I originally reviewed Scott Russell Sanders’s Earth Works in two parts. I also sent a copy to my Pops, because I felt he needed it. I’m glad to have heard back from him now.
Thanks for the book! A few weeks ago I finally dabbled my way through the whole thing. At first I expected to read only those essays that were new to me; but I found the continuous approach irresistible.
As did I, on both counts, actually. A well-organized collection, then!
I blame summer rather than Sanders for taking this long, but Sanders deserves some credit for all the time I took in contemplation and consideration. This collection is indeed challenging in its range and subject matter, but mostly for Sanders’ unguarded candor and intimacy. He is quite simply baring his soul; whether we choose to appreciate what he has to say is up to us. In other words, I had to remember ‘how’ to read him, accepting the variety of both subject matter, and the responses he may arouse for the reader. The wide range of those things is central to the attraction, I think. He is boldly and humbly naked in his writing.
Which is why I wanted to respond to your ‘part one’ blog comments here, because I got as far as “The Men we Carry…” and wish to rise, not to defend him, but explain my reading of it.
Actually, there is no defending, and you did an excellent job of explicating that. And we still don’t know if he has reconsidered his words here. But as I read the essay, his Preface words were fresh in my mind; you quoted those briefly, but here a bit more complete, with my emphasis: “I have refrained from making significant revisions, allowing the essays to remain, for better or worse, essentially as they were when they appeared in print.”
As I suggested earlier, this candor, with all its risk and embarrassment so well exposed, is part of the masala, the potpourri – and the challenge – of reading Sanders essays. In some others earlier, he has already disappointed, frustrated and angered me; I am now unsurprised. I have resolved to consider time and place and context, accept it as material helping me understand this complicated and flawed person (as are we all), whose thoughts I am now invested in.
It’s the difference, if you will, between reading to examine what’s inside an author’s head, versus critique or enjoyment of content only. Increasingly, as my reading has become more intentional, it seems to lean towards the former, while I still enjoy the latter.
Mostly, I appreciate how such dissonance inspires me to better understand my own thoughts and values – for better or worse. Your own thoughtful response to his mansplaining is perhaps an example, with your values now in print with such clarity.
Pleasantly, with Sanders his best are still very rewarding.
FYI: By the numbers:
There are 30 essays here, covering 3 decades;
21 were published in other collections, the others only in periodicals;
I marked 12 favorites out of the lot, including 7 that I had already read elsewhere (including 3 of the 4 from Staying Put.)
But I read every single one, for a complete journey. Favorites tended to be most personal about family and father; nature and its human impacts; existential questioning. Interestingly, the ‘others’ tended to be similar ground but pursued in excess, taking me a bit over the edge, and often simply too personal and intimate – or dissonant.
I love a good numbers round-up, so thanks for that last section!
Glad that my comments made sense to you (I’m not the least bit surprised). From a distance now of nine or ten months, I remember this collection as a whole and as a reading experience, rather than in its particulars, and that overall impression is positive: I would say I like Sanders very much. But I do remember the essay that upset me, too.
The point you make in quoting the Preface is well taken, and I’m glad he made that statement. But I guess the distress and anger I felt in reading that essay was strong enough that I think it should have warranted a response from him – maybe let the essay stand as originally published but write an addendum, letting us know how wrong he got it and how much he’s grown and learned. If Sanders were reading this, that would be my request of him: republish; but now respond to your own writing, too. Well, I won’t hold my breath, but as you said, I’m glad I have gotten my own response out there, however small my platform.
I think there is an ongoing question of how to handle writings that seem wise in many ways but require of us that we make allowances for attitudes like racism, sexism, colonialism, classism, etc. and on and on. To what extent do we accept that something is “dated” and still find a way to enjoy it or to find value? I keep reminding myself that in every era somebody has been enlightened enough to see past the values of the time. It’s something I’m still doing battle with, myself. (Stay tuned, one of these days, for my troubles with Wendell Berry.)
Thanks for yet another thoughtful guest review, Pops.
Filed under: book reviews | Tagged: creative nonfiction, essays, family, nature, nonfiction, Pops, Scott Russell Sanders |
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