The Second Son by Lee Child

A slight diversion from the norm here, for Mr. Child as well as for me: he has written a Jack Reacher short story (as opposed to his usual novel), set in Reacher’s childhood (as opposed to adulthood), and here’s the big one – gasp – available only as an e-book, and not in “real” print. I was excited about the first two and not about the third. I have been a late adopter of many forms of technology, and the e-book, while a great thing for a lot of people (even some friends and family, people I KNOW), still scares me and strikes me as a little bit blasphemous. Give me ten years to get used to the idea and maybe I’ll get one someday. But for now, I said, how will I read this Reacher story? My mother bought it for me (thank you Mom) and I went over there on a Saturday afternoon with a brown bag lunch and sat down and read it. So this was an experiment with the e-format, as well as a Reacher story.

So. First, the story. We know Reacher (in the series of novels about him, of which I’ve read 10-and-change of 16) as an adult; I believe he was 36 when we met him in Killing Floor. In The Second Son, he’s 13. As his fans already know, his father is in the military, his mother is French, he has a brother two years older (Joe), and they move constantly – like every few months. The family of four has just arrived in Okinawa, and as usual, the local military kids (who have been there just perhaps a little longer than the Reachers) want to fight Reacher and Joe. (Yes, he went by Reacher even as a kid.) Joe is accused of one crime, and their father of another. Their maternal grandfather is dying, back in France. And Reacher saves the day. I don’t think that’s too spoilery, since he always does.

This was an enjoyable little story. If you normally like Reacher, you’ll like this; it has all the right ingredients. Reacher is a badass; he meets a cute girl and impresses her; he saves the day. If anything, the requisite suspension of disbelief is slightly greater than in the novels, because he’s just a kid here, so his badassery is that much more amazing. There’s one line I found especially funny where …some sort of military authority can’t believe he’s about to ask this 13-yr-old kid for help in his investigation. But really, if you’ve bought into Reacher, you’re comfortable with the suspension of disbelief, so you should be fine. It made me sigh with satisfaction. It’s like a Reacher novel in miniature.

And the format? Well, I don’t have any strong or specific complaint. It worked fine, although I had to tilt it just right to avoid glare at one point. The pages turned. I played with changing up the font size. I’m not against it. The strongest argument I know in favor, is for travel: not having to lug a largish number of books around, but having them all in that slim little package. My mother has some 40? books open on her machine right now, just because they’re there, but I don’t see this as a selling point; I’ve been known to read 2, 3, even 4 books at once, but more than that is just silly. I see that as actually detracting from the reading experience, because I’d be so confused, so start-and-stop. I’d rather be immersed in a book. I know the point is not to have 40 books going at once, of course, and if I were traveling it would be nice to carry less. But so far in my life this is not a great need for me.

I’m not angry at the e-book. But I’m not enamored; I love real books (battered old paperbacks, preferably) too much, and don’t feel a need for what I see as the greatest reason for e-books, that carrying of less. But it was an interesting experience to get to try one out with a quick read like this. Thanks Mom. If you read The Second Son, please do share your thoughts.

And the rest of you (Mom included) – would you care to share your e-reader-vs-print thoughts?

A Bitter Truth by Charles Todd

A quiet but fully-wrought WWI mystery involving war orphans, family dynamics, and nurse Bess Crawford’s good intentions.

Mother-and-son writing team Charles Todd (the Ian Rutledge series) delivers the third in the Bess Crawford series. Bess, a World War I nurse and sometime amateur sleuth, is trying to make her way home on leave at Christmas when she discovers a battered and crying woman huddled on her London porch in the freezing rain. Of course Bess takes her in, and is persuaded to accompany Lydia back to her husband’s family home. A smattering of domestic violence is just the beginning; the family is haunted by past losses, at odds with one another and thrown further off-kilter by the question of a possibly missing and possibly illegitimate child. Bess’s hesitant commitment to Lydia and her family will follow her to the front lines of the war in France and back again, to the tense, almost haunted family estate where her own life will be endangered before all is resolved.

