Sunday Salon

Sunday Salon: Sept. 25, 2011

I’m riding: Today I’m headed up to Chappell Hill to ride the hilly road with my former coach and great old friend Carl. Yesterday I finally got back on some good trails at Huntsville State Park with Husband and two buddies. It was great to be back on the trail!

I’m reading: Inferno: The World at War, 1939-1945 by Max Hastings; and in the car is Without Fail by Lee Child on audio.

I’m thinking about: Losing some weight and getting faster again on the bike, now that I finally seem to have beat this knee injury! I’m thinking that the fall race season is out of the question (as is January’s half-marathon), but maybe I can do some marathon mountain bike races over the winter… some cyclocross… some spring racing… and our buddy Leach is starting to talk us into some off-road cycle-touring this spring.

And on another note, I’m thinking about reducing the number of books I read for review, at least for a month or two, sometime soon so that I can try to catch up on the Hemingway reading I’m building up and getting excited about. That’s a separate post, to come soon.

I’m listening to: Well, I’m listening to audiobooks mostly when I’m by myself, but every time I set my iPod loose I discover old favorites that I’m not paying enough attention to: Jewel, the Doors, the Descendents, Aretha Franklin, Daft Punk, Fishbone…

Lists I am making: What to do (and what not to do) to achieve my goal of weight loss and FASTness.

Around the house: Buying berries and doing laundry, mostly, nothing new. Well, that is, in addition to a little Hemingway project already alluded to, which will get that separate post.

From the kitchen: Curried Quinoa Salad with chickpeas, tomatoes, feta, green onions and zucchini. And berries.

The dogs are: Three, right now, since we have one that we’re dog-sitting. Ritchey, especially, loves his “dog beer” toy that we got him in Key West; we love it less when we’re trying to nap (Husband, yesterday) and he gets it squeaking really loudly.

Funny event: Getting excited about Doomsday Wrestling next weekend!!

Musical event: Have my eyes on an upcoming Gourds show just down the street from us here in Houston at Dan Electro’s Guitar Bar; couple of Drive-by Truckers shows that we’ll have to travel to in the coming months; and Husband is going to a Kyuss show with some guys. I think I shall sit that one out. Oh, and I’ve got the percussion concerts on my calendar over at Rice University’s Shepherd School of Music. I hope to see some marimba this fall.

What are YOU up to this Sunday?

Die Trying by Lee Child (audio)

I fear that it’s beginning to test my powers of creativity to review these Reacher books. For one thing, yes, I admit it, they are rather alike. The general plotline is: Reacher is wandering aimlessly. He stumbles into a situation of danger (or it stumbles into him), generally danger to someone else, a relatively defenseless individual, possibly of the attractive and female persuasion. He becomes involved. There is intrigue, mystery, different bad guys than we originally thought; usually there is an attractive female; there is violence, fighting, skill and cleverness. Reacher wins at all the various contests; there’s a satisfactory ending for the good guys and he rides off into the sunset.

This is so SATISFYING though, I still like reading it. Reacher is such a big cute clever badass, I never tire. And it doesn’t hurt that Child keeps the intrigue intriguing, and suspenseful, and smart enough that the puzzle keeps me engaged right through to the final nailbiting moments. Keep ’em coming, Child, they’re still doing it for me even if there is a formula.

The other reason my creativity is being challenged is the already-evident fact that I just rave about them on and on. So now that I’ve admitted that, I’ll give you the plot and try to keep the raving to a minimum.

In Die Trying, the second book in the series, Reacher stops in the doorway of a Chicago drycleaners to help a young, attractive woman with a crutch who is mid-stumble and about to drop her drycleaning. In the moment of their contact, she is kidnapped at gunpoint by three goons, who see fit to just take Reacher along for the ride. The woman, Holly, turns out to be an FBI agent – quite a good one – with some lofty connections, and they are being driven cross-country for reasons unknown. There is attempted rape, and a crazy right-wing militia bent on establishing a new nation in the Montana wilderness. The FBI and the US military higher-ups are involved; it is unclear to various parties which side other various parties are on; as Raych noted, there’s dynamite. The above formula is followed, but as always, there will be some surprises.

I love it; it’s a very satisfying formula. And here’s the thing: I think I keep saying this, but I think it’s the best one yet! I can’t decide. Echo Burning was my very first Reacher experience, and holds a special place for me because of the South Texas setting. Strangely, I really liked One Shot for all the gun stuff. But The Hard Way has to be one of my top two or three, because of the high stakes and how much I got invested in the little family unit that was at risk, and especially the little girl and the horrible danger she was in… and I really liked Reacher with the lady-friend in that one, too. The small family he forms towards the end was the one I mourned the most, knowing he must move on as always. Worth Dying For also had very high stakes that upped the tension a notch for me. I guess those are my favorites…

So, I do have a problem with always liking “this one” the best. But Die Trying is a new favorite, too! The militia was an interesting twist for a bad guy. There was a psychological-thriller aspect to it. (I don’t want to give away too much.) And, what can I say, I never tire of Reacher’s ability to figure things out quicker than his peers.

