Teaser Tuesdays: Don Quixote by Cervantes, trans. by J.M. Cohen

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

Here ’tis! The Classics Challenge continues.

My teaser today comes from Don Quixote by Cervantes, translated by J.M. Cohen. From page 158:

When Don Quixote realized that Sancho was making fun of him, he got so furiously angry that he lifted his lance and dealt him two blows which would have relieved the master of the duty of paying his squire’s wages, unless perhaps to his heirs, had they caught him on the head instead of on the shoulders. But when Sancho found himself so poorly rewarded for his joke, he was afraid that his master might carry the matter farther, and said to him with great humility: ‘Gently, your worship; I was only joking, I swear.’

I am just beginning this book (am not even to page 158 yet, and my edition runs over 900 pages!), but I already believe that this is a representative passage. There have been several instances of Don Quixote losing his temper and dealing blows; and this passage was chosen at random. I think the dealing of blows may be a theme.

I’m excited to be into such a formidable classic text. What are you reading these days?

books that are on their way OFF my TBR shelves

Folks, I’ve said it before: there are too many good books in this world (this is not necessarily a bad thing) and not enough time. I have huge stacks, as do we all, of to-be-read books piled and shelved all around me. If they cave, Husband and two little dogs and I will be crushed. Please help. I’m getting ready to get rid of some of these TBR books that I’m not so sure I need to read, to make room for more. Below are the books that are on my shelves but I can’t remember why. This is your chance to make an argument for any I need to keep. In other words, please remind me why I have these books in the first place. Mom, especially you as I think you’re responsible for a number of them. Otherwise they’re off to better homes (like the library where I work). This is not a tragic fate; they’ll be read, never fear. Just not by me.

(Of course this list does not include all those I KNOW I need to read, sigh. That list is even longer.)

Thank you. GO.

The Elegance of the Hedgehog by Muriel Barbery

The Bookmaker’s Daughter by Shirley Abbott

Red House by Sarah Messer

Good Bones and Simple Murders by Margaret Atwood

(I have never not loved anything by Atwood but this has been sitting for like years. Why has it taken me this long? Should I give up?)

Ellen Foster by Kaye Gibbons

Nanga Parbat Pilgrimage by Hermann Buhl

The Club Dumas by Arturo Pérez-Reverte

The God of Small Things by Arundhati Roy

A Separate Peace by John Knowles

Sanctum by Denise Mina

Scoundrel Time by Lillian Hellman

If I can remember the original reason I wanted to read a book, it has stayed on the shelf. But these need a little push to stay. I await your comments.

the WSJ-YA uproar to which I am late

I had a patron approach me in the library to ask my feelings on this issue.

The background is… more than a month ago, the Wall Street journal published this article by Meghan Cox Gurdon, which immediately became a huge deal. I would encourage you to go read it, because that’s the best way to know what it says, but in a nutshell, this children’s-book-reviewer lady notes an increase in “darkness” in young adult (YA) literature, and comments that darkness is not good for our young adults. While she has some supporters, there was overwhelming indignation among bookish/literary/librarianlike internet dwellers. They have mostly said, in a dark world, kids can actually benefit from reading about situations that are like those they are facing. Also, you shouldn’t censor. The author of the original, offending article has since published, also in the WSJ, a rebuttal.

I resisted entering the fracas, mostly because I feel my opinion is unnecessary (because I’ve read some other excellent responses) and because I don’t feel terribly well-qualified to have an Important Opinion, not being a YA librarian or really much of a reader of YA. Even when I was a YA. But on the other hand, this blog rather exists for the publication of my Not Very Important Opinions, and so I’ll throw it out there.

So. I had a patron approach me here in my (definitively adult) library and ask for my thoughts. I tried to tell her why I’m not qualified to have one but she pushed. So, I told her I agree with those opinions that say, children in rough positions need to read about said rough positions. The cited instances of “darkness” include stories about rape, prostitution, violence in general, poverty, and cutting (self-mutilation). Young people living these situations are in a position to benefit from having them handled wisely in literature, and I appreciate that such things are available. My patron turned out to be (as I understood her position) arguing that children living in darkness need to read about light – happier, brighter situations – to which I say, sure! Great! Let them read that stuff, too! She proceeded to argue that there is too much dark and not enough light; the proportions are wrong; at which point I have to beg off, because my very limited knowledge of current YA doesn’t allow me to debate this point. I don’t know the proportions, quite frankly. I support the idea of diverse options, for sure – in all things, in fact. (For example, there should be more than two political parties in our electoral system.) Lots of options, please. But if you prefer for your YA to read only happier, lighter books, I don’t think that should necessarily limit others – who might be interested in those “darker” ones – in their access to those choices.

I have to take issue with one of Gurdon’s conceptions (from the original article).

In the book trade, [guiding what young people read] is known as “banning.” In the parenting trade, however, we call this “judgment” or “taste.”

