Lost in a Good Book by Jasper Fforde

lostAll those books on my shelves waiting to be read, and I couldn’t resist taking this one out from my local library and jumping in. You will recall that I enjoyed the first Thursday Next book on audio. I couldn’t find this one in that format, so text it is. I have some observations on the format, but first, what is it about?

Thursday Next is back, recently married, and pregnant. She and Landen are happy, but overwhelmed by the publicity linked to her successful but still controversial victory over Acheron Hades, which involved changing the ending of Jane Eyre. The forces of darkness are not through, however: Goliath Corporation wants Jack Schitt back (oh, these names!), and his brother Schitt-Hawse is not afraid to use some pretty ugly blackmail techniques to get him. Landen is in trouble, and Thursday will have to follow Schitt into Poe’s The Raven to execute both men’s safe return. And finally, Acheron Hades may be dead, but (shockingly) he had friends…

Everything I liked about the first book is here: silliness and hilarity, but also some rather sober statements on the ugliness of war, and an evil, all-powerful corporation that is both deliciously ogreish and frighteningly true to life. Not to mention that most central quality: that in this alternate world, books and literature are deeply important to everyone. This fantasy is deeply enjoyable for those of us who feel that way in the real world but who are, sadly, the minority.

What is better about book 2 than book 1 is that there is far more entering of books: in this edition, Thursday acquires the skill, with the help of the Cheshire Cat and Miss Havisham, of reading herself into any book she chooses. Thus we get to visit Sense and Sensibility and The Raven, and of course Great Expectations, as well as a few others, even unpublished manuscripts. Great fun! This aspect of the story’s possibilities (that is, the possibilities of Fforde’s delightful invented world) is not perhaps exploited fully; but the series continues, and I am joyfully anxious to read the next installment.

Format-wise, I loved the voices (and the accents) on the audiobook I listened to of book 1; but there’s a lot to be had in the print version of this one. For one thing, certain inhabitants of Book-World speak to Thursday in foot-notes, which only she can hear and which appear to me as actual foot-notes on the bottom of the page – the disjointedness of which was quite appropriate. I don’t know how that would have been executed in audio format. And there are other things: spellings, subscripts, and the like, that are very much printing jokes, and thus best (only?) enjoyed in print. So while I like the convenience of audio (and the accents!), this may be a series to read in actual book form. Which is probably how Thursday and her Book-World/JurisFiction cohorts would have it, anyway.


Rating: 7 pounds of cheese. (It fits, really.)

The Eyre Affair by Jasper Fforde (audio)

eyreaffairThe Eyre Affair is the first in the Thursday Next series of bookish mysteries by Jasper Fforde, and I am pleased to have discovered it. The alternate world inhabited by Thursday Next (our protagonist) is ingeniously imagined, fully realized, and great fun: centrally, books are very, very important, and justify an entire branch of law enforcement (which is, admittedly, sort of a stepchild in the law enforcement community, but we’ll take it). Extinct species have been recreated through genetic engineering: Thursday has a pet dodo bird named Pickwick. In a sobering parallel to reality, the Crimean War is ongoing; Thursday opposes it, having served, herself, and having lost her beloved brother in action. Wales is an independent republic. And on, but you get the picture: Fforde is a fine worldbuilder, and his is a world both hilarious and serious.

Thursday works as a LiteraTech, one of those book-police, and is still scarred by her experience in the Crimea, and the loss of her brother there. She remembers fondly her former fiancé, who lost a leg in the same battle, but can’t quite be with him, for reasons we have to learn as the book unfolds. Her father is a time traveler, put briefly, and we get occasional time-stopping visits from him which also color the alternative universe Thursday dwells in. She finds herself a villainous opponent in Acheron Hades, her former college professor and now professional criminal extraordinaire. He has special powers (appearing in various forms, impervious to gunshot wounds) and Thursday is uniquely able to combat him, although not without personal injury and great risk. Their conflict takes Thursday back to her hometown, where we meet her delightful inventor uncle Mycroft (he of the bookworms), and witness the (clearly inevitable) reunion with the former fiancé.