Todd paints a remarkable, poignant wartime scene of people quietly seething with tragedy and loss, stoically soldiering on, with layers of disinherited and heroic minor characters. Bess is a well-developed character: strong, brave and imperfect, she has involved herself beyond her intentions and proprieties in this story. Two male friends raise the question of a romance in the reader’s mind, but Todd is not ready to answer it yet.

This is a well-constructed and understated historical mystery. Fans of Jacqueline Winspear’s Maisie Dobbs mystery series, in particular, will want to read A Bitter Truth immediately.


This review originally ran in the September 2, 2011 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

The Fifth Witness by Michael Connelly (audio)

Finally got around to Michael Connelly’s latest via audiobook. This was a good way to fit it into my somewhat busy print-reading schedule (I’m working on two clunksters, Newspaper Titan and Don Quixote), but there was a drawback: I had a real problem with this narrator, and I fear that it effected my reception of the whole book, sadly. Peter Giles’ narration was so heavy and serious it weighed down the story and its potential humor.

Quick synopsis: Attorney Mickey Haller has picked up home foreclosure cases (civil) to fill out his business. But he returns to his roots as a criminal defense attorney when one of his home foreclosure clients, Lisa Trammel, is accused of the murder of a big-time banker involved in foreclosing on her home. There may even be mob involvement: is Lisa being set up?

I’m afraid my disappointment extended to Connelly as well as narrator Giles. I didn’t like how this one felt very didactic. Early on I was offended by lots of Mickey explaining things to his 14-year-old daughter, where the very awkward dialog was obviously just a mechanism to explain things to me, the reader (listener). And that daughter, by the way, seemed awfully juvenile for 14. Almost shades of Sophie’s World, shudder, which I despised. There was a didactic feel to most of the novel, in fact; Haller went out of his way in dialog to explain courtroom procedures, to his client, yes, but also to his staff, who should well know this stuff by now. His client, Lisa, is an unsympathetic character. She was meant to be unlikeable, so I guess I should give Connelly credit for the fact that she drove me nuts. But I’m not sure it was necessary that she be quite so bleating. It’s one thing to successfully pull off an unlikeable character, and another to make me cringe every time she appears.

I did like the little joke whereby Mickey is asked if perhaps Matt McConaughey wouldn’t do well playing him in a movie; but that brings me to another beef with this narrator. McConaughey’s smooth, suave, slightly fast-talking portrayal in The Lincoln Lawyer was very true to Mickey Haller’s persona on the page; whereas this audio narrator has him EM. PHA. SIZING. EVERY. WORD. in an aggressive and abrasive way that I find offputting and inaccurate. Isn’t Mickey Haller’s charm, and effectiveness as a lawyer, wrapped up in his ability to be, well, charming? Likeable? This grunting character in the audiobook doesn’t sound like the Mickey I know from his last three book appearances. It makes me wonder how much control Connelly has over these creative productions of his work – ideally, lots, and maybe that’s why Giles is the third narrator I’ve encountered in, count ’em, three Connelly audiobooks. Mr. Connelly, if you’re reading this (ha), I vote against Giles. It was all I could do to finish this book on audio. I wanted to switch over to print but oh, woe, little reading time and prior commitments.

Things did pick up considerably when we finally got into the courtroom. Haller, and Connelly, both shine in this setting, and my enjoyment of the story and the drama and the action and the dialog all increased when the trial began. I felt that the pace really ramped up; instead of feeling exasperated, I really looked forward to the next installment. But even here, Connelly’s not up to his own standards. Some of the dialog was still contrived, and there were at least two instances were Haller expressed (in his first-person narration to me, the reader) that he didn’t know how to handle a new and surprising incident. These struck me as relatively commonplace courtroom events, though, and his confusion didn’t ring true for me. I mean, I almost knew how to handle things (at least in fiction-land) from my reading in this genre. Haller’s sudden ineptitude – when his character is supposedly so slick and expert – didn’t work for me. These were minor moments, but they drew my attention because they didn’t fit.