I’m afraid she’s confused about “banning.” Or maybe she’s just being imprecise in the phrase, “guiding what young people read.” There are several ways in which parents, guardians, or whoever can guide what young people read. For example, they can pay attention to what their children read, and direct those choices. The Maryland mother whose personal experience begins Gurdon’s article was doing just this. She wasn’t banning anything; she was exhibiting judgment and taste, and guiding her daughter’s reading choices. This is the kind of guidance I recommend; I encourage parents who are concerned about what their children read to pay attention to what their children read, and limit it as they find appropriate. Banning, on the other hand, is what parents and various community members attempt when they submit complaints to public libraries (for example) requesting that certain books be pulled off the shelves. I am in favor of “judgment” and “taste” – I may not agree with yours, but that’s fine as long as your judgment applies only to your child. I am against “banning,” which involves limiting other people‘s access to books. See the difference? Banning is not synonymous with parenting.

I don’t think rape or cutting in books leads to rape or cutting in life. I think it has the potential to offer some relief or catharsis or therapy. Certainly some children don’t need therapy for these traumas; absolutely Gurdon is correct that not all teens are rape victims, thank goodness! But I’m not sure that reading about even those traumas that are outside their experience isn’t necessarily instructive and good, too. (I wasn’t involved in teen violence or gangs, but still found S.E. Hinton’s oft-cited The Outsiders amazing; it was one of my favorite books.) I won’t push these books on your child, certainly, but I fail to see how the availability of these options is a bad thing. Again, I’m all for more options. If I accept my patron’s thesis that there is too much dark and not enough light in YA today, then by all means, let there be more light, in the interest of a multiplicity of options.

But, the vampires I could take or leave, actually.

International Anita Brookner Day


The day is here! Today is International Anita Brookner Day as declared by Thomas over at My Porch. I am 100% behind this celebration, having read first Thomas’s initial argument in favor of Brookner, and then her novel Hotel du Lac which I found lovely (as you can read). So I present to you the

It’s full of book reviews and other reasons to get excited. Go check it out, and find yourself a Brookner book today!

hemingWay of the Day: on writing


From Flavorwire’s “Weird Writing habits of Famous Authors”:

“Hemingway famously said he wrote 500 words a day, mostly in the mornings, to avoid the heat. Though a prolific writer, he also knew when to stop. In a letter to F. Scott Fitzgerald in 1934, he wrote,

I write one page of masterpiece to ninety-one pages of shit. I try to put the shit in the wastebasket.

I have also reproduced for you the picture Flavorwire used to accompany this quotation. I like. Thank you Flavorwire.

book beginnings on Friday: Killing Floor by Lee Child (audio)

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

I take a deep sigh and snuggle in when I begin a new Lee Child/Jack Reacher novel, because I know I’m in for a treat.

This one begins:

I was arrested in Eno’s diner. At twelve o’clock. I was eating eggs and drinkings coffee. A late breakfast, not lunch. I was wet and tired after a long walk in heavy rain. All the way from the highway to the edge of town.

Yep, that’s Reacher, all right – walking from a highway to the edge of a town, and eating eggs and drinking coffee in a diner. Getting arrested is not too far off the norm, either; although a former military cop, he does tend to have trouble with authority. Lives by his own rules, let’s say.

This one looks great, like all the rest! What are you reading?

did not finish: Split Second by Catherine Coulter

Caveat: I read (part of) an uncorrected advance proof.

I quit on page 59. Supposedly a suspenseful thriller, but I walked away quite contentedly, so you can judge the success of the suspense elements as you will. In only 59 pages, I saw formulaic elements. One example: woman reacts instantly with disdain for man with Bad Reputation, but is uncontrollably drawn to him, as she notes that actually he’s never been anything but sweet to her. Will they end up together? Come on. If I can guess at sub-plot endings before page 59, you’ve lost your audience.

The writing is terrible. “Lucy brewed herself some strong tea, swallowed two aspirin, a good way to prevent a hangover for her, and walked to the study…” The dialogue is slightly better than the third-person narration, but still feels stilted and forced; real people don’t talk like this. Events don’t flow together; the action is choppy. (Yes, uncorrected advance proof. But if a sparkling gem of a thriller comes out of this I’ll eat my pants. And then I’ll criticize the publisher for disservice to the author in releasing a rather awful ARC of a great book.)

Coulter has a huge fan base, and this book will sell, no doubt. I can’t speak to her earlier work – and really I can’t speak to this one as a finished and complete novel, but the first 59 pages of the ARC are uninspiring. Proceed at your own risk.

giveway: The Borrower by Rebecca Makkai

My illustrious fellow Houston over at Indie Reader Houston has written an interesting and complimentary review of The Borrower by Rebecca Makkai (a book I have not read but am interested in). It’s about Lucy, a children’s librarian, and her patron and uber-booklover, 10-year-old Ian, and the road trip they undertake without his parents’ permission. The book sounds interesting; go check it out over there. But wait! There’s more! Cassandra is hosting a giveaway of this book, as well, and I think it’s a fascinating concept. I shall reproduce the concept here, below. But you have to go visit HER blog to enter. I’m interested to see what you have to submit! C’mon, do it!

