book beginnings on Friday: The Sunne in Splendour by Sharon Kay Penman


Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

I love Sharon Kay Penman, but I haven’t made my way through her work very quickly. She’s written quite a few books (what, 12 now?) and they tend to be long. But her books never fail to bring me great pleasure and strong emotions when I do make time. Thank you so much, Nan of Bone Island Book Blog, for prompting this read. Without further ado, here’s your beginning…

Richard did not become frightened until darkness began to settle over the woods. In the fading light, the trees began to take on unfamiliar and menacing shapes. There was movement in the shadows.

If you haven’t read any Sharon Kay Penman, I highly recommend her.

the Sharon Kay Penman corpus

Sharon Kay Penman is probably my very favorite author of historical fiction. Her books are generally quite long (the exception is the shorter books in her mystery series starring Justin de Quincy), and so effortlessly create whole worlds that I just love to fall into. I turn to her books when I’m looking for a comfortable, engrossing read that won’t be over in a day or two! I’m slowly working my way through all her work; I’ve only read a few so far but have collected most of them. In chronological order, they are…

Standalone:
The Sunne In Splendour (1982) – reading now

The Welsh Trilogy
Here Be Dragons (1985) – own it (edit: read it)
Falls The Shadow (1988) – own it
The Reckoning (1991) – this was my first Penman, and I reread it several times before branching out, I loved it so much. Now I guess it’s time to go back and read the first two in this trilogy!

The Henry II Trilogy
When Christ And His Saints Slept (1995) – loved it
Time And Chance (2002) – own it
Devil’s Brood (2008) – own it
Lionheart (2011) – have it in the library

The Justin de Quincy Mysteries
The Queen’s Man (1996) – enjoyed it
Cruel As The Grave (1998)
Dragon’s Lair (2003)
Prince of Darkness (2005)

The other aspect of Penman’s work (which I’ve discussed before) is that she does meticulous research. I consider her to be an excellent example of a responsible author of historical fiction; the author’s notes at the back of each of her books details where history ends and where fiction begins, so that the responsible reader can be careful about how much she takes away from these books as fact. I definitely recommend her work.

the value of fiction

I want to share with you something that I wrote, oh, in 2007 or thereabouts. (I am resisting the urge to edit myself. It is a strong urge.) And then I think I will respond to myself. And hopefully you will share your thoughts, too.

My best friend is self-educated, and claims that he reads only non-fiction because he sees no value in studying fiction. He thinks that fiction’s purpose is entertainment, and he wants to learn new facts and better understandings of the world, and thus needs to read non-fiction. I like to counter with, for example, Harriet Beecher Stowe’s Uncle Tom’s Cabin. This book is fiction, but I think it’s pretty clear that its purpose is to teach and educate and hopefully to change minds about one of the most important issues of the last century.

One of my favorite books is Ernest Hemingway’s For Whom the Bell Tolls. This book is fiction, but closely based on the author’s experiences. It served an important purpose: it taught readers that the Spanish Civil War, and by extension war in general, is not one-sided and has no “right” side to it; once violence has begun, innocents on both sides will suffer and everyone finishes with blood on their hands. (I hope Hemingway will forgive me for brutally simplifying this masterly work for my purposes here.)

Upton Sinclair’s The Jungle is another great example of fiction that performed important social functions. Although Sinclair’s concerns began by centering on social issues, food safety turned out to be an enormous beneficiary of his work, as public response was enormous. Historical perspective on this book in its time helps us to understand its significance; however, just reading the novel without context would give a person new respect for the purposes of fiction.

The question of whether Mark Twain’s The Adventures of Huckleberry Finn should be taught in high schools strikes me as a parallel to my friend’s complaint about fiction. It is clear to me that this work should be taught to high school students because, while it is fiction, it brings to light some extraordinarily important and very real questions. For example, Huck’s relationship with Jim and the development of their friendship addresses the humanity of slaves and the moral rectitude of this American institution. The racial slurs need to be read by high school students – with the right guidance – to teach beyond the idea that they are wrong, to why they are wrong.