I’m mulling over this reading (listening) experience now, wondering how things took such a poor turn for me. I have always been really excited about Connelly’s Bosch novels, and not much less so, all the rest of his work: the standalone The Scarecrow, the first Haller book The Lincoln Lawyer, etc. From his first novel on (and I have now read them ALL), I’ve enjoyed everything I’ve read. How sad and concerning, then, that this latest, The Fifth Witness, is my least favorite so far!

The courtroom drama did work. Some new characters were introduced who might hold some promise, namely Haller’s new assistant counsel, Jennifer “Bullocks” Aronson. And the big revelation at the end? Well, the jury is out (ha) on this so far. I like the future and the new directions it opens up for Haller, and for Maggie McFierce. I think I’m on board with the overarching change of heart it indicates. I am relatively sure I’m on board with the idea that this is a natural progression for Haller. But I’m not completely sold on any of these arguments; and I think the reason I’m not completely sold is that Connelly didn’t sell it. This was not his strongest work.

I hope very much for more to come, soon, and better, and maybe with Bosch, rather than or in addition to Haller? Bosch is my favorite. I realize Haller’s the new star, what with The Lincoln Lawyer movie making such a big splash. It was a good movie – entertaining and well-done and perhaps most important to me, fairly faithful to the book. But I hope Connelly isn’t letting this success dictate his work.

I’m sorry to have to write anything less than glowing about my guy Connelly, but I call ’em like I see ’em. I give The Fifth Witness a “meh” and hope for more, better, soon.

Killing Floor by Lee Child (audio)

My love affair with Jack Reacher is going strong; or perhaps it should be just starting here? This is the very first Reacher novel published. (While Child did later publish prequels, he recommends they be read in publication order rather than chronological order. Read all about it.) So, in this book, the Reacher I’ve come to know is just six months out of the army. He’s a former MP – military policeman – just roaming, trying to figure out what he’s doing with himself. He was raised in the army, living just a few months at a time at barracks around the world. When it was time, he went to West Point, and found spending four years in one place bizarre. Then he graduated, entered the army himself, and has lived the rest of his life a few months at a time at barracks around the world, too. So roaming comes naturally. (This is the first time I can remember finding Reacher to be a music fan. The song “Rambling on My Mind” recurs.)

Reacher roams into small-town Margraves, Georgia, and is arrested immediately on a murder charge. He’s calm; he knows he’ll be cleared, since he didn’t do it. But when he finds out who the murder victim was… he’s involved, and has to stick around. The victims start stacking up, and he meets a pretty girl who’s also a local cop, and Reacher is pulled into a big mess. The team of killers is stalking him, and he’s not afraid to do battle, especially considering who they started with.

I’ve written about Reacher quite a bit. He continues to be big and burly and frankly, sexy, and tough and uber-capable and clever. The plot line is actually pretty predictable: Reacher will kill people. He’ll get away with it. He’ll probably get laid, although the sex is not graphic. (The violence is.) He’ll amaze you and make you gasp. Like a sighing reader of romance novels (who reads not to find out if they’ll hook up, but just to be there when they do), I’m not here to find out how he’ll win – I know he will. The suspense is in who the bad guy is and how it all comes out. I feel a little bit wrenched every time he walks away from the town, the situation, the girl, and the new quasi-friends he’s made. But he’ll keep on walking away.

But this is the FIRST time he’s done it! I was thrilled to meet him near the beginning of his lack of career, his aimless wandering, and see his plans formed. This is the first time I’ve seen him consider hanging around – because it’s his first retired adventure. Later in the series he’ll learn not to consider it. We also get to meet his brother (well, sort of) which gives me a differently-angled view into his background. I look forward to reading the prequels, too, for the same reason.

Come meet Reacher at the beginning, y’all. This is a classic of Reacherdom and I love it.

The Accident by Linwood Barclay

A relentlessly paced thriller in which a man has to turn detective to protect his little girl and determine the truth behind his wife’s death.

When Glen Garber’s wife, Sheila, is killed in a drunk driving accident, he’s shocked and disbelieving when he learns that she was the drunk driver. Suddenly a single father, he struggles to reconcile Sheila’s final act with what he knew of her, but things just keep getting stranger. One of Sheila’s best friends is killed in another bizarre accident right after yelling at Glen’s eight-year-old daughter, Kelly, for overhearing a phone call.

