I think this is my favorite of the remix series. Clash of Steel follows Treasure Island perhaps a bit less closely than some, but the broad strokes are there. I love the way that C. B. Lee has adopted their own personal history, and really substantive research into world history, to reset Stevenson’s classic tale of adventure, pirates, hidden treasure, family, loyalty and betrayal (etc.) in the South China Sea in piracy’s golden age. In this process, they offer protagonists who are girls and women, queer, and Chinese and Vietnamese. None of this is cut to fit Stevenson’s story; it’s a riff, set to history, in a time and place where it fits naturally. I loved the whole story. I also loved the supplemental materials at the back of the book, but let’s go in order.
We begin with a prologue set in 1818 South China Sea in which we meet an eight-year-old girl named Anh, aboard a small fishing vessel with her mother (the captain), her little brother, and a small crew. We get a glimpse of dangers at sea, a tight-knit family group, a daring young girl, and an interest in tales of hidden pirates’ treasures. Then we fast-forward to 1826, a small village in China’s Guangdong province. Sixteen-year-old Xiang has never left her village, not for lack of desire. Her father is long dead at sea; her mother is a successful salt merchant and proprietor of several teahouses, including the one where Xiang lives in this backwater, locked away, kept ‘safe’ but unhappy. She dwells in the stories she reads of travel and adventure, and on the high point from where she can view the city of Canton, and dream.
An opportunity comes when she convinces her mother to take her to the city, to visit the larger teahouse there, to see the commercial center–Mother wishes to marry her off to a young man from an appropriate family, but Xiang intends to show enough prowess that she might be permitted to run the teahouse someday. She has always yearned for her mother’s approval, which has never come. If only she could prove herself worthy, she might win that approbation as well as a chance to have a wider life than the village can ever afford. In her brief hours in the city, she meets a magnetic girl her own age–Anh–and gets a snatch of an idea of the kind of life that might be possible: adventure, gumption, authenticity, more. Then a series of events forces her hand. Faced with being shipped peremptorily back to the village forevermore, Xiang takes a chance and runs away. See Xiang on a fishing ship that is also a trade vessel that is also a smuggling ship; see her learn to sail and fend for herself; see her forming closer relationships than she’s ever had before. For a time, it seems all sorts of things might be within reach: family, love, riches, independence. Or violent death and the end of everything she thought she knew about her own background.
Xiang’s story calls on Lee’s own history (descended from Vietnamese refugees of the fall of Saigon, with Chinese roots “tangled together in past generations in conflict and trauma,” and yes, with pirates appearing in that story as well) and the documented history of Zheng Yi Sao, a “pirate queen” who commanded over 70,000 pirates and over 1,200 vessels. I was so pleased by not only the author’s note and acknowledgments, but also language notes, pronunciation guide, and extended historical notes. Finally, we were gifted with an alternate prologue, which (I agree with Lee’s editor) would have revealed too much of the plot if it had appeared at the beginning of the book; but coming where it did, offers intriguing character insight. I wonder if it might have made sense as a sort of flashback late in the story. At any rate, all this extra material enriched my experience of this story, and I loved having the extended historical notes in particular, because I knew nothing of this era of world history in which a Chinese and Vietnamese empire of pirates controlled the South China Sea and subdued all Chinese, British, and Portuguese naval efforts. Thrilling! Oh, and the normalcy of same-sex relationships in this time and place setting, which was apparently disrupted only by Western influence during the Qing dynasty. These references to history make the imaginative adventure tale all the more engaging, at least for this reader.
This story was captivating, and I loved having enough background to appreciate it on several levels. I’ll be looking out for C. B. Lee and am definitely in for more remixed classics.
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