If you’re interested, I mildly recommend to you that you start at the beginning of the series, with Killing Floor, but only mildly. If you start in the middle you may find yourself very satisfied – just look at me.

Hemingway’s Boat by Paul Hendrickson

A lyrical, textured, and meticulously researched meditation on Hemingway from a fresh new angle.

Paul Hendrickson, NBCC award-winning nonfiction author for Sons of Mississippi, pulls off the remarkable feat of finding a fresh, new angle from which to approach Ernest Hemingway: his boat Pilar. Purchased in 1934 with an advance from his longtime publisher Scribner, she saw him through three wives, great achievements and critical failures in his writing career, big fish and little ones, and the beginnings and the endings of many relationships. Hendrickson suggests that Pilar may have been the love of Hemingway’s life.

This is not a biography but a careful and compassionate rumination on the man through the lens of the boat. Hendrickson has brought to his readers a Hemingway who is neither object of worship nor monster, but a full and complex human who made serious mistakes in his relationships and fought pitched battles against his own demons, and finally lost.

The Hemingway fan will be enthralled with new details of his life, and the study of figures previously treated as minor but now revealing new facets of the man. The less familiar reader will be fascinated by this comprehensive account of the master and his complex spiderweb of varied effects on so many lives, large and small. Hendrickson presents his unusual and noteworthy story with beautifully quiet intensity and contemplation. Hemingway’s Boat achieves a terrific feat in reworking Hemingway’s story.


This review originally ran in the September 23, 2011 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Further notes… I can’t tell you how much this book moved me. Perhaps you have noticed that pagesofjulia is a raving fan of Hemingway. I’ve read several biographies, works of literary criticism, and other spinoffs (see The Hemingway Hoax and The Paris Wife); I’m a little obsessive. But Hemingway’s Boat holds a very special place for me. Hendrickson (PH) treats Papa (EH) sort of gently, but doesn’t spare EH in his moments of monstrosity… PH comes from several different angles, interviewing different people who knew EH more or less well, unearthing some new details. PH approaches EH with the relatively unique concept that he was just a man – a great artist, but also human, with flaws and moments of everyday beauty. This book was noteworthy in all my reading of EH and the surrounding literature. It made me laugh and cry; I treasure this galley copy, where I usually pass them on as soon as I’ve turned in my review. This book alone has made my recent career as Shelf Awareness book reviewer worthwhile. (PH also recently came around here to comment on a post, which I found very exciting. Hi Paul!) I wholeheartedly recommend this book for fans of Hemingway, or of literary biography, or of well-written nonfiction, or for those looking for vignettes in Key West or Havana history.

book beginnings on Friday: Black Mask Stories edited by Otto Penzler

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.


Classic pulp fiction from one of the original pulp mags! On audio! Well performed! Great fun. I give you the beginning of the first book on this compilation: “Come and Get It” by Erle Stanley Gardner, read by Oliver Wyman.

Ed Jenkins was warned by a crook he had once befriended to be on his guard against a girl with a mole, that she would lead him into deadly peril. This crook was shot the instant he left Ed’s apartment, seemingly by accident.

I love the gritty tone of these stories – especially as performed here. It’s great stuff. Also, Husband really enjoyed this story in particular, because our name is Jenkins too. 🙂

Never Knowing by Chevy Stevens

An adrenaline-filled rush of a thriller about an adopted woman’s search for her true identity, and the consequences for her own family.

Sara Gallagher has always known she was adopted. It’s not until she has a much-beloved six-year-old daughter, Ally, and is about to get married that she decides to search out her birth mother. But she never dreamed of the repercussions: it’s her birth father’s identity that is the real shock, and the threat he poses to her and her happy family begins to rip their world apart. Sara and her fiance, Evan, struggle to maintain their relationship as the police tap their phone lines and begin to take over their personal lives. The horror only grows–and the pace ratchets up–as she finds herself unable to extricate her birth father, “John,” from her life.

Stevens uses the same unique format that was so successful in her bestselling debut novel, Still Missing: the novel is told in first-person, through Sara’s long one-sided conversation with her psychiatrist, whose voice we never hear. This lets us in to her inner conflict, as she struggles with her love for Evan and Ally (and her sisters and adoptive parents), and her need to protect them from the evil she fears she’s inherited.