The intrigue mounts. Glen receives threats and inexplicable instructions from Sheila’s friends; someone shoots out Kelly’s window; and a sinister figure with ties to organized crime pays a visit to the Garber household. Glen’s contracting business, already in financial trouble, may be on its way to becoming another victim. The background and setting are über-current, with small-town families struggling to survive a recession, tricky sub-prime mortgages and home foreclosures. Unsure of the local police department, Glen is forced to undertake his own investigations. Is someone trying to destroy his business? What questionable sideline dealing was Sheila involved in? And who or what, exactly, killed her?

Glen, a competent builder but a decidedly amateur investigator, is most importantly a loving father. After all the dust settles, this heart-pounding thriller is surprising family-oriented. Barclay’s (Never Look Away) fast-paced, twisting plot keeps the reader guessing at who the good guys and the bad guys are. Allegiances shift. Glen isn’t sure who can be trusted; and while we stay a step ahead of him, the ending still comes with a shocking crash.


This review originally ran in the August 9, 2011 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Teaser Tuesdays: A Bitter Truth by Charles Todd

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

A Bitter Truth is the third Bess Crawford mystery from mother/son writing team “Charles Todd.” I am finding it a) enjoyable and b) decidedly like Jacqueline Winspear’s Maisie Dobbs series. (See them ALL reviewed by me here.) That is – Maisie is a British interwar detective and former nurse; Bess Crawford is a British nurse during WWI who, while on leave, gets involved in a murder mystery of her own. Both women are apt to sympathize with people in trouble, in this case, a young women who shows up on Bess’s doorstep with a big bruise on her cheek.

Your teaser comes from page 223:

She smiled at me in that way that some children have when meeting a stranger, and now I could see what George Hughes had seen, a likeness perhaps not as strong as he had wished to believe it was, but so pronounced that this child and Juliana could have been sisters. I wanted very much to speak to her, to hear her voice, to hold her on my lap and watch the play of emotions on her face.

This quotation comes from an uncorrected advance proof and is subject to change.

One for the Money by Janet Evanovich

Perhaps you noticed how badly my last Evanovich experiment turned out. Perhaps you are shocked (as am I, rather) that I tried again. Well, for one, I was still trying to figure out what people like so much about Evanovich; I hope to be the kind of librarian who at least knows something about all the different genres and tastes. Also, I spoke with a friendly regular patron after my failed attempt with one of her little-known romance novels (above), and decided I was misguided in judging her based on that. I was advised to try again with the Stephanie Plum series, and so I picked up the very first. [For the record, yes, duh, I should have started here in the first place. I did know these were her bigtime contributions. But I guess I was trying to knock out a pure-romance-genre read – again for the sake of breadth in my reading – at the same time. Failure. Note: Always read what the author is famous for.]

For those that don’t know, Stephanie Plum is reluctantly and accidentally employed as a bounty hunter in New Jersey. This first book is her intro to the business. She’s an unlikely candidate, but she needs the money – Plum is kind of a mess, but a cute one. Her first job is to hunt down Joe Morelli, to whom she lost her virginity behind an eclair case in high school. Her feelings for him are mixed, but she barely has time to even try to work them out as the corpses mount up around her, she’s stalked by a sadistic serial rapist, and somebody else is trying to kill her.

I know, just from cover blurbs and general awareness, that Plum has a ping-pong-style love triangle with Morelli and fellow bounty hunter Ranger. This love triangle and sexual tension, as I understand it, is going strong – and still unresolved – after the recent publication of Smokin’ Seventeen, the 17th (yes, true) in her by-the-numbers Plum series. On top of these there are a number of between-the-numbers Stephanie Plum novels, so that for over 20 books, Evanovich’s fans have been eagerly awaiting resolution. Or have they? Maybe they enjoy this ongoing tension and drama, but I have read a few reviews myself indicating that her readers do desire decision. I confess, this is something that would get old for me. Indecisiveness, especially of the multiple-lovers variety, is a bit of a peeve of mine.