The genius of The Eyre Affair, in case I have not sufficiently made this point, is the world that Fforde creates. All the little details are charming, fun, and silly in the best possible way; the characters are likeable and real. Thursday’s trauma as a war veteran is believable and makes her a fuller character. Her uncle is sweetly flawed and fabulous. Only Landen, the former fiancé, might be a little saccharine; and this is the book’s only real shortcoming: where Fforde digresses into romance he tends to be a little too sweet. His skill is not particularly apparent in terms of plot. The mystery story is fine, passable, amusing – and the villain is deliciously evil, taking pleasure in evil for its own sake – an adequate vehicle for the characters and worldbuilding that are Fforde’s greatest strengths. The love story is a little bit pat, but who cares? Give me more Thursday Next, set in this outrageously entertaining alternate universe, and I will be happy. Oh, and audio reading by Susan Duerden is fun and perfect; I will be looking for her reading of the next book in the series as well.


Rating: 7 dodos.

Teaser Tuesdays: The Eyre Affair by Jasper Fforde

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

eyreaffair

Sorry. I know I just teased you with this one recently, but it’s simply too much fun. See:

He patted the large book that was the Prose Portal and looked at Mycroft’s genetically engineered bookworms. They were on rest & recuperation at present in their goldfish bowl; they had just digested a recent meal of prepositions and were happily farting out apostrophes and ampersands; the air was heavy with them.

How could I have passed up the meal of prepositions and the farting of apostrophes? I ask you. Great fun, this world of Thursday Next!

Happy reading in 2013, kids! Year-in-review post coming later on today.

Teaser Tuesdays: The Eyre Affair by Jasper Fforde

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

For those unfamiliar with Jasper Fforde, he writes unique fantasy or alternate-reality mystery novels that take place in a world of books. I read his The Big Over Easy years ago, about the eyreaffairpushing of Humpty Dumpty over the wall; this is my first (and the first) of his Thursday Next series, in which a character by that name (yes, Thursday) works as a Literary Detective. Here’s a tease from the early pages:

…no one was taking any chances since a deranged individual had broken into Chawton, threatening to destroy all Jane Austen’s letters unless his frankly dull and uneven Austen biography was published.

What I think is charming about this story is the world in which books, and art, matter as much as anything does. It’s great fun for those of us who love books, to imagine a world that shares our value system. Also, because cloning and genetic engineering has come so far in Thursday’s alternate world, she has a pet dodo bird named Pickwick, and that’s pretty cute, too.

Abraham Lincoln: Vampire Hunter by Seth Grahame-Smith (audio)

Abraham Lincoln: Vampire Hunter is an alternative history with fantasy/paranormal elements thrown in. It reexamines Abraham Lincoln’s life, his presidency, and the American Civil War, with a twist: the US is overrun with vampires, mostly unknown to the public, who are secretly pulling the strings that shape Abe’s life, the institution of slavery, and war. The book opens with a charming sequence in which a would-be novelist in a small town on the Hudson Valley meets a new resident and gets a book idea from him. The foreboding sense in the idyllic setting reminded me of Stephen King, which is a compliment.

It is a rather fascinating concept. I had my doubts at first – again, the whole vampires-in-pop-fiction trend gave me pause; it’s not a trend I have bought into in the past. But as soon as I began the book, I was drawn in. So full points for intriguing me early on. I loved the parts about Abe’s early life; the atmosphere, the mood of tension, of Abe’s efforts against long odds, his determination in the face of tragedy, are all well executed.

But I think the middle section of the book dragged on far too long; it’s a great concept that Grahame-Smith indulged in for too many pages. All of which is to say, it probably made a great movie! That may be the proper format.

Another concern: I had some misgivings about the use of vampires to explain some of the evils in our national history. Slavery, secession, civil war, all belong to vampires in this book (with a quick mention of WWII’s genocide apparently coming from the same source). While Grahame-Smith struck me as careful to always treat these heavy topics with due sobriety, it still makes me a little uneasy to play with them in this way. Slavery and civil war are unsettling, terrifying, gruesome, disturbing enough in fact; it rather feels like diminishing their somber import to make them the fictional playthings of entertainment in this way, no matter how carefully treated. And again, the tone of this book is serious and in always respectful. But I’m just not entirely sure. It gives me pause.