Never Knowing addresses issues of adoption, family, and parenthood; it exhibits what a mother’s love can do, and what it means to be a parent. This thriller is relentlessly, heart-thumpingly fast-paced. The suspense will leave you breathless, as you learn to care for the conflicted but likeable characters, whose family ties make it all worthwhile.


I wrote this review for Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

fiction as politics

No, I’m not going to talk about the fiction of Bill O’Reilly or Glenn Beck.

Shelf Awareness reports:

García Márquez Novel a Bestseller in Iran

Copies of Gabriel García Márquez’s 1996 novel News of a Kidnapping have sold out in Tehran’s bookshops this week “after detained opposition leader Mir Hossein Mousavi said the book’s description of Colombian kidnappings offers an accurate reflection of his life under house arrest,” the Guardian reported. Mousavi and opposition leader Mehdi Karroubi have been under house arrest since calling for mass protests last February in solidarity with other pro-democracy movements in the Arab world.

Last week, Mousavi was permitted to meet briefly with his daughters, and told them: “If you want to know about my situation in captivity, read Gabriel García Márquez’s News of a Kidnapping.” Word spread quickly online, “prompting hundreds of opposition supporters to seek out the book. Queues formed in some bookshops, and copies of the book sold out within days,” the Guardian wrote.

The news was also shared on García Márquez’s Facebook page, which linked to a Radio Free Europe blog post reporting that Mousavi’s supporters had launched their own Facebook page, “News of a Kidnapping, the status of a president in captivity,” and that “a number of Iranian websites and blogs have made an electronic version of the book in Persian available for download.”

I find this very exciting and interesting in so many ways. Marquez wrote a work of fiction in 1996 that has become incredibly relevant and interesting to a demographic he may have never originally specifically intended; it’s speaking to modern events that he couldn’t have foreseen (again, at least not specifically). Let this be an rebuttal to those that argue that fiction has no real-life important purpose! Commercially speaking, it can’t be a bad thing from Marquez’s perspective that he’s selling more books; but I’d wager he is more pleased that his work is speaking to current events and, hopefully, helping the cause of democracy.

Another interesting aspect of this short news piece, as reported by Shelf Awareness, is in the rapid-fire social networking/media communication of Mousavi’s recommendation, and the distribution of the Persian translation. As in the recent Egyptian protests, these relatively new media are aiding social and political causes. I think it’s interesting to see media technologies changing the way we do the business of the world. And to see these lessons tied back to BOOKS is kind of inspirational for me.

I’m no expert in Iranian politics and don’t claim to be. But the power of the media, communications and social networking, and most especially, 15-year-old works of fiction on today’s political turmoils is worth noting.

Does this catch your imagination as it does mine?

Back of Beyond by C.J. Box

A fast-paced, twisty thriller set in the backwoods of Yellowstone in which an alcoholic cop tracks a killer, hopefully in time to save his son.

Cody Hoyt’s job as a policeman in Helena, Montana teeters delicately in balance with his self-destructive behaviors. He has nearly two months sober when he’s called to the scene of his AA sponsor’s death: Hank Winters and his cabin are burned nearly beyond recognition. Cody spins off into a drunken relapse, mistakenly shoots the county coroner, and heads out of town in search of Hank’s killer–against orders, since the local authorities see no signs of foul play. But Hank’s death is just the beginning. It seems that a brutal killer has joined a backcountry horseback-riding trip into the depths of Yellowstone–along with Cody’s son, Justin. Reeling with the DTs and enraged by Hank’s murder and the threat to Justin’s safety, Cody sets out into the wilderness to bring down a killer and bring his son back safe, even as the bodies pile up around them.

Sympathetic secondary characters include Cody’s long-suffering partner Larry, a still-hardy retired wilderness outfitter who agrees to take Cody into the backcountry, and a precocious young girl on the pack trip. Yellowstone’s natural beauty is partly overshadowed by the very real dangers, both natural and manmade, that the motley crew of near-strangers encounters in this adrenaline-charged setting. Far from civilization, there is no lack of suspects, and everyone wonders who can be trusted. While Cody searches for a killer, multiple plots intertwine and complicate beyond what he’s imagined, and he’ll have to follow Justin to the very precipice to save him.


I wrote this review for Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

On Bicycles ed. by Amy Walker

An exhaustive how-to manual and impassioned plea on behalf of riding bicycles for transportation and as a way of life.

Editor Amy Walker is joined by some 30 authors–policy-makers, researchers, business owners, activists, parents and/or cyclists–in this instructive manual. On Bicycles is not concerned with colorful Spandex, racing bikes or speed. Rather, this is a handbook for North Americans who want to use bicycles for commuting, transportation and fun.

