Still Alice by Lisa Genova (audio)

stillaliceI have a favorite book of the year so far, you guys. Still Alice is one of the most remarkable books I’ve read in some time. I enjoyed Lisa Genova’s second novel, Left Neglected, very much. (I listened to that one as an audiobook, too.) But Still Alice gripped me from the first lines, and never let me go – I was riveted. Let me tell you more.

The two books have more than a few threads in common. Both feature married women, with three children, in male-dominated fields with all the requisite toughness and work ethic but also with plenty of feminine soft spots, struggling to reconcile the two; both live in Boston. One could easily surmise that these are attributes shared by the author, a Harvard-educated neuroscientist-turned-novelist. Where Sarah of Left Neglected had young children, though, Alice Howland has grown children: one lawyer trying to get pregnant, one doctor just finishing his medical training, and one relatively wayward daughter who has scorned college in favor of acting. Alice is a Harvard professor of psychology, and her husband John is also a Harvard doc, working with human cells & a possible cure for cancer. She is nearing her 50th birthday when the book opens, and shortly after it, she is diagnosed with early-onset Alzheimer’s disease. The story is concerned with the progression of her disease, the changes it wreaks on her life and the lives of her husband and three children, and their struggles (independently and as a family unit) to handle these changes. It is also centrally about Alice herself, as a person, what Alzheimer’s does to her and her reactions & dealings with that disease. Again, the author is a neuroscientist, so while I (thankfully) don’t have any experience with Alzheimer’s disease by which to judge this portrayal, I trust Genova’s ability to tell it truly.

I became deeply engrossed in this story from the very beginning. Although told in the third person, we are very much inside Alice’s head (call it third person limited, for which I like this explanation because of the example chosen!). Alice felt very much like a real, flawed-but-likeable person. I was occasionally exasperated with her choices: to fight with Lydia over her acting career, to fail to appreciate her, and to put off telling her husband about her diagnosis. But I always sympathized, and liked her throughout. I would like to spend a day or a week with this woman. In fact, in telling Husband about this story as I listened to it, I referred to her as my friend. This is not something I normally do with fictional characters.

I was deeply emotionally involved. If I was angry with Alice for not telling John she had Alzheimer’s right away, I was even angrier with John for his reaction, and his repeated failures to be supportive. I wanted to cry when they began considering their future. And I did cry, often, as the disease progressed and Alice’s family was – still flawed and imperfect, but earnest and effortful and loving in their handling of these events. I hope it’s not too much of a spoiler to say that I was charmed by the silver-lining aspect, where Alice’s relationship with Lydia grew stronger in this time of sickness. I pondered whether it was a bit too fictional-happy, to insert such a silver lining, and decided it wasn’t.

This is a sad story, certainly, and I cried more than a few times. (I finished this book in the gym, and it took great effort not to weep on the elliptical machine. What would people have thought?) But there is love, and hope, and strength; Alice keeps a certain dignity that made me love her more as she got sicker. I can see how this would be a painful read for someone whose own life has been affected by Alzheimer’s, but I’m inclined to think it might be worth the pain for the beauty it expresses.

If you’ve read the book or don’t care to, highlight the white text to read my spoiler-y discussion below; but if you intend to read this book, don’t.

I was saddened by Alice’s decision to plan her suicide, but I respected it. When she got so sick that she couldn’t execute her own plans, I found that sadder still. I wondered a little at Genova’s decision to end the story the way she did, with Alice fading into gray; I would have liked to know her final fate, when and how she died, whether John moved her to a place she never wanted to be (a “home,” or New York), but I think this way was for the best. That fade-to-gray is probably most like the end of Alice’s own understanding of things – most like Alzheimer’s disease.

Unlike Left Neglected, this book is read by the author, and when I heard that I was thrilled, because my author-narrated audiobook experiences have so far been 100% wonderful. Still Alice is no exception. Genova’s goodreads page tells us she’s an actress as well as a neuroscientist and novelist, so perhaps it’s no surprise that she delivers her characters feelingly (or that she wrote a lovely, passionate actress character into this book). For the record, I really enjoyed the audio reading of Left Neglected, too, but I would never pass up an author-read version, and highly, highly recommend this audio version of Still Alice.

This is without a doubt going to make my list of best books read in 2013. I am so relieved to see that Genova has a third novel out already, Love Anthony, and is working on a fourth – whew! I can’t say enough good things about this book. I love Alice.


Rating: 9 thingies.

movie: Inglourious Basterds (2009)

inglouriousYes, spellcheck, that is how you spell this movie title.