Thus, the question of whether to teach Huck Finn is the same as the larger question, why read fiction? (For that matter, if it’s not worth reading, why write it?) I find the study of literature (fiction and otherwise) to be pleasurable as well as important, so I take it upon myself to argue on its behalf. My assertion is that just because a story is not true, does not mean it can’t hold massive significance on wildly important issues. For that matter, if fiction were truly and solely for entertainment as my brother asserts, one could argue that there is value in this purpose as well. Humans need entertainment to draw their minds off of the problems of our world; to blow off steam; to relax and/or exercise our minds. If fiction served no higher purpose than these, it would still be worthwhile to write, and read, and study, fiction. However, I find that fiction can serve the purposes of, for example, bringing a nation’s and a planet’s attention to dire social issues: the enslavement of blacks by whites; the wage slavery of many white and nonwhite immigrants to the United States; the corruption and lack of hygiene in a meatpacking industry; and the damage inflicted by massive violence on a people. I continue to bring my friend works of fiction to read.

Urges to edit this piece of writing aside, I stand by my original position. On the other hand, I’ve also written before about the perils of reading historical fiction for educational purposes. While my friend has not specifically used this argument (that I recall), I think it’s an important concern. If we read really convincing, accurate, moving, memorable historical fiction, I think we run the risk of taking it as fact. Even the most discerning and aware reader (even me!) could end up with blurred lines in her subconscious about what she learned in a nonfiction vs. a fiction book. Once I learn a “fact,” it can be hard to call up its source, especially years later. This is especially concerning for someone like my friend in question, who is a highly intelligent man and who likes to have serious debates. I think he feels the importance of being able to cite one’s sources.

So I acknowledge the dangers of confusing high-quality historical fiction with fact. And even more confusing are the books that are billed as nonfiction and get questioned years after the fact (ahem, James Frey and Greg Mortenson). How’s a person to keep it all straight? Don’t even get me started on the library patron who was SURE, and could not be convinced otherwise, that John Grisham only writes nonfiction books. Everything in The Firm happened, she says. I couldn’t talk her out of it. (This is why the front of the book says, “This is a work of fiction…”)

So I do respect some of the challenges. My position hasn’t changed; if anything, I feel more strongly than ever that fiction is important. Some of the fiction I see doing good work in my day-to-day job is not even what we might call Important Fiction – it’s a lot of Louis Lamour, Danielle Steel, Debbie Macomber, and James Patterson, in fact. I work in a cancer hospital where my little library provides leisure reading for people experiencing incredible difficulties, great pain, or great fear. If reading Nora Roberts/J.D. Robb improves their day, I rate the value of even this pop/genre/fluffy/call-it-what-you-will fiction very, very high. My favorite examples are still Huck Finn, The Jungle, and the like. (Also Slaughterhouse-Five…) But it goes beyond such Important Books. Fiction can be beneficial, enlightening, world-changing, and uplifting in so many ways. Also, it can be fun. What’s so bad about that?

I’m not the first to ask this question or to try to answer it; and I’m certainly not the most eloquent, articulate, thorough, or exhaustive. Have you seen any great examples of answers to the question, “what is the value of fiction?” Do you have a great answer? I would love to hear (read) it. Do you disagree? I would be interested to read your argument on either side.

On a related note, I’m still hoping to find time to tackle Mightier than the Sword: Uncle Tom’s Cabin and the Battle for America by David S. Reynolds. Maybe I’ll have something new to contribute soon!

Two for Texas by James Lee Burke

Another good one from James Lee Burke; and such a quick read, too.

Son Holland and Hugh Allison escape together from a prison in Louisiana in an opportunistic and unplanned series of events that includes killing a prison guard. With Son struggling to recover from a gunshot wound, they flee into Texas, where the Mexican army is skirmishing with General Sam Houston’s troops, and various Indian tribes make up a plurality of fighting factions. It’s a lawless land, whose chaos does help Son and Hugh stay lost, but the brother of the murdered prison guard is on their trail. The older, more experienced Hugh (a friend of James Bowie) acts as a big-brother figure to the younger Son, who’s had his share of violence and hard times but retains some innocence and some righteous virtue, both for better and for worse. The two pick up an Indian woman, Sana, along the way, who will turn out to be an ally.

Son and Hugh decide to join Houston’s army as a defense against being recaptured and thrown in prison. Even if the tortures of their earlier incarceration weren’t unbearable enough, a return would mean certain slow, painful death. They catch up with Houston and spend several fateful months in the General’s camp, and are there during the battle at the Alamo, as well as Houston’s final defeat of Santa Ana’s Mexican army at San Jacinto.

