book beginnings on Friday: Dispatches from Pluto by Richard Grant

Thanks to Rose City Reader for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

dispatches from pluto

The subtitle, “Lost and Found in the Mississippi Delta,” is what got me. And then there are the first lines:

I was living in New York City when I decided to buy an old plantation house in the Mississippi Delta. It was out in the cotton fields and cypress swamps of Holmes County, the poorest county in America’s poorest state.

Got me: I’m intrigued. The Deep South is an increasingly appealing and intriguing place to me, filled with contradictions and complications. Tell me more!

This quotation comes from an uncorrected advance proof and is subject to change.

All Over But the Shoutin’ by Rick Bragg

all overRick Bragg’s first book is a memoir of his own life, his upbringing and the road to a successful journalism career with the New York Times, complete even with a Pulitzer. It’s also the story of his family: his father, almost completely absent from Bragg’s life and from the book; his mother, the driving force of grace and hard work and love; his brothers; his people from poor rural Alabama. It’s a beautiful book, humbly honest, piercingly devoted to Momma, and redolent with smells and tastes and sights and sounds. As a way of honoring those he wants to remember and honor – centrally his mother – I think it’s devastatingly effective. It’s also a fine piece of writing, triumphantly fine, and a fascinating story.

People are often driven, with a book like this that is so securely rooted in such a unique place, to make statements about whether it could have been born of any other place. Me, I don’t feel up for that argument. But if Bragg’s skill had come out of Pennsylvania, he would at least have written a very different book.

I loved learning about and learning to love the place Bragg is from – northeastern Alabama – and I appreciate his understanding of nuance, of complicated feelings, of the possibility for both ugly legacies and beautiful virtues coming from the same place.

I found it interesting, and it kept his story from being unrelievedly gorgeous or unrelievedly painful, in a book so filled with “living and dying and that fragile, shivering place in between,” that he is able simultaneously to show that he has lived a charmed life. This was a new concept to me, of such good and ill luck coming in the same breath. For instance, when Bragg became national correspondent in the South, to the New York Times:

It was a marriage so perfect, in my mind’s eye, that I was almost surprised when I got a cold, or stubbed my toe, or got a parking ticket, because such things do not belong in dreams.

Momma used to drag her middle son, who she called Ricky, up and down the rows of cotton on her sack as she picked. He increased the weight of the load she bore, but she loved him, and his brothers, and she did for them as best she could, and this is the story, among other things, of Bragg doing his best by her in return. It’s a deeply sweet story, and although sometimes gruffly told, he never takes that tone when writing about her.

Bragg’s father, on the other hand, was an alcoholic abuser who left his family defenseless repeatedly and apparently without compunction. He was also a traumatized war veteran who on his deathbed gave his son a touching gift and a story. I said earlier that he’s mostly absent throughout, but his shadow is there.

I can’t do this book justice. It’s too good. Go see for yourself.


Rating: 10 assumptions tested.

more on Rick Bragg

I am struggling to respond to the book I just finished, so I wrote a letter instead.


Mr. Rick Bragg,

I make a very small living as a book reviewer these days, but reading your books I am no kind of book reviewer, because I don’t know how to write about what you do when you write about your life.

Of course I believe that the best books for us find us at the right times, and yours have found me at the time when they can hit me the hardest. I am having a crisis of identity and place, having moved from my hometown of 32 1/2 years in Texas to a small town on the Canadian border of Washington state, which I have found largely unworkable. Your writing about places I have never lived and know only a little or not at all – Miami, New Orleans, rural Alabama – makes me feel homesick. Your writing about being a displaced Southerner at Harvard, or in New York City, resonates with me, although I am not the same as you. I’m from a big city – the fourth largest in the country – and have moved to a small one; but your displacements feels familiar all the same.

You are, of course, one of the finest writers about food that I’ve encountered. At the risk of offending, I will say I don’t eat pork, because I don’t like pork; but your descriptions of cracklin’s (etc.) still make me wish I were there and not here.

I am not one of those “who went to speech school to get rid of their accents,” in part because I don’t have much of an accent, being from a city, but what I have I will keep – although I was at one point one of those, as you observe, who fear “they sound slow, or at least unsophisticated, to outsiders.” When I interviewed for a big-time academic job in the North, I worried about saying y’all. I shouldn’t have. I don’t apologize, any more.

Houston is many things, big and diverse, containing multitudes, and that is my single favorite thing about the place; this also means that Houston can be a bit schizophrenic, even self-loathing. You write that Atlanta “tears down its history with wrecking balls, and builds something bland and homogenized in its place.” Houston has done too much of that, although it’s done lots of other things with its history, as well.

This wasn’t supposed to be about me, but that’s the work your writing does. I see a lot of myself and my own experience, even where I see all sorts of adventures that are unknown to me. That’s a piece of work, in itself.

You’ve made a big difference to me. Keep up the good work. I wish you and yours all the best; you feel like friends to me now.

Thank you.

Julia


Tomorrow I’ll try again to write a book review.

Teaser Tuesdays: All Over But the Shoutin’ by Rick Bragg

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading.

all over

I read the most mind-blowing book this week.

I had grown up in a house in which there were only two books, the King James Bible and the spring seed catalog. But here, in these boxes, were dozens of hardback copies of everything from Mark Twain to Sir Arthur Conan Doyle. There was a water-damaged Faulkner, and the nearly complete set of Edgar Rich Burroughs’s Tarzan. There was poetry and trash, Zane Grey’s Riders of the Purple Sage, and a paperback with two naked women on the cover. There was a tiny, old copy of Arabian Nights, threadbare Hardy Boys, and one Hemingway. He had bought most of them at a yard sale, by the box or pound, and some at a flea market. He did not even known what he was giving me, did not recognize most of the writers. “Your momma said you still liked to read,” he said.

