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The Bind by William Goldsmith

This graphic novel celebrates sibling rivalry and the art of bookbinding in a sepia-toned historic London.

the-bind

The illustrations and imagination of William Goldsmith (Vignettes of Ystov) adorn a story of bookbinding and family history with The Bind.

This graphic novel opens in 1912, as the ghost of Garrison Egret tours his family business, Egret Bindings, now run by his sons, Victor and Guy. Garrison is frustrated by the way they’ve “tarted it up,” and by the way Guy overworks himself without taking enough credit while Victor takes too much credit without doing the work. Their latest project will showcase the Egrets’ finest talents, and test both their skills and their relationship; it is a poetry collection called A Moonless Land, jewel-encrusted, hand-tooled with leather inlays and gold leaf. Victor, the high-maintenance artist, pulls out all the stops while business-minded Guy worries about the bottom line. Will “the most expensive book in existence” prove to be too much for the most prestigious bookbinding firm in London?

Goldsmith’s illustrations in black and gray, rust and rose, are understated and beautifully evocative. Characterization is accomplished through detail, like a carnation in Victor’s lapel, and the finer points of Egret Binding’s products. In large format on heavy stock, with bonus foldout panels, The Bind is as impressive a physical object as the Egrets’ great creation–minus the rubies and topazes. This carefully presented ode to the craft of bookbinding is also a story of family dynamics and the dilemma of faithfulness to artistry in a modernizing world: a special treat for booklovers, and a lovely work of art.


This review originally ran in the November 15, 2016 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish news.


Rating: 7 counterfeits.

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