My little paperback copy of this novel does not include any notes from Burke to tell me how much of this story is fiction. I surmise that Son and Hugh are entirely fictional characters. Certainly, the battles at the Alamo and San Jacinto are a part of history, as are the many big names Burke drops: Houston, Austin, Fannin, Milam, Bowie, Crockett, and more. But I think the story of these two men is Burke’s creation.

I enjoyed this quick read. At only 148 pages, it took me about a day in my free moments. It offers Burke’s usual fine descriptive writing, and I thought both of the main characters were well drawn: they had personality; they felt real; I was invested in their personal outcomes. The battle scenes and the rough edges on the soldiers, Houston’s ragtag troops, and the outlaw character of Texas at the time were all visceral and (in my embarrassingly limited knowledge) true to history.

An easy read with poignant characters and a good, readable (if cursory) history of the Texas Revolution, in Burke’s usual fine writing style.

[If you’re concerned: there is some blood-and-guts in the battle scenes, to be sure (how could there not be?) but it’s fairly conservative.]

book beginnings on Friday: Two for Texas by James Lee Burke

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

I couldn’t resist a historical novel – NOT mystery – by James Lee Burke.

According to the back-of-the-book blurb, this very short little book (under 150 pages) involves two convicts escaped from a Louisiana prison who play a role in the Texas Revolution. It begins:

The first day that Son Holland arrived in the penal camp, manacled inside a mule-drawn wagon with seven other convicts, he knew that he would eventually escape, that he would die before he would spend ten years in a steaming swamp under the guns and horse quirts of malarial Frenchmen with Negro blood in their veins and a degenerate corruption in their hearts. But he was just barely nineteen then, still sufficiently naive to believe that his will alone was enough to win his freedom. He didn’t know that almost two years would pass before his escape would come almost by accident, and that he would have to help murder a man to accomplish it.

Yes, I’m from Texas, and yes, I had to look up quirt: “a riding whip with a short handle and a rawhide lash.”

I feel hooked already! I love James Lee Burke, and a slim little book like this just begs me to devour.

What are you reading?

Clara and Mr. Tiffany by Susan Vreeland

I was attracted by the idea of this book when it came out in January, and I’ve just now gotten around to it. I’m really enjoying reading books pre-publication for Shelf Awareness, but it’s also nice to sneak one in every once in a while that’s NOT a thriller/suspense/murder-mystery. For that matter, I have some classics to read for the Classics Challenge, and I’ve been talking about Don Quixote

But at any rate. Recently, on a whim, I picked up Clara and Mr. Tiffany, and it immediately grabbed me with its lovely writing, evocative of the artistic beauty the book revolves around. Clara, the narrator, works for a living in the 1890’s, and before the action of the book begins, has already had to choose between marriage (even… love?) and her passion for her work. Clara Driscoll, a real historical figure, was the artist behind much of the stained glass and the legendary lamps for which the Tiffany name is so famous. Vreeland has fictionalized her story for us here. Clara also has quite a bit in common with another historical figure I read about recently: Annie Londonderry took her extraordinary ride during the same years in which this book begins. It gave me a nice little thrill to recognize the historical setting, especially because the two female characters have so much in common. Reading these two books back-to-back allowed me to immerse myself even more in the times, and I’m tempted to head right into The Devil in the White City next. We’ll see.

I want to share a beautiful excerpt with you to illustrate the writing style.

…I carefully wrapped in a hand towel the one thing I had that no one could wrench from me – the kaleidoscope, his engagement gift to me. Bits of richly colored glass in a chamber served as his sweet acknowledgement that I’d had to give up my joyous work with just such glass in order to marry him. At the slightest turn of the maple-wood tube, the design collapsed with a tiny rattle of falling objects, and in a burst of an instant, nothing was the same.

Vreeland’s writing is quietly lovely and melodic; it expertly creates both a mood and a pacing to match the world in which Clara lives and works, and also evokes the colors, art, and beauty that involve her so deeply. Clara is an artist, first and foremost; she wants to design, to create, to replicate nature (she loves flowers, insects, the sea, leaves) and uplift the human spirit. As a woman at the turn of the century, though, she faces a number of challenges as a working woman, as a single woman, and as a craftswoman intent on earning a living, knowing she deserves one. She’s tormented by the frustrations of being unrecognized by Tiffany and by the world, as Tiffany (the man, and the company) receive accolades for her work. But she’s also tormented by guilt for what she thinks of as her narcissism – in that she desires credit at all.

