold moldings. Solid gold, I remembered from the time we trooped into the palace as schoolchildren to stare at all the finery I now understood to be hoarded wealth. The taxes of five hundred clan houses held those mirrors together. The wealth in that ceiling could fed the entire country for a year. This ostentation and greed had to end.

The dream team our leaders are putting together is up for this dismantling if anyone is, but the bad guys’ power is considerable and they’re not giving up easily. There was one special challenge mounted late in the book that about broke my will, although luckily these characters are tougher than I am.

Race has been a sort of understated issue throughout the trilogy. Class and privilege make up an obvious one, and climate change, and politically, we’re moving towards self-determination and communal systems of support. The issue of race is less clear: characters are sometimes noted as being Black or white, or described in terms that imply race (blonde, dreadlocked, dark skin), and privilege sometimes lines up with race, but I think not always. I’m not certain how this is meant to be read, whether we’re looking at a mostly-race-stratified society or simply a diverse one. Queer relationships have also been centered throughout. Book one saw a romance between two men, book two featured one between two women, and in book three, Robin is rejoined to her nonbinary spouse. (We also see a triangle marriage buck against Aeland’s societal norms, although it’s not unusual in Samindan culture.) Queerness seems to encounter some raised eyebrows, but not enormous resistance (the triangle marriage is much less accepted).

As another note, now that I’ve got all three books in me, I want to appreciate the covers, which are visually pleasing and offer some clue as to setting, and feature modes of transportation associated with the protagonist of each: a man on a bicycle for Miles on the cover of Witchmark; two figures in a coach for Grace (Stormsong); and now a couple skating for Robin in Soulstar. It’s a neat nod to the world Polk has built here.

As a trilogy: fantasy, world-building, romance, allegory, lovely writing and beautiful details, easy immersion. This writer is a great talent. I hope there is so much more to come, whether in Aeland or anywhere else Polk chooses to take me.

Rating: 8 sweaters.

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Sipsworth by Simon Van Booy

Posted on April 12, 2024 by pagesofjulia

A friendship between a widow and a mouse brings outward ripples of positivity in this surprising, compassionate comfort read.

Simon Van Booy’s Sipsworth is a delightfully funny, poignant, surprising novel about an octogenarian widow who has all but given up when she finds an unusual reason to reinvest in life. The story takes place over two weeks, in private spaces, and features events that on the surface appear small in scale, but have far-ranging consequences and meaning for its human and nonhuman protagonists, with whom readers cannot help but fall in love.

Helen Cartwright had lived abroad for six decades when she returned to the English village in which she was born and raised. Her beloved husband and cherished son have both died, and she now lives alone, sad, reclusive, in a pensioner’s cottage. “Life for her was finished. She knew that and had accepted it. Each day was an impersonation of the one before with only a slight shuffle–as though even for death there is a queue.”

“Then early one morning, something happens.” Helen brings in a neighbor’s rubbish, to go through it on her own time; something reminded her of her son. She has inadvertently also brought in a tenant: a mouse, which initially repulses her. On an inexplicable impulse, she begins to feed it, to keep it safe, and her choice to care for something beyond herself will lead her to leave the house, to interact with people (librarian, hardware storekeeper), and to the terrible realization that if she dies now, the mouse will starve in the enclosure she has designed. “For the first time in many years, against her better judgment,” Helen is “not dying.” Unexpectedly, the accidental company of the mouse she calls Sipsworth forces Helen to rediscover the world and a reason to live.

Helen begins by caring for Sipsworth in material ways (food, water, shelter) but winds up caring in broader ways. She talks to him, in remarkably confessional terms. They learn to trust one another. But it is not until a true emergency that the lessons of “a lost wish… granted” become clear. And it is only late in the book that a vital truth of Helen’s own life is revealed.

Van Booy (Father’s Day; The Presence of Absence; The Sadness of Beautiful Things) tells Helen’s story in unadorned prose that however frequently offers lovely images and metaphor. Sipsworth features unassuming, deeply likable characters in an essentially quiet, simple tale. Sweet but not saccharine, tender, loving, and funny, this story of unlikely friendship and late-life new beginnings will charm any reader who has ever loved or lost.

This review originally ran in the February 29, 2024 issue of Shelf Awareness for the Book Trade. To subscribe, click here.

Rating: 8 unsalted cashews.

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Stormsong by C. L. Polk

Posted on April 8, 2024 by pagesofjulia

Book two in the Kingston Cycle is every bit as riveting and delicious as the first, and I immediately opened book three upon its conclusion, so fair warning there. As is my practice, this review will contain mild spoilers for book one but not this book.

Witchmark‘s narrator and protagonist was Miles, but having seen him through danger and triumph and into the beginning of a delightful new romance, we are moving on to a new central character: Miles’s sister the indomitable Dame Grace Hensley narrates and stars in Stormsong. I was only sad for a moment; Grace is an exciting woman to follow, and anyway Miles is still on the scene, and his partner Tristan plays at least as big a role. (Miles is recuperating from injuries sustained in the big crescendo finish to Witchmark.) Many common threads continue: political intrigue as well as familial, as Grace and Miles’ family is one of the most powerful in the land. Romance, as Grace finds her own love, although she must navigate it amid all that intrigue. Self-actualization. “You make me want to be better… you know exactly who you are, even if it’s not what you’re supposed to be.” There are some neat instances of thinly veiled reference to our real world, as with worsening weather patterns (and the people demanding the government control the weather – which in this case is possible, because witches), and labor and civic unrest. Crime and punishment, just government and revolution, compromise and how to best run a country: it’s huge stuff, but it’s also still a sweet story of relationships, romantic love and siblinghood and respectful alliances. Oh, and I think I failed to say with book one, Polk writes really tantalizing food and the details of things like fashion which don’t usually interest me but do here. But especially food.

These books have momentum and atmosphere. The world-building is well thought out, which I think is evident for any series that shifts its focus between protagonists with each novel. They are sumptuous stories to get lost in, while dealing with serious themes. I’m impressed. And I’m already well into book three, so stay tuned.

Rating: 8 outfits on the bed.

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