Yosemite Wildlife: The Wonder of Animal Life in California’s Sierra Nevada by Beth Pratt; photographs by Robb Hirsch

Environmental leader and lifelong Yosemite lover Beth Pratt partners with biologist and wildlife photographer Robb Hirsch to offer Yosemite Wildlife: The Wonder of Animal Life in California’s Sierra Nevada, the first book in 100 years to address this national gem’s diverse animal wildlife. With more than 300 images, Yosemite Wildlife is also rich in Pratt’s accessible prose; this thorough survey of observations and storytelling is designed to update a 1924 publication for the historical record. As a beautifully produced, large-format, glossy presentation, it also exhibits Pratt’s and Hirsch’s expertise and passion for a place that is much more than just its famous geology and dramatic scenery. With plentiful archival records, historical images, and personal stories from park staff and naturalists, it’s an informative document as well as a stunning visual feast.

Conservation success stories and profiles of Yosemite’s human defenders over the years accompany Hirsch’s sumptuous images of the iconic black bear and mule deer, the Sierra green sulphur butterfly, the northwestern pond turtle, raptors and songbirds, dragonflies and butterflies, charismatic predators, shy shrews, quirky herptiles, and more. Exquisite.


This review originally ran in the November 4, 2025 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 8 push-ups.

The Women Who Changed Photography: And How To Master Their Techniques by Gemma Padley

Gemma Padley’s The Women Who Changed Photography: And How to Master Their Techniques delivers brief, punchy profiles and incisive assessments of what is revolutionary about these underappreciated photographers. In short chapters, Padley presents 50 women–some well-known, some all but unknown–from all over the world, born from 1799 through 1992. Profiles and portraits are followed by photographs, with Padley’s instruction on how to mimic what is special about the work. This includes technical advice (how to combine and blend portraits; hand-tint a photo; play with angles, color, and flash) and the conceptual (how to use photo stories to raise awareness on an issue). Photographers include Anna Atkins, who “privately published the first book to be illustrated using photography,” and Anne Wardrope, the “first woman in America to photograph her own nude body.” They work in documentary, portraiture, art, photojournalism, and cover war, fashion, conservation, and more. Wide ranging and diverse, with fascinating storytelling, these contents are visually stunning and technically detailed, and will please readers with a variety of interests.


This review originally ran in the November 5, 2024 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 7 apertures.

All About U.S.: A Look at the Lives of 50 Real Kids from Across the United States by Matt Lamothe & Jenny Volvovski, illus. by Matt Lamothe

I loved the look of this large-format illustrated book for kids (and their adults!), and preordered it for a couple of my favorite kids, sisters ages 8 and 12. The book is labeled as serving ages 8-12, so I figured that would be perfect. And naturally I had to take a look first.

I love the concept. From the authors of This Is How We Do It comes this glimpse into the lives of 50 kids, one apiece from the 50 states. Author/illustrator Lamothe and author/designer Volvovski took great pains to closely approximate the demographics of the country as a whole in choosing the kids and families they feature here: sections on Process and Demographics at the end of the book detail those elements, in writing that will skew toward the older end of the book’s projected age range and/or serve adults best. The 50 families in the book match national stats in religion, family type, structure and size, gender identities, school and home types, annual family income, national origin of parents and guardians, sexual orientation of parents and guardians, and more, quite closely. “The biggest demographic discrepancy in the book is the overrepresentation of multiracial kids. However, the race/ethnicity of their parents and guardians more closely matches the demographics of the country. According to Pew, the number of Americans who identify as more than one race almost doubled between 2010 and 2020 [when work began on the book]. As this trend seems likely to continue, we feel it is important to show how multiracial families balance their cultures and traditions.” This struck me as solid reasoning. I’m also comfortable with slight overrepresentation of traditionally underrepresented groups.

The bulk of the book is the kids themselves. Each gets either a single page or a two-page spread (of which most of the space is illustration; my impression is that the written stories are equal in size) in this large-format book. A beautiful, engaging, full-color, detailed illustration accompanies a brief written profile of a child, ages 5-11, in the context of their family and home. Generally, parents’ or guardians’ jobs or interests are mentioned, as well as siblings and pets, but the kid in question gets the most focus, via their hobbies, tastes, favorites foods and toys, activities, etc. I love the charming images as (yes) illustrations of what is described in print. I can easily see the sisters I’m giving this book to enjoying the combination of images with text; I expect the older sis to have an easier time with the reading part.

Clearly the enormous diversity of the kids and families featured here is a big part of the appeal. I really enjoyed how varied these lives appear. There are many skin tones, religions, family structures and styles; there are kids with mental and physical health differences and those who have faced major life challenges. Some are rural and some are urban (a demographic element apparently not tracked). I’m pretty sure that each story includes at least one direct quotation, so that the kids’ voices come through. Across all their differences, they all sound stimulated by the chance to talk about their own lives.