Clara is a well-developed character. We see her progress, for example, as a feminist. She doesn’t set out with any high-minded ideals, but rather develops them as the world fails to treat her fairly. Clara heads up the Women’s Department at Tiffany, and her “girls” are described in varying detail; some of them become very real and sympathetic characters, and many of them serve to portray the experiences of immigrant workers in New York during this time. When their department comes under attack from the unionized male employees, Clara organizes the women to march into work together through a picket line – not striking, since the union doesn’t recognize them, but vilified all the same. This part of the story serves to underline that not all feminist demonstrators began as idealists or radicals, but rather that “regular” women were forced to stick up for themselves or die quietly. I appreciated that point.

Over the course of the book (spanning 1892-1908), she has a series of relationships: we meet her freshly widowed, she is courted by several men, and has a number of very close friendships. I found her heartfelt friendships, with men and with women, to be very touching. She struggles with love, with the idea that she’ll never find a satisfying romantic relationship with a man; with finding respect and fulfillment at work; with creating ideal art and beauty and being recognized for it. The story is of art, and of a time and a place, of love, and of women’s rights and a changing world. But mostly, it’s Clara’s story.

This was a beautiful book. The art and music bleed through the pages:

The sparrows of Irving Place were preening too, and gossiping pianissimo, and hopping about with an air of importance. Distant medleys of the city blended into a pleasant humming, punctuated at intervals by the Third Avenue elevated rumbling in a crescendo, grinding its brakes shrilly for the Eighteenth Street station, expelling its pfft of steam, then starting up again and fading away in a diminuendo.

I liked the historical aspects, too. As I like my hist-fict authors to do, Vreeland includes a note at the closing to explain where she took liberties. It does seem fairly clear that Clara Driscoll created many or nearly all of the leaded-glass lamps Tiffany got credit for; she did have two marriages; and a number of the figures in the novel did at least exist, with a few verifiable details. But much of the novel is purely fiction.

This was a really beautiful book, enjoyable to read, with a comforting, quiet rhythm and characters I cared about. It was a joy, and I recommend it.

Theme Thursday: Numbers


Theme Thursday is hosted by Reading between Pages. My job is to find and post a quotation from my current read, to express each Thursday’s theme. Today, our theme is numbers, and my snippet comes from page 10 of the book I started today, called Clara and Mr. Tiffany, by Susan Vreeland. So far, this is a lovely read…

Now I told Mary to number the individual sections, left to right.

“If a body can count that high,” she said.

“This one only has several hundred pieces because they’re large, but some windows have thousands of smaller ones. When she’s finished, Cornelia, you will cut up the first copy into its sections using these special scissors with three blades.”

Lots of numbers, yes? This book is the fictionalized story of Clara Driscoll, the woman behind much of the artistry of Tiffany’s famed lamps and other glass confections.

And here’s a bonus from pages 33-34:

“…more than that,” Mr. Nash said. “We can now control clarity, color, and surface to create nuances in an infinite variety of glass. We’re approaching five thousand types now.”

“That’s staggering,” I said, knowing I had to keep all of them in my mind when I placed my glass orders for each window and mosaic that my department would create.

The story is told in the voice of Clara herself, in case you were wondering.

vocabulary lessons: South Texas Tales

I thought I’d share a few more words I was inspired to look up by my recent read: a Mexican-American collection of short stories.

Cuatro Milpas is both the name of a cantina (bar) and the bartender/owner’s favorite song. Apparently a milpa is “a small field in Mexico or Central America that is cleared from the forest, cropped for a few seasons, and abandoned for a fresh clearing.”

anaphora: “a rhetorical term for the repetition of a word or phrase at the beginning of successive clauses.” From the story Dona Porfiria Comes Calling, “Their father was a prolific reader and whenever he spoke to them using anaphora, they knew from past experience that they were doomed.”

Shibboleth: “any distinguishing practice that is indicative of one’s social or regional origin.” In its usage in the story by the same name, the Shibboleth (capitalized in the story, but this does not appear to always be the case) is basically a secret handshake.

menso: “someone who is stupid and/or annoying.” Used in dialog: “Hey! Jou’re not so ‘Mr. high and mighty’ now, eh rich boy? Jou’re daddy’s not aroun’ here, menso!” I like this phonetic expression of accents, a la Twain in Huck Finn and so many more (although I believe Twain was the first).

dècimas: defined in the story itself. Let me just share with you a short passage:

Sebastian remembered the dècimas and their complicated forty lines. A man would challenge another to a verbal duel by nailing a quatrain to the front door or a fence post. The challenged had to answer within a week by producing a complicated forty line poem with four ten line stanzas. Not only that, but the poem had to have a strict octosyllabic beat with an ‘abbaaccdde’ rhyme scheme. Many a man had tried and failed to meet the verbal challenge, but the CÌsneros men were fine ‘dècimeros’ and always relished the competition.