Late in the book, I really missed our narrator of the beginning section: the writer, that is, who is approached by the mysterious stranger and given the lost diaries of Abraham Lincoln. The quick sketch of small-town life and the birth of this novel was a definite strength, and I regret that we never returned to that early narrator at the end of the book. I was looking forward to revisiting him.

So I have my criticisms, as you can see; but I really did enjoy this audiobook, and never considered putting it down. I think Grahame-Smith could have executed his rather genius story concept in less space: my audio ran to 9 CDs, and he could have kept it under 6, in my opinion. But again, this only makes me more interested in the movie version. Apparently the screenplay is written by Grahame-Smith as well, which is a good sign; and hopefully that format will push for a little more condensed action, which the book could have used as well. Call this a rare case where I am excited for the movie after reading the book.

The audio narration by Scott Holst was good. He emphasizes mood as a narrator should; he varied the voices of his characters a little, was not overly theatrical, but lent atmosphere where it belonged.

As always when I read historical fiction, I found myself contemplating the line where fact meets fiction. In this case, I’m sad to say (and it’s far too often that I’m sad to say this!) I don’t know the subject well enough to judge for myself; but here are a few notes of interest. At the end of my audiobook is a short interview with the author, in which I learned: first, that he was in fact quite purposefully following the aforementioned trend of vampires in pop fiction; and secondly, that he had great respect for his subject and did a fair amount of research. Now, this is a subjective measure (and he’s judging himself, which makes the judgment even more subjective), but I still find it encouraging. Finally, he mentioned a particular source of nonfiction inspiration: Doris Kearns Goodwin’s Team of Rivals, which I have in my iPod just waiting my attentions. And that was the most encouraging detail of all. 🙂


Rating: 6 fangs.

Teaser Tuesdays: Abraham Lincoln: Vampire Hunter by Seth Grahame-Smith

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

I confess I thought this looked a little silly. Maybe it’s the whole vampires-in-pop-fiction trend? But I confess, I like it. And there’s a movie, you know… Here’s a teaser.

I shouted after him: “Why haven’t you killed me!” His answer came calmly from the next room. “Some people, Abraham, are just too interesting to kill.”

And maybe that’s how the book is striking me, too. Too interesting to kill. 🙂

What are you reading this week? Do share.

Watership Down by Richard Adams

Remember I read Tales from Watership Down a while back? And noted that this was probably really one to have read in order, meaning *after* Watership Down? I was so right. I wonder if I’ll find the time to go back and reread it now; I’d certainly like to.

This is a charming story. It’s about rabbits – but wait, come back! It’s a story of adventure, battles and bravery and trying new things, stepping into the unknown, making new friends. It’s exciting. And while it is enough when read for the explicit story of these rabbits of Watership Down, it can also be considered allegorically, if you’re so inclined.

At the beginning, a rabbit named Fiver has a premonition of something bad coming to the Sandleford warren where he lives. His friend Hazel has learned to trust Fiver’s intuitions, and the two of them attempt to warn the Chief Rabbit; but he will not be warned. Hazel (a leader type) and Fiver (more shy and withdrawn) gather a small group and leave the warren headed for parts unknown. Their comrades include Bigwig, a trained fighter; Blackberry, a cleverer rabbit than most; Dandelion, an accomplished storyteller; and Pipkin, even smaller and less impressive than Fiver. This unlikely crew faces the dangers of traveling through the open, through the woods, and over a small river; they move into a peculiar but welcoming warren for a time, until they discover the strange danger that dwells there, and have to move on again. As a group, they become closer, learn one another’s strengths and weaknesses and learn to work as a team. Finally they settle at Watership Down, and begin to build an idyllic new life, but there’s a missing piece: without does (female rabbits) to bear their kittens, their warren is doomed to extinction. So our friends launch yet another expedition…

As an adventure story, Watership Down has it all: likeable characters with developed personalities; a plot with beginning, middle, and end, during which those characters grow and mature; suspense, danger, excitement, bravery, personal sacrifice, bad guys, good guys, strange and wondrous creatures and happenings. It’s great fun, and I stayed up too late one night because I wanted to know what happened next (always a good sign). This is an enjoyable story.