And these are real kids. Near the front of the book is a spread with each child’s illustrated head shot; near the back, a similar spread of photographs of the same kids. A few source images are included there as well, like landscape views, and descriptions of how this research was completed (many hours of video calls, online questionnaires, photographs and video tours). I especially appreciate how detailed are the illustrations, and liked reading that each family was consulted in back-and-forth correspondence on both the illustrations and the text before publication.

I was on the lookout for stereotypes. (I did note the authors’ acknowledgment that no one family could represent an entire state.) With such attention paid to demographic data, I feel good about the overall portrait of the country; but what does it look like to choose a single kid/family to stand for New York or Texas? Heavens. I of course turned first to the two states I know best, Texas and West Virginia. In Texas, Noah lives with a large family who enjoy traveling to Big Bend (yes!) from what might be San Antonio. In West Virginia, Jade raises prize-winning steers at his rural home. These are individual stories, woven into a tapestry with plenty of diversity in it.

All in all, it’s a beautiful book that I think will yield some great conversation, and I feel great about giving it to my young friends.


Rating: 8 windows.

Latin American Artists: From 1785 to Now


Latin American Artists: From 1785 to Now expands on Phaidon’s iconic The Art Book with a collection of images created by 308 artists from 20 countries and territories, accompanied by brief but serious supplementary text. With a thorough introduction by academic art historian and curator Raphael Fonseca, this large-format book is an art object in itself. Each artist is represented by a single important work and brief biographical and artistic context, written in an academic tone. These enormously diverse artists, who span a broad range of media, are organized not chronologically, conceptually, or regionally; instead, an alphabetical presentation results in surprising and thought-provoking juxtapositions. Perfect for art lovers or scholars and essential for academics, this is a simply stunning visual feast for readers at large.


This review originally ran in the October 31, 2023 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 8 corn tortillas.

Spirits in the Sky: Northern Lights Photography by Paul Zizka

Nature and adventure photographer Paul Zizka offers stunning images and narrative in Spirits in the Sky: Northern Lights Photography. Photos with brief, descriptive captions take center stage. They are accompanied by a few concise sections of text, which provide an overview of what the northern lights (or aurora borealis) are; some of the myths used to explain them; and the stories behind Zizka’s work in capturing these breathtaking images. Wildlife, human models, outdoor sports and self-portraits appear among the images, but it is the wildly colorful lights themselves–in the striking landscapes of Canada, Greenland, Norway, Iceland and the Faroe Islands–that make these photos unforgettable. Spectacular scenery and an elusive natural phenomenon combine in special ways in this gorgeous collection of art photography.


This review originally ran in the November 4, 2022 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 7 moments.

1000 Perfect Weekends by National Geographic

1000 Perfect Weekends is a beautiful, photo-packed offering from National Geographic, sure to expand anyone’s bucket list. Destinations are grouped into 18 chapters, including beaches, mountains, cities, small towns, wildlife and nature themes, family-friendliness and off-grid options. Explore “kayaks like floating La-Z-Boy recliners” on the Delaware River, coffee tours in Panama and a bee farm in the Philippines, alongside references to UNESCO sites, architecture, dining, adventures and a delightful ode to libraries in the chapter on “Historical Explorations.” Entries are short, punchy and accompanied by mouthwatering photographs and frequent, inspiring top-10 lists (sporting events, theme parks, spas). Adrenaline-fueled, enabled and accessible, pet-friendly: there is a perfect weekend for everyone in this tantalizing book, an obvious choice for the frequent flier and the armchair traveler alike.


This review originally ran in the November 2, 2021 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 6 Instagram moments.

The Company We Keep: Drive-By Truckers’ Homecoming and the Fan Community

Continuing with DBT and Wes Freed (see also this review from last week), here’s another big beautiful coffee-table book about the Truckers and their fans. The subject here is more focused than the Truckers generally: it’s about the annual event called Homecoming, a three-night series of shows at the 40 Watt Club in Athens, Georgia, DBT’s “home” even as members have moved away over the years. In particular it concentrates on 2018’s Homecoming, when this book was being put together. There’s still quite a bit of band info and history, but the annual event and that ‘fan community’ of the subtitle are front and center.

The Company We Keep was put together as a fundraiser for the incomparable Nuçi’s Space. As such it’s a lovely effort; I’m always glad to give to this cause. As a final product I think it’s less than perfect; I would like to see the fan interviews, in particular, more carefully edited and proofread, that is, both for grammatical errors and for redundancy and long-windedness. Some sections and writers could have used more context or introduction. It can sometimes feel indulgent of the fan community, as if they are talking among themselves and to one another, and I’m welcome to listen in but it’s not really for me as much as it’s about themselves. Ironically, with themes of friendly inclusiveness, the book feels a little exclusive, a little in-group.

