hemingWay of the Day: as reported by his son Gregory


I’m stretching the definition of my hemingWay of the Day feature just a little bit. This is a quotation, not from Papa himself, but from Gregory H. Hemingway’s book Papa: A Personal Memoir. Here’s Gregory writing, and quoting his father.

He said he loved to read the Bible when he was seven or eight because it was so full of battles. “But I wasn’t much good reading at first, Gig, just like you. It was years before I realized that ‘Gladly, the cross I’d bear’ didn’t refer to a kindly animal. I could easily imagine a cross-eyed bear and Gladly seemed like such a lovely name for one.”

Isn’t that sort of darling? Aside from being funny, I think it’s a good example of what charmed me so much about Papa as seen through Gigi’s eyes: that he was often a tender and loving father. Here we see him reassuring his son the late reader. Gigi’s book is still resonating with me weeks afterward; isn’t it nice when a book does that for us?

looking back on early 2012… looking forward to a new trend

As I wrote at the beginning of the calendar year, I am moving away from challenges and lists and readalongs this year, hoping to follow more truly my reading urges, ideally with an emphasis on my TBR list(s) and shelf (shelves). Well, here we are two months (more or less) into 2012, and I see my reading urges taking shape. I wanted to share what I’m observing, and what I’m looking forward to.

First, what’s happened in the last eight weeks? I’ve read 25 books (wow! that many? really?), but I haven’t had really excellent luck. I really loved eight of them, which is a scant third: not very good stats. I loved:

If you have noticed a pattern above, so have I: I am leaning heavily towards a certain two bearded men whose first names start with ‘E’. (On a personal note, I have been toying pictorially with the three bearded men in my life…)

Ernest Hemingway, Edward Abbey, and my Bearded Husband


My newfound (or newly recovered) interest in Abbey has come out of my love of Philip Connors’s Fire Season, which I called my favorite book of 2011. I’m still not done being moved by it; Husband is actually reading it himself (a truly momentous occurrence), I am planning a reread at the earliest available moment, and we’re planning a summer trip to the Gila National Forest itself, possibly even to meet the author who has graciously been corresponding with me and overlooking my rabid fandom. The unfortunate coincidence of Fire Season‘s publication with the worst drought in Texas’s history, and a series of wildfires including one that touched my family, has had me thinking about some of the themes involved. I’ve read a few other pieces of nature writing this year (Liebenow’s Mountains of Light and March’s River in Ruin – both lovely, and both reviews to come in Shelf Awareness). But mostly I’ve been revisiting Abbey himself, who represents the epitome of nature writing, at least for me in my not-very-well-read experience. I can’t begin to go into what his writing does for me at this moment; that’s another blog post. But he makes me laugh, and cry, and think and feel, and plan trips. I am trying to take to heart his exhortation to “get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, encounter the grizz, climb the mountains, bag the peaks. Run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and comtemplate the precious stillness, that lovely, mysterious and awesome space. Enjoy yourselves…”

And Connors, and Abbey, are shaping my reading, too, of course. I’m working on building my collection of Abbey’s books, and a few books about him; I have Aldo Leopold’s A Sand Country Almanac coming to my local library; and I have my eye on Muir, although with a few reservations. (I did love his Stickeen as a child. If you see it, grab it.) I have a few books on New Mexico and the Gila coming, too, to help plan our trip this summer.

Again, my thoughts on Abbey are large and evolving, and I’m not feeling worthy of trying to communicate them today. But I’m working on it.

And then there’s the other bearded man. I do have still a handful of Hemingway works on his little shelf that I haven’t read; and I have several biographies of him and other related fiction and nonfiction. My love for Hemingway has not faded yet.