Another mild complaint: I’m not offended by sex or violence. I literally haven’t found my boundaries yet; I can handle whatever an author throws. But! I am offended, stylistically, by gratuitousness. And I found some of the sexual references gratuitous. Again, I’m not much of a reader of romance novels; I suspect this is a staple of the steamier of that genre that its readers expect and cherish. But the random appearance of genitalia for its own sake throws me off and yes, offends me – not because it’s sex, but because it’s random. [Seekers of “clean” books, look elsewhere.]

I was conflicted during most of my reading of this book. Stephanie Plum is feisty, hectic, and cute; she has attitude; her narrative voice is funny. Funny things happen to her: awkward moments and moments of conflicted sexual tension. There is some real humor here. But I was annoyed, too. I realize that the outlandish, unrealistic, pure silliness of these story lines are part of their appeal – Evanovich’s fans appreciate this – but I don’t think it’s for me. I’m too easily exasperated with Plum and her indecision (did I say that already?) and her clumsiness and poor decision-making. These books may not be my cup – but of course that’s a subjective judgment, and that doesn’t mean others can’t enjoy them.

I was repeatedly tempted to put this book down, but I hung in there. Just as I got annoyed by Plum (I promise you, if we were friends, I would constantly be rolling my eyes, sighing, and giving her unsolicited advice. Maybe we wouldn’t be friends very long), she’d make me giggle and I’d decide to keep going. Plus, I already quit on Evanovich once, and I was determined to see this one through.

After finishing the book, I remain ambivalent. This book did make me laugh, and it did keep me turning the pages, so Evanovich accomplished several goals: suspense and humor. But I finished with the same exasperation and frustration I’d felt for the whole book. I don’t entirely respect Plum. I’ve had my share of male-female interactions, and I don’t think people behave like this in the real world. It reads like a romance novel, not like life. I’m bothered by the scene, prevalent in romance novels, wherein a man can seduce a woman by being aggressive, rough, rude, even violent. I think this is a dangerous concept to propagate. But perhaps my overarching complaint is, this book is silly. And pointing to this as a criticism rather than a selling point is a matter of my personal taste, not of the objective value of Evanovich’s work.

As a final aside, it was cute to see how dated some of the details were. Cassette tapes, and the impressive tape deck in Morelli’s tricked-out Jeep, made me flip to the front for the publication date: 1994. Rather a fun little blast from the past. As you may have noticed, I’m not too concerned with reading series in order, but I’m glad I started at the beginning of this one. I’m willing to give Evanovich credit – sight unseen – that her characters & style develop as the series progresses. I’m happy to have started off at the beginning.

Final verdict? My options would have to be pretty slim to pick up another one of these books, but at least I now understand what Evanovich fans are looking for. She’s not to my personal taste. But I can see the appeal.

Teaser Tuesdays: The Scroll by Grant R. Jeffrey

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

Your teaser today comes from page 102.

Amber had always been an early riser. It was a family trait and one nurtured by many seasons spent digging in very hot climes. The best digging was done before the sun had time to scorch the cool from the day.

So Amber is clearly an archeologist, as is our protagonist, David. This one is shaping up interestingly: it’s a thriller involving archeological digs in the Middle East with biblical implications as well as current political ones.

This quotation comes from an uncorrected advance proof and is subject to change.

Shut Your Eyes Tight by John Verdon

A breathtaking thriller in which retired NYPD Detective Dave Gurney can’t resist involving himself in the grisly case of a decapitated bride even as the case threatens his personal life.

Retired NYPD Detective Dave Gurney lives in the Catskills with his wife, Madeleine, trying to adjust to their new life and learn to appreciate nature. Madeleine is content, but Gurney can’t seem to halt his obsession with criminal investigations, so when a former colleague offers him the sensational case of a decapitated bride connected to a bevy of juvenile sex offenders and an international crime family, he can’t resist. The seemingly impossible and horrifying details fascinate him. Gurney ends up endangering himself and threatening his relationship with Madeleine, who resents the gruesome menace he brings home.