And then there is the allegory. Much has been written on the topic, and for the most part I’ll leave it for others to cover the concepts of religious symbolism, historical allegory, and the like. I prefer it as a “straight” story of adventure fantasy as experienced by this gang of rabbits. But I will say that I enjoyed the epic-hero aspects, and the fact that the larger rabbit society has its own set of myths, proverbs, and stories passed down through the generation. Story-telling and the remembering of mythical heroes (and the creation of new ones!) play a large role, and this was familiar to me, as I have long loved the ancient Greek myths. Watership Down has been compared especially to the Aeneid; I actually thought of the Lord of the Rings trilogy-plus-one (to include The Hobbit), in terms of the building cadence of action. (Side note: Adams includes a number of quotations and allusions to classical works, lending credence to the idea that he had some of this explicitly in mind.) Also, I found myself musing from time to time on the statements Adams (or his rabbits) might be making about human civilization. The four warrens we see in this story embody four different cultures and styles of organizing citizens; some work better than others. I’ll say no more, because if you read this book, I believe you might enjoy making your own connections as you will. But yes, there is plenty of opportunity to consider allegory at work in Watership Down.

This is definitely an enjoyable read. Early in the book the pace is measured, as we get to know our characters and invest in their fates; when the cards are on the table later on, the pace ratchets up (this is where I didn’t go to bed on time). I thought it was very enjoyable when read “straight”, and would work as a children’s book. But it also offers fodder for serious thought and discussion. I can see why this one has remained in print for so long! Now to track down Tales of Watership Down again…


Rating: 7 bunnies.

Mockingbird by Chuck Wendig

Wendig does it again! You know, it says a great deal about how well his stock is doing at pagesofjulia when I pick up his new book immediately upon its release – this, in a world where my TBR shelves are three and the stacks on the desk are… many. He’s right up there with Tana French.

We left off with Blackbirds, you will recall. Miriam Black, that foulmouthed psychic badass bad girl, had decided to try to settle down with Louis and ignore her (dubious) “gift.” We meet here again here in Mockingbird, and the informed reader will not be surprised to learn that things don’t go so smoothly for her as she’d hoped. In the opening scene, she foresees a bloody death in the immediate future and intervenes… and her life with Louis, rocky at best, comes apart. The lesson Miriam learned in the last book was how to interfere with fate for the cause of Good. Which raises a question: can murder ever be righteous, virtuous, redeemed? The question this book raises is, does the same answer apply when the roles are switched around?

I don’t want to say anything more about plot here (and hopefully I’ve been vague enough), but I will say that this continues in the gritty, grainy badass vein established by Blackbirds. Miriam is her old self, and I love her for it. Louis is rather his old self too, and he was pretty charming. A new and likeable character is born in a certain schoolteacher undaunted by mortality; and we meet a … there’s a villain. And the villain is interesting, too. And there are little girls.

The strengths of Blackbirds are all present: pacing, characterization, and loads and loads of atmosphere. I am crazy for Miriam’s brand of crazy. She undergoes a change here, something that feels alarmingly like altruism; she almost seems to be capable of forming bonds. And like Blackbirds, it ends with a twist. I’m afraid I can’t say much more about the book without feeling like I’m giving something away… the plot really needs to be revealed in your reading. What I can say is about style. Wendig is almost Hemingwayesque (what? roll with it), but even punchier, and harsher. Come to think of it, maybe I could say the same about Miriam.

Forgive my brief review; but please be impressed by the fact that I will, again, pick up the next book as soon as it’s released. Apparently that will be Cormorant. Get with it, Wendig.


Rating: 7 psychic visions.

The Curious Case of Benjamin Button by F. Scott Fitzgerald

I was vaguely aware that the movie of several years ago was based on a book by F. Scott Fitzgerald. A new copy (the movie tie-in one, of course) crossed my desk at the library and I cracked it open. It’s a short story, as it turns out, just a little thing that they presumably built upon a great deal for the movie. I did not see the movie (I see very few movies), but I got the impression that it was more of a love story. This is not so of Fitzgerald’s original.