Isn’t that an awfully cool tradition? And so literary! I would be very impressed to observe one of these challenges being met.

merienda: context clues tell me that this is something like a late-afternoon meal of dessert. In my interwebs-searching for a definition, I found a source of information that I especially appreciated. (You may observe that I vary my sources: Wikipedia, About.com, online dictionaries including the urbandictionary.com, or whatever seems most appropriate to my need.) I found a blog that nailed this one, in a surprisingly close-to-home post about eating in the Med Center, where I work. Dr. Ricky defines the term for me:

Although loosely translated to mean snack, merienda cuisine is markedly different from what Americans consider snacks (which appear to me as extended desserts). They aren’t simply sweet items meant to provide a quick spike of blood sugar – merienda foods are proper filling small versions of regular meals, more often savory than sweet.

…and so on, discussing the food he (I think it’s a he? I could be wrong) is accustomed to seeing at meriendas in different countries.

These little cultural learning moments were great fun for me. Have you learned any new words lately?

South Texas Tales by Patricia Cisneros Young

South Texas Tales: Stories My Father Told Me by Patricia Cisneros Young is a slim volume of short stories, taken in part from the stories the author grew up with. It’s a quick and easy read, and an enjoyable one.

These simple and simply told stories read almost like fables; they reminded me of the Coyote Native American stories I read as a child. These stories aren’t just for children, though. The writing style is sparse and straightforward, but these vignettes evoke a time and a place.

Issues addressed include race and racism, marriage and spousal abuse, religion and faith, and even suicide; many stories are about family, love, or the value of hard work. But all of these themes are understated. The stories are quietly powerful but always unpretentious. I enjoyed the minimalist, unfussy style very much; it’s rather palate-cleansing. There’s nothing fancy here, but the stories have value despite being… spare.

Just to give you a quick sampling:

Shibboleth is a story about the Masons acting ruthlessly for their own benefit, and feeling the wrath of the community in turn. The characters are drawn quickly and in broad strokes but it’s enough to feel the pride of the Hinojosas, and to respect Don Manuel’s speaking out, even if it’s too late.

Blood Moon Lullaby is heartbreaking but, I fear, all too true and common a tale.

The Courtship of Red Collins is a bit clumsy but also an awfully realistic-feeling portrayal of small town society and racism, with a surprising turn at the end. Unrealistic? Perhaps. But in that these tales read like fables, I can appreciate the moral.

A Good Day for Dying is a wise choice to finish the collection, because I found it to be the most powerful story of them all. I appreciated Don Sebastian and would like to sit under the mesquite tree with him, myself. It begins:

The old man was tired. Life had given him his fair share of trials and woes and now Sebastian, after surveying his vast estate, decided that the time had come for him to die. The bed that he crept out of had been imported from Paris and brought out to his ranch by mule train. It had been a surprise gift for Sara, the woman who had shared it with him for forty-eight years. He missed her warmth.

These unadorned, down-to-earth stories were remarkably powerful, and I think them a fine accomplishment for such a modest little book. I’m glad I stumbled across them.

Teaser Tuesdays: South Texas Tales by Patricia Cisneros Young


Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just do the following:

* Grab your current read
* Open to a random page
* Share two (2) “teaser” sentences from somewhere on that page
* BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
* Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

I first learned about South Texas Tales: Stories My Father Told Me when I got a request for it here in the library. I’d not heard of it, but it sounded very interesting, and I was pleased to pick it up when we got it in (not least, because of that beautiful cover! Look at that!).

Your teaser today comes from page 65:

Jagou had not counted on the popular support of the communities, both in Brownsville and in Matamoros, rallying around the grief-stricken Hinojosa family. He watched nervously as regular customers became scarce and his daily sales margins dwindled to a trickle.

I am not sure that Jagou has done a good thing… or are the customers being unreasonable?

I look forward to reading these stories of a unique area right in my backyard.