It’s movie week here at pagesofjulia, isn’t it? Funny how that happens. Inglourious Basterds is another Tarantino film, from 2009, an alternate-history of World War II starring Brad Pitt as the heavily-Southern-accented leader of an American military team called the “Basterds,” and Christoph Waltz (who was positively outstanding in Django Unchained) as an S.S. leader named Landa. In this telling, the Basterds put together a plot to kill Hitler; but they’re racing a young Jewish woman named Shosanna (played beautifully by the lovely Mélanie Laurent), whose family was killed several years earlier by the “Jew Hunter” Landa. Shosanna is being courted by a young Nazi war hero, but her hatred (obviously) still burns hot, and she takes advantage of an unlooked-for opportunity to plan her own assassination of Hitler & the Nazi leadership.

In my opinion, this is not Tarantino’s best work. There are the requisite bloody scenes and over-the-top clever dialogue – the latter normally a fantastical element I enjoy, but here it kind of fell flat for me. Shosanna’s character is lovely and I felt that she could have been a little better explored. Landa’s character was also eye-catchingly evil. Maybe I just don’t like Brad Pitt, but the Basterds were less interesting than they should have been; maybe a little more character development there. The two parallel plots to kill Hitler could also have been more deeply mapped out for me. The whole thing lacked depth and interest for me, especially compared with Tarantino’s fine work in other films. [My favorites include Pulp Fiction, Natural Born Killers, and my personal favorite, True Romance, which Tarantino wrote but did not direct. Both Kill Bill‘s were great, and Django Unchained was outstanding as well.]

Perhaps I am not entirely sold on the beauty of a farcical WWII history in Tarantino style. Why would that be, when I appreciated the Tarantino treatment of slavery so much? I don’t know. I credit incomplete character development and a storyline that tried to accomplish too much without delving deeply enough into any of its plots. Sadly, not up to Tarantino’s standards in my book.


Rating: 4 scalpings.

On the plus side, I’m celebrating today’s over-Hallmarked, under-romantic holiday with Tarantino, and that makes me feel good. Happy Valentine’s Day!

movie: Lonely are the Brave (1962)

Here’s another movie I made a point to find after reading the book. Very few of Edward Abbey’s books have made it into film. His most famous novel, The Monkey-Wrench Gang, has been optioned repeatedly but appears doomed to never grace the silver screen, owing (I think rather obviously) to its anti-establishment themes: no Hollywood mogul would involve himself in something so sacrilegious. But The Brave Cowboy was made into a movie starring Kirk Douglas in 1962. Here he is fighting a one-armed man with one arm behind his back in a raunchy saloon:

fighting

The movie is faithful to the book’s plot only in its actions, and not in its motives. The cowboy Jack does ride into town on his horse with the intention of busting his old buddy Paul out of jail; he does kiss Paul’s wife in the process; he does end up in the mountains fighting an archetypal battle against the sheriff and his men, complete with military technologies and sweeping vistas.

vista

It is, in short, a fine Western. What the movie version left out, however, is Jack and Paul’s past together as political protesters. There’s no mention of what Paul’s doing in jail in the first place (dodging the draft, and refusing to take conscientious-objector status), let alone their history in anarchist organizations and their shared hatred of The Man. That would be a little too much even for our Western hero, presumably: better that he be nostalgic about the days of horse and rider herding sheep, and not specifically interested in taking down the federal government. Can’t say I’m surprised. My final gripe would be that the sheriff, Morey, was not cast nearly as fat and bumbling as he reads in the book. At least they left in the taking down of the helicopter; that was fun.

This movie is a simplified and sanitized version of the better book upon which it was based; but that’s what I mostly expect from movies made from books. Some of the dialog seems to have materialized out of thin air, most definitely in the case of Jack’s monologue about being a loner – I suspect Abbey could have rendered such a scene much finer (and funnier) if he’d wanted it in his story in the first place. But it was still a fun romp alongside an Abbey-like hero, just dumbed down. I don’t regret my 90 minutes, but it sure is nice to dream about a proper movie made of The Monkey-Wrench Gang or the like. Sigh. Not a bad film, but not too terribly close to its literary origin.


Rating: 5 stoic grins.

Closing credits: thanks to my neighbor Adrian for helping me find this not-easy-to-find movie. You get a 10-star rating, Adrian!