The concept is this. Firstly, an excerpt from the book:

Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together, not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser’s case I think I was focused mostly on his name); George Eliot and Jane Austen share a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him). Then there were various stacks of contemporary authors who I felt would get along together at cocktail parties, and there were at least three stacks of books I personally loathed but held onto just in case someone asked me to loan them a page-turner about a family of circus-performers, or an experimental novel about a time-traveling nun.

And then Cassandra says,

I will purchase a copy of The Borrower and give it away to the person who submits (via email) a picture of the most creative book stack and story that goes along with it. Depending on how many people enter the contest, I may be able to find something bookish for all of you.

She’s accepting entries through next Tuesday, July 19, kids. Get crackin’!

But Cassandra, I spot a problem. How are we all going to share and appreciate the pictures and stories? You will share them with us, yes? Please please…

hemingWay of the Day: on cooking trout


This one was chosen as a fine example of how Hem can make me, at least, taste and smell what he writes about. Also, he makes my mouth water.

The Swiss, too, have a wonderful way of cooking trout. They boil them in a liquor made of wine vinegar, bay leaves, and a dash of red pepper. Not too much of any of the ingredients in the boiling water, and cook until the trout turns blue. It preserves the true trout flavor better than almost any way of cooking. The meat stays firm and pink and delicate. Then they serve them with drawn butter. They drink the clear Sion wine when they eat them.

It is not a well-known dish at the hotels. You have to go back in the country to get trout cooked that way. You come up from the stream to a chalet and ask them if they know how to cook blue trout. If they don’t you walk on a way. If they do, you sit down on the porch with the goats and the children and wait. Your nose will tell you when the trout are boiling. Then after a little while you will hear a pop. That is the Sion being uncorked. Then the woman of the chalet will comes to the door and say, “It is prepared, Monsieur.”

Then you can go away and I will do the rest myself.

from “Trout Fishing in Europe,” printed in The Toronto Star Weekly, November 17, 1923

The Hard Way by Lee Child (audio)

Okay, you all know I’m a big fan of the Jack Reacher series by Lee Child. I have read 9 of the 15 currently out (with The Affair to come in September, yay!). So please take me seriously when I say this is the best one I’ve read yet!

As has become my habit, I listened to this one as an audiobook in the car. I love the narrator, Dick Hill. I think he has just the right mix of slow, serious cadence (imbuing Reacher’s words with the gravity they deserve), and a lightheartedness in the right moments.

And like all the Reacher novels, this novel is fast-paced, suspenseful – I mean real edge-of-the-set, sitting-in-the-driveway-biting-my-nails-while-Husband-wonders-what-I’m-up-to suspense – and action-packed. Reacher is his usual superhero self. Mysterious characters approach him as he tries to mind his own business, and (with limited reluctance) he enters their world, to try and save a kidnapped woman and child. But wait! Are the bad guys really who we think they are? There is intrigue, including military and international intrigue. There are beautiful, sexy, strong, independent women; some of them are also traumatized. There are loyal sisters. Reacher is cool, funny, comforting, and simultaneously rock-hard strong and smart, and brutally violent. (Only when it’s appropriate, of course.)

In The Hard Way, Reacher is recruited by a team of mercenary ex-special forces soldiers to assist in solving the kidnapping of the boss’s wife & step-daughter. As things unfold, he discovers that he hasn’t been told everything – like the fate of the boss’s first wife, kidnapped five years prior, and the fate of two former employees. His loyalties shift; he’s not sure who he can trust. He meets a former FBI-agent, who was involved in the earlier kidnapping case, who may turn out to be a partner of sorts.

I think part of what made this one extra-special to me was the extremity of the danger and trauma at stake, and the happy ending that our sympathetic characters are teased with, the happiness they MIGHT achieve if Reacher is successful. There are some gruesome images offered up; this is not for the faint-at-heart. But if you love a lone ranger with iron-clad morals, a heart of gold, and a Rambo-style ability to inflict pain on those who deserve it, in a world of beautiful/handsome good guys and really bad bad guys, Reacher may be for you. In fact, it’s rather like the traditional Western novel in that lone-ranger sensibility. But these have an intelligence lacking in the traditional Western (not trying to call them stupid; bear with me). Reacher thinks things through in a split second, and we get to share his thoughts on bullet trajectories, angles, percentages, and the weighing of one possible outcome against another. It’s very cerebral at the same time that it’s very physical. I love it.

Before this novel, I didn’t think I’d have favorites within the series. They’re all pretty great. But I’d put this one up there, and if you’re curious, I’d also pick out Echo Burning as a favorite. It was my first Reacher novel, and I picked it up because of the setting: far West-Texas desert on the Mexican border, which is an area where I have spent some very good times. That got me in the door, and opened up the whole series for me, and I’m SO grateful. It had another extra-high-stakes plot (at least for me… I mean, they’re all high stakes, but these two got me somehow, I don’t know. maybe you’d be “got” by a different pair of them) and that setting that I appreciated so much. Also a real knock-down, drag-out OK Coral sort of final scene that really got me going.

Do you read Reacher? Which one is your favorite? And if you don’t – why not?!? No, I jest, sort of. We don’t all have the same tastes. But for suspense and action, I couldn’t recommend it more highly. If not this one, what’s your favorite series? And do you have a favorite within it?