So I guess what I’m trying to say, very long-windedly, is that I am finding great joy in my reading these days by focusing on a few areas that are holding my interest: mainly, two authors I greatly respect, and the writings about and surrounding them. I hope to delve more deeply into Abbey (and similar) and Hemingway, as 2012 rolls on by. Of course my reviews for Shelf Awareness continue; but they take 3-4 reviews a month from me, and that makes up a minority of my reading, so I have time to do my own thing. There will always be some variety, too – this weekend I checked out the new Girl Reading by Katie Ward just because it looked good – but I am doing pretty well at putting down the books that don’t work for me, because I know there’s lots more Abbey et al out there for me.

hemingWay of the Day: on nightlife

Nightlife is a funny thing. There seems to be no reason or rule that controls it. You cannot find it when you want it. And you cannot get away from it when you don’t want it. It is a European product.

from “European Nightlife: A Disease,” The Toronto Star Weekly, 15 December 1923

So true, Papa, so true! I feel like I’ve spent all my life either trying to find the party or to escape it. (Is that a metaphor for something?) This article was a charming little assessment of the nightlife scenes in a handful of European cities – not a travel guide or anything, since it’s so dated (!), but a snapshot in time of one man’s experience, at least, and well presented, and funny.

hemingWay of the Day: on Clemenceau

There is nothing deader than a dead tiger and Georges Clemenceau was a very great tiger. Therefore Georges Clemenceau is very dead.

from “Clemenceau Politically Dead,” The Toronto Daily Star, 18th February 1922

I found this one in On Paris, a brief collection of Hemingway’s early journalism from the time when he lived in the City of Light. I’m struck by his simple, yet funny, wording, which makes a point about Clemenceau’s special brand of deadness in an interesting way, that may take a moment to sink it. I find it very typical of Hemingway, and I love (about this, and about all of On Paris) that his distinctive voice was present, if unpolished, very early on.

the Sharon Kay Penman corpus

Sharon Kay Penman is probably my very favorite author of historical fiction. Her books are generally quite long (the exception is the shorter books in her mystery series starring Justin de Quincy), and so effortlessly create whole worlds that I just love to fall into. I turn to her books when I’m looking for a comfortable, engrossing read that won’t be over in a day or two! I’m slowly working my way through all her work; I’ve only read a few so far but have collected most of them. In chronological order, they are…

Standalone:
The Sunne In Splendour (1982) – reading now

The Welsh Trilogy
Here Be Dragons (1985) – own it (edit: read it)
Falls The Shadow (1988) – own it
The Reckoning (1991) – this was my first Penman, and I reread it several times before branching out, I loved it so much. Now I guess it’s time to go back and read the first two in this trilogy!

The Henry II Trilogy
When Christ And His Saints Slept (1995) – loved it
Time And Chance (2002) – own it
Devil’s Brood (2008) – own it
Lionheart (2011) – have it in the library

The Justin de Quincy Mysteries
The Queen’s Man (1996) – enjoyed it
Cruel As The Grave (1998)
Dragon’s Lair (2003)
Prince of Darkness (2005)

The other aspect of Penman’s work (which I’ve discussed before) is that she does meticulous research. I consider her to be an excellent example of a responsible author of historical fiction; the author’s notes at the back of each of her books details where history ends and where fiction begins, so that the responsible reader can be careful about how much she takes away from these books as fact. I definitely recommend her work.

shrine to Papa

I’ve been working on this little project for a month or so now, and it’s finally ready for its photo shoot.

First of all, I have limited bookshelf space (I’m sure you’re shocked). When I read Paul Hendrickson’s Hemingway’s Boat recently, I enjoyed being immersed again in one of my favorite literary and historical figures. It had been a little while since I’d read any Hemingway (or anything about Hemingway), and it was like coming home: it was comforting and comfortable to return to a subject I know and love. It also inspired me to make some purchases.

First, I decided I wanted a smallish bookshelf to dedicate to the Hemingway theme. I thought maybe it could hold all my books by Hemingway, and about him, and also the works of his friend or those authors I’ve picked up directly because of a Hemingway connection (Stein, Fitzgerald, de Maupassant, Beryl Markham). I cleared it with Husband and he even agreed to come shopping with me. It took a little looking, but I ended up with this charming piece.


I was prepared to do some decorating…


I bought this print from the Hemingway House in Key West, and took a second shopping trip to find a beat-up real-wood frame for it. Again Hemingway’s Boat gets credit: I was taken by this picture in my reading of the book, which to my memory is the first time I had ever seen it. I like that it shows him in his non-writing leisure time, in pursuit of an activity he loved, and I like that he’s wearing his glasses in it, which he was not in the habit of always doing. Sorry it’s not a better picture of the picture…


And don’t laugh at me, but this is my own portrait of Papa, a copy of the famous Karsh portrait.