Speaking Truth to Power by Anita Hill, first half review

anitahillFor reasons I’ll discuss below, I have had to put this book down at about the halfway point, through no fault of Anita Hill’s absorbing story or lovely, clear, honest writing. This first review will be more about my emotional reactions and reason for pausing in my reading; soon I will publish my second-half-review which will be more about the book itself. Briefly, for the record, it’s a great book.

Anita Hill was a young black female lawyer from the south in the early 1980’s, when she found herself employed as an assistant to Clarence Thomas, then an aspiring government official looking for an appointment under President Bush (Senior). She was largely successful in leaving behind her unpleasant experiences in his employment as she moved onto other lines of work, teaching law back in her home state of Oklahoma, where she could be closer to her family and further from the nasty environment Thomas created for her in Washington, D.C. When Thomas was nominated to the Supreme Court in 1991, however, she reconsidered her silence on his sexual harassment, and ended up traveling to D.C. to testify at his confirmation hearing as to his behavior nearly 10 years earlier. She was excoriated for her decision and her actions; every piece of her life, her morals, her “virtue” were picked apart. This book is her attempt to set the record straight.

Most Americans know the name Anita Hill, in my (limited) survey. When I mentioned this book, a coworker spoke of having horrible, vivid dreams, set in the Senate, as the hearings went on; she sympathized with Hill’s unfortunate position. I am young enough that I don’t remember these events (I was 9 in 1991 and not paying much attention to sexual harassment and Supreme Court nominations, for which I suppose I’m glad); it’s history to me. However, the name Anita Hill did mean something to me, and it means much more now.

I am reading this book because my father raved about it and felt it was important reading for me, which I easily believed. And it’s a lovely book. But it so happens that I picked it up during a time when my personal life was in upheaval in a few ways. I don’t want to share too many personal details here (I’d rather get personal when the news is good!) but it involved my loved ones being spread around the globe dealing with various trauma, and I was distracted, worried, and depressed. And unfortunately, one of the central truths of Hill’s book, based on events in 1982 and 1991 and published in 1997, holds true today: that most women will be sexually harassed; that most will choose not to accuse their harassers; and that few harassers are sanctioned. Again, without revealing too much of my personal story, I know this firsthand. And reading about Hill’s experiences, both being harassed by Thomas, and then being harassed by her national media and political representatives, was entirely too painful to me. I felt physically sick to my stomach reading it, and I had to put it down.

I still agree with my father’s statements that this is a very good book, and that it’s an important book for me to read. I look forward to picking it back up – as I write this, personal-life issues are mostly resolved, and (thank goodness!) Husband is home here with me. Hill writes like a lawyer: she makes statements of what she knows to be true, and is careful to note where she speculates, while providing evidence to support her speculations. She speaks strongly where she is sure that she is right; and (as one would expect) she has a very sure and confident grasp of legal issues in their minutia, and is capable of making those legal details understandable to her reader. I also really enjoy her gentle, loving treatment of her family history; that background adds to her story immeasurably.

I wanted to give you this first-half-review of this book where I’ve paused in my reading of it, to note the painful emotional impact it’s had on me. Make no mistake, it’s a fine book and I will finish it and tell you more very soon. But for now, know that this story is rather excruciating.


Rating: 8 brave public statements.

movie: Carrie (1976)

You will recall that I recently read Stephen King’s Carrie, and was very impressed. I then made it a point to watch the classic 1976 movie starring Cissy Spacek.

classic shot from the final scenes.

classic shot from the final scenes.

The movie is reasonably faithful to the book in terms of simple plot. Carrie gets her period, is abused by the girls at school, is asked to the prom by popular Tommy whose popular girlfriend Sue has put him up to it (for mostly altruistic motives), is abused at prom, goes red in the face and uses her recently discovered special powers to get hers back.

But the book lost a lot in its translation to film. For one thing, the structure of the book was part of what made the total package so striking; and we necessarily lost a huge majority of the interior thoughts shared in the original. We lost important pieces of Carrie’s family history (the stones falling on her house were left out entirely) and of Chris and Billy’s evil machinations. Also, wasn’t Margaret White entirely too pretty on screen??

I thought the movie did capture the creepiness factor fairly well, although I was not much frightened by the movie, maybe because I already knew everything that was going to happen and felt less a sense of dread than I would have if it had all come as a surprise. (Although I’m easily frightened by movies. So, maybe take a half point off for not frightening me.) I will say one thing, and this is a spoiler if you haven’t seen the film, so highlight the following white text if you want to read: the final scene, where Sue takes flowers to Carrie’s grave (or home site?) and Carrie reaches up and grabs her wrist “from beyond” – that wasn’t in the book and I swear I jumped a foot when that hand appeared. Holy smokes, I was frightened. But I don’t know where that even fits in the story crafted by Stephen King, so again, I’m not giving full points for this.