Despite being a glossy, large-format production, this book contains quite a bit of text. There are chapters about the rock show itself; opening bands; the club; the town; Nuçi’s Space; the fans; weddings, wakes, and friendships; and more. It’s led by a foreword by Patterson Hood, and I’m always glad to hear from him in any form. I marked a few points that felt like they encapsulated different parts of why I love this band so much. Hood: “Cooley and I have always written songs that used geography as an anchor to hold down some big ideas or stories.” Jay Gonzalez: “[Patterson]’s always trying to break down barriers, to bring people together socially and otherwise.” Gonzalez again: DBT is “a ‘lyric band’… but the music matters too, otherwise there’s poetry for that. And good lyrics are not ‘like poetry,’ it’s about how the music and lyrics work together, and Patterson and Cooley are definitely songwriters [not poets].” Trae Crowder (a comedian who’s opened for them at Homecoming): “My whole life I had never understood why being from the south and speaking with a drawl meant that you had to look and think and act and feel a certain way, and I could tell that DBT were wondering that same thing, and they were doing it out loud. This band was for me, by god, and has been ever since.”

Carter King, of Futurebirds (another opener), contributes an essay I found really well done as a piece of writing, regardless of its content (also sympathetic and hilarious). Reading more about the good work of Nuçi’s, including the Camp Amped Band, is always rewarding. I was thrilled to learn about a fan who’d written his undergraduate thesis about the Truckers; it’s available here. (I went and read it, too, and while a lot of the music theory went right over my head, it’s another well-designed piece of writing, entertaining and with some clear ideas to boot.)

These were high points. I regretted a few details – the need for editing; the in-group feel. But there was good Truckers content, and a good cause means I’d have no regrets even if it had had far less to offer.


Rating: 7 notes.

The Art of Wes Freed: Paintings, Pin-Ups & Possums

I know Wes Freed’s artwork via the Drive-By Truckers, one of my greatest musical loves, and this visual art is inextricable for me from that music. Freed writes, “I don’t separate the drawings and paintings I create from the music I make, or from the music I listen to and love so much.” So there you go. I was an easy sell for his book, which comes in chapters by category of art (of which DBT is the biggest), and with a foreword by Patterson Hood.

I can’t imagine how many DBT pieces Freed has created over the years; this can only be a tiny sampling. Next are rock’n’roll legends, including Hank, Johnny, Gram Parsons, Bowie, the Dead, and more; one of the prints that hangs on my wall, of a scene from a Jason Isbell song, is included. (My Townes Van Zandt is absent.) There’s a chapter of Capital City Barn Dance fliers – that’s a monthly show put on by Freed and his then-wife for years. It was interesting to see the kinds of acts who played those shows, and see how much crossover there’s been between my musical tastes and the bands Freed has worked with – Cracker, Camper van Beethoven, the Supersuckers, Those Darlings, and more. I shouldn’t be surprised! Then there’s artwork from Freed’s own bands, some from a comic strip called Willard’s Garage, and photographs of sculptures and cutouts. I would love to someday own a big, solid Moongal like he makes in three dimensions. (I would also like more Freed-drawn tattoos. Time will tell.)

This is a beautiful, large-format, glossy, full-color production. It contains few words: just Hood’s brief foreword and a still-briefer intro to each chapter by Freed. The rock’n’roll legends chapter includes captions. I guess I’d love to learn a little more, but it’s the art that we’re here for, and I can’t get enough of it. I’d buy another several volumes this size just to see more of Freed’s perfectly recognizable, wacky, intoxicating imagination in action.


Rating: 9 moongals.

If you would like to consider owning some Freed art, too, check out his Facebook page, where he posts new prints for sale. They’re quite affordable and he is nice to work with.

Barbershops of America: Then and Now by Rob Hammer

Barbershops of America is a photographic tribute to a profession, an aesthetic and a community institution. Photographer Rob Hammer documents both “the old timers… like dinosaurs about to go extinct” and “the next generation,” in two distinct sections covering more than a thousand shops all over the United States. Images are only infrequently interrupted by quotations from barbers and their customers, so readers of this coffee-table book will revel most in the visual: elderly barbers and young, tattooed ones; beat-up barber chairs and decades of detritus; colorful signage, diverse clientele and what Hammer recognizes as the soul of these storied spaces. This collection of glossy documentary art is for lovers of culture, local color and traditions passed down across generations.


This review originally ran in the November 3, 2020 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 6 cool vintage chairs.

Unforgettable Portraits by Rosamund Kidman Cox

Lions, tigers and bears–and more–light up the incandescent pages of this collection of stunning wildlife photography.

Unforgettable Portraits is a beautiful, large-format collection of images from several decades of the international Wildlife Photographer of the Year competition. Each stunning photo–close-ups and dioramas; elephants, leopards, ants and springtails–gets accompanying text explaining the species, the context, the photographer’s equipment and technique, with an emphasis on endangered species and climate change. Readers meet the Atlantic wolfish, the spotted-tailed quoll and the Namib Desert’s welwitschia, and learn that spirit bears have “a mutation of the same gene that gives rise to red hair in humans” and that the photographer must be part wildlife scientist to get these shots, designing blinds and lying in wait for days, weeks and longer.

These 70 stunning images, by more than 50 photographers from more than 20 countries, would make a wondrous gift for any lover of wildlife, strangeness and beauty.


This review originally ran in the November 5, 2019 gift issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun.


Rating: 8 whiskers illuminated.