The case of the murdered bride expands and contorts to involve sexual psychology and sexual abuse, and is complicated by police forces so bent on thwarting one another that they seem willing to risk the case itself. The puzzle of the murder mystery, in which we participate alongside Gurney, is suspenseful and challenging, and as a psychological thriller keeps the reader breathlessly turning the pages.

Gurney is a likable character, tortured by his own past, and conflicted in his view of himself as a talented detective but an imperfect husband and father. He worries that he may be uncomfortably similar to the sociopaths he hunts: incapable of compassion and caring, more concerned with the chase than with his family. The reader sympathizes, however, as he grows into a fully developed man, battling an evil that increases as the story progresses, until the suspense and fear come together in a final heart-stopping crescendo.


This review originally ran in the July 22, 2011 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

The Hard Way by Lee Child (audio)

Okay, you all know I’m a big fan of the Jack Reacher series by Lee Child. I have read 9 of the 15 currently out (with The Affair to come in September, yay!). So please take me seriously when I say this is the best one I’ve read yet!

As has become my habit, I listened to this one as an audiobook in the car. I love the narrator, Dick Hill. I think he has just the right mix of slow, serious cadence (imbuing Reacher’s words with the gravity they deserve), and a lightheartedness in the right moments.

And like all the Reacher novels, this novel is fast-paced, suspenseful – I mean real edge-of-the-set, sitting-in-the-driveway-biting-my-nails-while-Husband-wonders-what-I’m-up-to suspense – and action-packed. Reacher is his usual superhero self. Mysterious characters approach him as he tries to mind his own business, and (with limited reluctance) he enters their world, to try and save a kidnapped woman and child. But wait! Are the bad guys really who we think they are? There is intrigue, including military and international intrigue. There are beautiful, sexy, strong, independent women; some of them are also traumatized. There are loyal sisters. Reacher is cool, funny, comforting, and simultaneously rock-hard strong and smart, and brutally violent. (Only when it’s appropriate, of course.)

In The Hard Way, Reacher is recruited by a team of mercenary ex-special forces soldiers to assist in solving the kidnapping of the boss’s wife & step-daughter. As things unfold, he discovers that he hasn’t been told everything – like the fate of the boss’s first wife, kidnapped five years prior, and the fate of two former employees. His loyalties shift; he’s not sure who he can trust. He meets a former FBI-agent, who was involved in the earlier kidnapping case, who may turn out to be a partner of sorts.

I think part of what made this one extra-special to me was the extremity of the danger and trauma at stake, and the happy ending that our sympathetic characters are teased with, the happiness they MIGHT achieve if Reacher is successful. There are some gruesome images offered up; this is not for the faint-at-heart. But if you love a lone ranger with iron-clad morals, a heart of gold, and a Rambo-style ability to inflict pain on those who deserve it, in a world of beautiful/handsome good guys and really bad bad guys, Reacher may be for you. In fact, it’s rather like the traditional Western novel in that lone-ranger sensibility. But these have an intelligence lacking in the traditional Western (not trying to call them stupid; bear with me). Reacher thinks things through in a split second, and we get to share his thoughts on bullet trajectories, angles, percentages, and the weighing of one possible outcome against another. It’s very cerebral at the same time that it’s very physical. I love it.

Before this novel, I didn’t think I’d have favorites within the series. They’re all pretty great. But I’d put this one up there, and if you’re curious, I’d also pick out Echo Burning as a favorite. It was my first Reacher novel, and I picked it up because of the setting: far West-Texas desert on the Mexican border, which is an area where I have spent some very good times. That got me in the door, and opened up the whole series for me, and I’m SO grateful. It had another extra-high-stakes plot (at least for me… I mean, they’re all high stakes, but these two got me somehow, I don’t know. maybe you’d be “got” by a different pair of them) and that setting that I appreciated so much. Also a real knock-down, drag-out OK Coral sort of final scene that really got me going.

Do you read Reacher? Which one is your favorite? And if you don’t – why not?!? No, I jest, sort of. We don’t all have the same tastes. But for suspense and action, I couldn’t recommend it more highly. If not this one, what’s your favorite series? And do you have a favorite within it?