Final conclusion: a fine movie, entertaining, but hardly worthy of the book it was based on. What else is new?


Rating: 5 cruel high school girls.

book beginnings on Friday: The Girls of Atomic City by Denise Kiernan

Thanks to Rose City Reader for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

atomic

Friends, I am quite excited about this book. The subtitle reads: “the untold story of the women who helped win World War II,” and the blurbs indicate that this is the story of Oak Ridge, Tennessee, where much work on the Manhattan Project took place in a secret purpose-build city; and the stars are the female workers in particular. I will also say that the fact that this is a finely-bound, good-looking galley doesn’t hurt my first impressions, either.

Speaking of first impressions:

There have long been secrets buried deep in the southern Appalachians, covered in layers of shale and coal, lying beneath the ancient hills of the Cumberlands, and lurking in the shadow of the Smokies at the tail end of the mountainous spine that ripples down the East Coast. This land of the Cherokee gave way to treaties and settlers and land grants. Newcomers traversed the Cumberland Gap to establish small farms and big lives in a region where alternating ridges and valleys cradle newborn communities in the nooks and crannies of the earth. Isolated. Independent. Hidden.

That is a striking beginning, I’m sure you will agree. As soon as I read those lines I knew I wanted to share them here.

I hope you’re equally excited about your reading choice(s) this weekend!

This quotation comes from an uncorrected advance proof and is subject to change.

just for fun: authors and their drinks

port-logoI just couldn’t help but share this mouthwatering article with you here. “Combined Measures: Great Writers & Their Drinks” features just five authors, but unlike some such articles I’ve come across, 100% of those featured authors are ones whose work I like; and all five drinks, as well, whet my palate. You will note that my favorite, Hemingway, is present (as he ever will be, where alcohol is discussed). I am tempted to try some of these myself… particularly the accompaniment to Kerouac’s cocktail, discussed on page one.

Enjoy. 🙂

And do share: which author, or drink, do you fancy?

Team of Rivals by Doris Kearns Goodwin (audio)

teamofrivalsMostly I read books first and then (maybe) watch the movie, later. This time I did it backwards: I recently saw the new movie Lincoln (with Daniel Day Lewis), and then began listening to this book on audio, on which the movie was based. Not that there’s any shortage of Lincoln histories out there; but this is the one Spielberg turned into film. So please forgive me if this review is a little heavy on comparisons to the movie…

Beginning with which, the movie begins on the eve of the battle to ratify the 13th amendment, but the book starts much earlier, with Lincoln struggling to get the Republican Party’s nomination for presidential candidate. We follow Lincoln through his nomination, his campaign, and the setting up of his cabinet. The title of the book, appropriately, describes its subject: not Lincoln himself so much (as in the movie), but his skillful political alignment of his rivals for the Republican nomination in his cabinet. We get to know these other characters much better in the book than we did in the movie (which was also appropriately titled. Its focus was different). As this book effectively communicates, one of Lincoln’s political strengths was in placing his rivals where their strong points could best play to his administration’s advantage, and where their animosity toward him could best be neutralized.

Just as with the movie, I worried a little about an overly patriotic, positive portrayal of Lincoln. As in the movie, he is depicted as being strongly concerned about the black man or woman’s natural right to liberty; and while this is a sentiment we applaud today, I am afraid it was not at the center of the Civil War or Lincoln’s personal priorities. In other words, it’s something we love to think about our lauded 16th president today, but it’s not entirely historically accurate. Along these lines, I noted repeatedly that Goodwin uses rather many superlatives, which decreased my confidence in her neutrality slightly.

These concerns aside, I enjoyed the story. Not only Lincoln and his wife and children, but the characters (along with their families) of Bates, Chase, and Seward are evoked, and it made this critical moment in my nation’s history come alive. It was an absolutely entertaining story to listen to; and Goodwin’s great reputation (she has a Pulitzer to her name) and the reasoned pace & structure give me confidence that this is a responsible piece of historical writing… but I still felt that there was some positive slant, as above.

The audio narration by Richard Thomas was everything it should have been. This is a fine book, very readable, which makes Lincoln’s White House history accessible and makes the story come alive. But it might not be hard-edged journalism, for what that’s worth.


Rating: 6 machinations.