In the year 1860, Roger Button is dismayed, horrified and disgusted that his wife gives birth not to a screaming, red-faced infant but an old man, with the appearance of a 70-year-old. (And thus ends the role of Mrs. Roger Button in this story, strangely.) The little old manbaby is mildly disappointed, as well, with the strange reactions of his parents and, indeed, the world at large. Mr. Button tries to make Benjamin play with toys and other little boys, but neither man is pleased with the results. Benjamin is driven out of kindergarten by the disapproval of the teacher, but eventually finds a happy place at his grandfather’s side, smoking cigars and discussing what is wrong with the world today.

As the years pass, Benjamin grows younger. Roger sends him off to college at Yale, where he passes the examination but is turned away for his appearance: he looks like a man of fifty, despite being just 18. This works out fine, however, because he and his father get along swimmingly and find that they have much in common. Benjamin goes to work in the family business and makes a great success. He meets an attractive young woman at a dance and miraculously, she is attracted to 50-year-old men! (I can’t help but observe that male authors like to write this fantasy) and they marry. But as the years pass, he finds her unattractive as she ages, and she is exasperated by his appearing younger and younger. She seems to take this personally. He becomes a real man about town, going out, charming the young ladies, partying, and eventually neglecting his business concerns. He goes off to the Spanish American War, and earns a rank of lieutenant-colonel. Upon his return, he is feeling so young and spry that he gives college another whirl, this time at Harvard. In his freshman year he is a big hit, mature for his age, the star of the football team; but by his senior year, he finds the classes hard and he can no longer play football because his peers are bigger and stronger.

When he returns home, his wife has taken off, so Benjamin moves in with his son. The years pass, and a grandchild is born, and Benjamin becomes young enough to play with his grandson as peers. They attend kindergarten together, until the grandson moves on to first grade and Benjamin remains in kindergarten… until, in his third year, this becomes too challenging for him and he retires to be cared for by a nursemaid. He ends his life as an infant in a cradle, unaware of his surroundings.

It is a strange tale, imaginative, and well told; Fitzgerald knows his way around a phrase. There is a wryly funny tone to the early parts, with Roger Button trying to make an infant and a little boy out of an old man. Later, sadness becomes the dominant sentiment. There is an episode when the Army calls Benjamin back in for service, as a general; but when he shows up as a 13-year-old (or thereabouts) boy in a general’s uniform, he is laughed at and turned away in tears. Towards the end, as Benjamin begins to lose hold of his memories of the good times (newlywed happiness, military glory, playing football at Harvard), I thought of Flowers for Algernon.

This is a short, easy, very worthwhile story by a fine storyteller, and I recommend it. I do not feel especially interested in the movie which I fear is different, not as good, likely to disappoint – and maybe I’m wrong, but that’s my pro-book prejudice, and probably explains why I don’t watch more movies. Anybody have a movie review for me? Anybody both read and watched, and can make a comparison?


Rating: 5 buttons.

preview chapter: Doctor Sleep by Stephen King (audio)

As noted yesterday, there is a teaser chapter at the end of Stephen King’s The Wind Through the Keyhole for his upcoming book, Doctor Sleep. I am giving this one chapter its own post here because it grabbed me hard. Good job, Mr. King, you have me salivating for a book that’s not out til 2013. Thanks.

Doctor Sleep will be a sequel to King’s huge 1977 hit, The Shining, upon which was based the 1980 Stanley Kubrick / Jack Nicholson movie by the same name. I have neither read nor watched The Shining, but after listening to King’s reading of the first chapter of Doctor Sleep, I will. I have a copy of the audiobook (sadly, not read by King) on its way to me now. I got the storyline of both the book and the movie, and the differences between the two, off Wikipedia. I won’t regurgitate what I read; if you too need the background, go read up (bookmovie).

Doctor Sleep opens with Danny Torrance seeing dead people again, a few years after the death of his father and other frightening events at the Overlook Hotel. Dick Hallorann comes to town to help him deal with the trauma and the apparently very real risk of the ghosts (are they ghosts? these decaying corpses?) doing him bodily harm. Dick arms young Danny with a tool to protect himself, but the chapter ends with a sort of “and then they were safe… or were they?” moment. Oh the suspense!

Here I am pimping Stephen King, I suppose, and I don’t think he needs my help. But just the one chapter held my interest so thoroughly that it began to eclipse the wonderful Wind Through the Keyhole that I had just finished. I am impressed, am I intrigued, I am seeking out more Stephen King. Check him out.