The book covers a range of subjects and possible needs. First, why we ride: for better health, for the environment, for a better connection with our communities. Next, chapters cover what gear is needed, how to ride safely in various conditions, how to make the transition away from the car; how to transport kids by bike and how to get them on bikes themselves; how to use a bicycle for cargo needs; different kinds of bicycles; community services and connections including and beyond the retail bike shop; and redesigning our infrastructure and culture to allow for more and better biking. Your experienced-cyclist-and-book-reviewer learned new things; the novice rider will be thoroughly equipped with information and empowered by the enthusiasm pouring off these pages.

Walker’s examples come largely from that exemplary bike town, Portland, Ore., and some of her discussion feels a bit removed for cyclists in, say, Houston–but her arguments and advice are more, rather than less, relevant for cities (and riders) with further to go before reaching cycling nirvana. The only caveat: if you are in the camp that occasionally resents Portland’s reputed smugness, you may find a touch of that here. But it might be worth the stellar and scrupulous advice.


This review originally ran in the September 20, 2011 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Teaser Tuesdays: Tripwire by Lee Child (audio)

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

Love my Lee Child on audio, y’all. It was especially fun to find this one starting off in Key West, since we (thought we) were headed there on vacation a few weeks ago. Not that Reacher sticks around in Key West for long, though; this one mostly finds us in New York, so far.

Here’s your teaser:

An hour later Reacher was drifting down Duval Street, thinking about new banking arrangements, choosing a place to eat an early dinner, and wondering why he had lied to Costello. His first conclusion was that he would cash up and use a roll of bills in his pants pocket.

Stop back by and I’ll have a review for you shortly! What are you reading this week?

fiction vs. non

I’ve talked a few times recently here at pagesofjulia about fiction and nonfiction. (See for example my discussion of the value of fiction.) Most recently, in my review of In Cold Blood, I ponder the fine line between the two. Sometimes it’s difficult to tell. How do we draw the line? Here at the library, for cataloging purposes, I use OCLC’s bibliographic record; but there is often room for debate. Ernest Hemingway (obviously) is my go-to example of an author of fiction which is so highly autobiographical as to raise eyebrows; and for that matter, he was also an author of nonfiction that may have fudged here and there (i.e. his journalism in times of war in which he claimed a heroic or brave role for himself). And then there are the James Freys and Greg Mortensons of the world, who claimed to be writing nonfiction and later were accused of either smudging their facts or wholly making things up. So, my point is, the line between fiction and nonfiction (a) can be fuzzy and (b) is an important line to be aware of – even when we can’t draw it firmly.

I came across a short article the other day that I want to share it with you here. Robert Gray’s column at Shelf Awareness, is called “Deeper Understanding.” He recently wrote Conquering Our National Fear of Fiction, in which he notes that President Obama has been criticized for reading fiction. He then makes arguments – and quotes studies – in favor of reading fiction for education, and for improving ourselves. His message is one I definitely get behind (again, see my discussion of the value of fiction).

I love reading nonfiction. I think I love it more every year. There’s so much in the history of our world – and in what’s happening in our world today – that’s fascinating and that we should be aware of. Of course, I’m not doing an exceptional job of keeping up on everything. There’s too much to know. But I do enjoy nonfiction. In fact, I feel like I’ve read an awful lot of it this year – but when I look back at my Books Read log, I see that fiction still massively outnumbers nonfiction. Maybe I had a misconception because so much of the fiction I read is very short, and some of nonfiction is quite long, so the time spent on each might be closer to equal… maybe I’m making excuses. My point is, I have nothing against nonfiction, and should read more than I do. But! Fiction! Not an ugly stepchild at all!

So, for discussion here if you please: Do you read mostly fiction, or non? What is the value of each? In other words, is fiction frivolous and nonfiction valuable, or does fiction have a great deal to offer us as people, as a society? Why? What authors have you come across who smudge the line between the two? How strongly do you feel about defining the line, and how do you go about it? For example, is In Cold Blood fiction or non? Or some strange hybrid?


For your reference, I’ve linked here to a few of my favorite nonfiction reads of the last year or two…
Around the World on Two Wheels: Annie Londonderry’s Extraordinary Ride, Peter Zheutlin
Dethroning the King, Julie Macintosh
The Devil in the White City, Erik Larson
Fire Season, Philip Connors
Heroine’s Bookshelf, Erin Blakemore
Iphigenia in Forest Hills, Janet Malcolm
Mr. Playboy, Steven Watts
Hemingway’s Boat, Paul Hendrickson
Newspaper Titan by Amanda Smith