Carrie by Stephen King

carrieHere’s a book-turned-movie we’ve probably all heard at least something about! And apparently it’s being made into a 2013 movie, although maybe for the film version I should start with the 1976 version with Sissy Spacek? I had the vaguest notion that I’d seen it already; but as I read the book I realized that this was definitely new material to me.

I am really glad that I picked up this collector’s edition at my local used bookstore. The introduction by Tabitha King, the author’s wife, was a great addition. She puts in perspective the creation and success of this, King’s first published novel, written while they were scraping out a living as parents of two small children, each working full-time on opposite schedules and hardly seeing each other. When this novel did well, then, it made the change of their lives, and started Stephen King on the path to become the huge name he is today. She also reveals that her own terrible PMS was (she is sure) the inspiration for Carrie’s menstrual difficulties, and muses on the strangeness of a novel centering around menstruation and the trauma of a girl’s first period, written by a man, in the 1970’s no less. I enjoyed this introduction.

And the book itself! Carrie is really something. I can appreciate (even with my very limited experience with Stephen King) how this book fits into his oeuvre: it’s a fine example of his ability to create atmosphere, and let us into the heads of his characters. Carrie herself is both tragic and terrifying. I can’t help but sympathize: she’s been abused by her mother from birth, and her completely bizarre upbringing has crippled any chance she might have had of fitting into her world. Now, as evidenced by Sue Snell’s inner conflict about her popularity, conformity is not necessarily a good thing; but Carrie is so far outside of her society that she’s handicapped by it. And to put it simply, kids can be so cruel, can’t they? But when Carrie begins to steer her own fate, I likewise can’t help but shiver.

Carrie comes into her telekinetic own after a trauma, when she gets her first period in very public fashion and is ridiculed (violently) for it; a double trauma, then, if you will (compounded by her total ignorance, at age sixteen, of menstruation). Whether her special powers are born of puberty or trauma is unclear; probably it’s both.

The novel is fairly short: at about 150 pages, it took me just two days to read (in the course of my normal, busy life). The structure is unique, partly epistolary, partly scrapbook-style: sometimes we look out from inside Carrie’s head, sometimes from the heads of other characters; interspersed are clippings from magazines, newspapers, news releases, and books. The effect is a little jarring and disjointed, in just the right way (and, you can bet, as King intended it). The final, climactic events are foreshadowed and referred to from the very beginning; this, and the building of the action, and the careful release of new pieces of information, combine to create the atmosphere and tension King is known for. And, as important as anything else about this book, he gets his adolescent female characters just right: they really are teenaged young women, and that’s no small accomplishment for any author, perhaps let alone a man.

I found Carrie terrific. There’s no question in my mind that this is a fine novel, quick to read but exquisitely crafted, definitely cinematic (want to see the movie now!) and classic. Perhaps it’s all hindsight, but I can see Stephen King’s rising star in this early work. And I want more than ever to read more of his!


Rating: 8 mind flexes.

article from TIME magazine: “Best, Worst Learning Tips” by Annie Murphy Paul

I do all sorts of reading, as you may have noticed here. I read fiction, some of it quick and easy reading (thrillers), for fun and the enjoyment of being caught up in the story; I read classic fiction for appreciation of the art form. I read nonfiction for the sake of learning more about my world, in so many diverse areas, because I love learning new things. I read books so that I can write book review for Shelf Awareness (although only the sort of books that I already enjoy reading). I read travel guides to help me plan trips. I read other people’s book blogs (although I am woefully behind on this) because I like hearing what they (you) have to say. I also read health information in my job as a medical librarian, in an effort to serve my patrons/patients with the best information available.

It’s been a little while since I’ve been in school formally, pursuing a specific degree; but I take short training courses here and there, and I am always aspiring to further schooling. If I had all the time and money in the world, you can bet I’d be a student again.

The advice implicit in the article linked below seems to be aimed primarily at students; but I believe that if we stop to consider, we all read because we want to learn something from our reading material (even if it’s just whodunit).

A friend of mine who works in higher education posted this to facebook – and I hope he won’t mind me quoting him: he called it “a very nice empirical discussion of learning strategies, something not all that common in the education literature.” (Thanks, David!) And here you are: “Highlighting Is a Waste of Time: The Best and Worst Learning Techniques” from TIME magazine. I thought it contained some good ideas for students or learners of any type. Of especial interest to me was the conclusion in the title: that highlighting is a waste of time (not least because it’s distracting to the reader). I couldn’t agree more! My high school English program actually graded us on our highlighting (we had to turn in our books for perusal). Sigh.

What’s your reading style? Are there any tips or conclusions in this article that surprise you or that you especially applaud?