A few weeks ago, I was happy to be able to fly out to southern California to visit my Grammy and be her guest at the San Diego Opera for their production of The Masked Ball, a Verdi opera that I was unfamiliar with. (This is not surprising; I’m not a big opera fan.) It goes without saying that I was there to see my Grammy more than to see the opera, but the opera was rather good, too. First, Grammy had clipped a review for me by the local (San Diego) arts critic James Chute. Anyone could read this piece and see that it is a glowing review; but Grammy informs me that apparently Chute is a spectacularly tough critic, ripping apart even the good shows, so that context adds considerably to the power of his positive remarks.
Therefore, I went into the performance with a little less trepidation than I might have had. Recall that I have had difficulty appreciating opera in the past and had in fact mostly sworn off it. Well, I found the plot fairly strong and interesting, and rather tragic a la Shakespeare, as in: if only these people had talked to each other first! Or turned around and looked behind them! Ah well. The costumes were sumptuous and appropriate; the sets were fine (more on that in a moment). The singing was absolutely glorious – not my style, perhaps, but if I step back to gain a little perspective, there’s no question that what these folks can do with their voices is astounding and impressive. There was a small Korean-American woman who played a young man and sang such outrageous soprano, a very fun staccato part, that I was charmed. Indeed all the singing was very very good.
The acting is, again, not in my favorite style because it is so dramatic; but I believe that’s the operatic style, and I think it was well done. My biggest beef with the whole experience was its pacing and length; to be quite honest I found it painful right toward the end and wished I were elsewhere. This was a three-hour event with two intermissions, so three equal parts of pretty precisely an hour apiece. I could handle much more than that if it were anything but opera; but in this case I found it trying. As I keep repeating, this is an issue of my personal taste rather than how well the whole show was done. In fact, I can’t find anything to complain about from an objective standpoint. I’m just (still) not an opera person.
Where I am a philistine, though, my Grammy is a very experienced and worthy judge of the opera; she has held season tickets for gosh knows how many seasons in how many cities, and has attended overseas as well; she has a music degree and makes a fine critic. She judged this to be a near-perfect performance, with her one small concern being that the stage sets were not imaginative; she says she’s seen them done better (can’t recall if she saw this opera performed in an earlier San Diego rendition, or in Houston). It seems true to me, too, that this opera was traditional, in its sets, costumes, and performance; but traditions are not always bad.
To my personal tastes, this opera might earn a scant 3 or 4 herbs from the gallows – but that would be high for an opera, wouldn’t it! From a more objective view, though, I think it deserves at least 8. You be the judge.
My visit with Grammy? Absolutely ten old photographs, every time.