Top shelf, with antique fishing reel donated by Husband. (It’s not specifically accurate to Papa’s fishing, we don’t think, but it sets the mood, if you will.)


Bottom shelf, with four new purchases inspired by my reading of Hemingway’s Boat. They are the four on the right: memoirs of life with Hemingway by his son Gregory (Gigi), by Arnold Samuelson (“the Maestro”), by longtime friend A.E. Hotchner, and by Valerie Hemingway, Gregory’s ex-wife (who was originally a secretary or assistant to Papa). I have not read these books yet…

As you might see, I ran out of room for the friends, so Stein et al reside on the “regular” shelves again. And there’s not much room for the collection to grow, on my Hemingway shelves. But I’m very pleased with my end result: a special space that honors my favorite author on his own. As for growth, I suppose these shelves will begin to look like the rest of them, with books stacked in front of or on top of other books. It’s all organic.

Do you have a special space or special shelves reserved for a particular author, genre, subject, or other beloved group of books?

hemingWay of the Day: with love


According to Paul Hendrickson in his meticulously researched Hemingway’s Boat which I respect and admire very much, Hemingway wrote to Sara Murphy (an old friend from the Paris days) in December of 1935 of his concerns on aging… his work habits… and a recent hunting trip with his son Patrick. The part I like the best (and which strangely echoes Gertrude Stein) is his closing,

with very much love much love and love also with love.

I love you too, Papa.

hemingWay of the Day: on writing


From Flavorwire’s “Weird Writing habits of Famous Authors”:

“Hemingway famously said he wrote 500 words a day, mostly in the mornings, to avoid the heat. Though a prolific writer, he also knew when to stop. In a letter to F. Scott Fitzgerald in 1934, he wrote,

I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.

I have also reproduced for you the picture Flavorwire used to accompany this quotation. I like. Thank you Flavorwire.

hemingWay of the Day: on cooking trout


This one was chosen as a fine example of how Hem can make me, at least, taste and smell what he writes about. Also, he makes my mouth water.

The Swiss, too, have a wonderful way of cooking trout. They boil them in a liquor made of wine vinegar, bay leaves, and a dash of red pepper. Not too much of any of the ingredients in the boiling water, and cook until the trout turns blue. It preserves the true trout flavor better than almost any way of cooking. The meat stays firm and pink and delicate. Then they serve them with drawn butter. They drink the clear Sion wine when they eat them.

It is not a well-known dish at the hotels. You have to go back in the country to get trout cooked that way. You come up from the stream to a chalet and ask them if they know how to cook blue trout. If they don’t you walk on a way. If they do, you sit down on the porch with the goats and the children and wait. Your nose will tell you when the trout are boiling. Then after a little while you will hear a pop. That is the Sion being uncorked. Then the woman of the chalet will comes to the door and say, “It is prepared, Monsieur.”

Then you can go away and I will do the rest myself.

from “Trout Fishing in Europe,” printed in The Toronto Star Weekly, November 17, 1923

hemingWay of the Day: author insults

Thanks to Shelf Awareness for this interesting item today.

Recently, Flavorwire gave us The 30 Harshest Author-on-Author Insults in History. It might be worth your time to go check them all out, but I had to share with you a few of my favorites.

Numbers 15 and 14 are a back-and-forth:

15. William Faulkner on Ernest Hemingway:
“He has never been known to use a word that might send a reader to the dictionary.”

14. Ernest Hemingway on William Faulkner:
“Poor Faulkner. Does he really think big emotions come from big words?”

…to which I give an lol. My meager attempt to appreciate Faulkner was pathetic, but I blame him entirely – or maybe my choice to try The Sound and the Fury first, I don’t know. I *may* give him another try someday. If I do, it will definitely be a different title. It should go without saying that I side with Hemingway on this one, in terms of the end-result-value of their work – although it is also true, I have never used a dictionary in my readings of Hem. (I do use a dictionary when I read sometimes, though.)

I also liked this one:

9. Truman Capote on Jack Kerouac:
“That’s not writing, that’s typing.”

I think this is in the same spirit as #15, above. And again, I loved On the Road and so disagree; but the witty jab makes me smile, all the same.

There are some other clever ones there, too. I encourage you to go poke around and tell me, which ones made you smile? Or get angry? Or feel justified?