There was Shakespeare. My father did not know who he was, exactly, but he had heard the name. He wanted them because they were pretty, because they were wrapped in fake leather, because they looked like rich folks’ books. I do not love Shakespeare, but I still have those books. I would not trade them for a gold monkey.

If those lines don’t hit you deep inside, I don’t know what you’re doing with my blog.

guest review: All the Wrong Places by Philip Connors, from Tassava

My buddy Tassava read both of Philip Connors’s books after I did, and he loved both, as I did. He had a different final conclusion, however. Here is the beginning of his review of the second, All the Wrong Places.
wrong places

Last year, Julia had recommended that I read Connors’ first book, Fire Season, a long essay on his work at a lookout in a fire tower in a huge wilderness area in New Mexico. Both a reflection on a solitary endeavor and a historical and philosophical examination of the nature of wildness, Fire Season is exceptionally good, and well worth the time of anyone who enjoys memoir or nature writing.

All the Wrong Places is a kind of prequel to Fire Season, a partial explanation of why Connors abandoned a good life and career in New York City for the isolation and inwardness of the fire tower. In brief, the second book is the story of Connors’ efforts to understand how his older brother, Dan, came to commit suicide, more or less out of the blue.

…You can read the rest of Tassava’s review here. And, my review of same.

Thanks, Tassava, for your contribution.

movie: Capote (2005)

I was so pleased when Husband expressed an interest in watching Capote with me the other night. It’s rare that we agree so easily! And I have some Capote readings coming up – The Early Stories of Truman Capote for a Shelf Awareness review, and Breakfast at Tiffany’s for a beer-drinking book club; and I do like a little immersion when I get to know a writer. I recall being deeply impressed by In Cold Blood, but I hardly remember Other Voices, Other Rooms at all, so there’s that.

capoteCapote‘s storyline is concerned with the writing of In Cold Blood, with no examination of Capote outside that timeline. Opportunities are missed there, of course, as the man had a fascinating life in general; but as a fan of In Cold Blood I can’t complain. Any work of art, literature, or film has to choose its scope. In this case we are glad to get to meet Nelle Harper Lee (played by Catherine Keener), as she assisted Capote with his research in Kansas: I read somewhere recently that she was an ideal helper there as her soft, Southern femaleness alarmed the Kansans a little less than Capote’s flamboyant New Yorkness (of Southern roots, yes, but still). The late Philip Seymour Hoffman stars as Capote and does as outstanding a job as I had heard (for which he won an Academy Award for Best Actor, among others).

The Clutter family has just been killed in rural Kansas. Capote reads about it in the New York Times, and immediately feels that this is a story he needs to write; he takes a train down to Kansas from New York with Nelle, his childhood friend. In their distinct styles – Capote pushier, Nelle more quietly sympathetic – they interview the locals and get the feel for things. Then two suspects are arrested, Dick Hickox and Perry Smith. When Capote first lays eyes on Perry, he changes his plans from an article to a full-length book. “There’s just something about him, he’s so lonely” (I paraphrase wildly). The film emphasizes the connection between Capote and Smith, which reads here, on screen, as somewhere between a strong psychological bond and infatuation. Husband struggled with Capote’s character as he transitions from apparently having a crush on Perry, and getting him a new lawyer to help him out in an appeal (and, as he later acknowledges, help himself out in terms of having a book to research)… to exploiting Perry for his story and being sorry that the man won’t die quickly enough. This makes Capote a less sympathetic character: absolutely true. But is it an accurate depiction of the man? I think quite possibly yes, so don’t hold it against the filmmakers. Finding the protagonist likable is not, I think, a requisite for art.

I was particularly intrigued by and suspicious of the implication that the epigraph for Capote’s final, unfinished work Answered Prayers was a comment on his experience with Perry Smith and In Cold Blood. It was a convenient epilogue to this film, certainly, but I think it’s a bit complex an idea to just throw out with the finishing credits. I’d enjoy exploring Capote’s life and work with this idea in mind, though. Whatever else you might say about him, I think we have to agree that he’s an intriguing guy. My favorite biographical subjects are always those that raise complicated reactions in us, and Capote fits that bill.

Capote is an arty, well-produced and interesting film that mostly follows the true and also interesting story of Truman Capote and In Cold Blood. Hoffman’s acting is very fine: his expression of Capote’s voice, mannerisms and prima donna behaviors are often a little grating but I think that was true of the original, and he does a good job with the character switching Capote used for different scenarios. I enjoyed Capote and Capote both very much.


Rating: 7 cigarettes.

on Rick Bragg

Sometimes it happens this way. I decide I need to read a book – not put it on the TBR shelf to grow musty for two to five years to never, but really read it – and (as in this case) I put myself on the local library’s hold list for it. It comes my turn, and I go to the library and pick it up off a special shelf where it’s been filed under my name. I take it home, and I go back to reading the books I’ve been assigned, for work, for a living. I read another 6, 8, 10 books; some of them are really good, and I get involved and distracted. I interview a few authors, which is often, not always, engrossing. I go online to renew this book that I haven’t made time for yet, and find that – of course – someone else is on the hold list, behind me in line. I have to turn it in in four days. If you have forgotten this about me, I am a librarian. I’m no longer employed as such, but that blood pumps through me still.

So I put down the book I had just begun reading, for work, with a deadline. That book, by the way, offered an epigraph by the author of this book. And I pick up All Over But the Shoutin’, by Rick Bragg.

Bragg blew my mind with My Southern Journey (which will publish in two weeks or so; look out for my review then), and although I’d heard his name before, I never knew that he would be a writer to reach into me in such a way, to pull on me and make me nostalgic for a place that is not my home: foreign language words like fernweh, sehnsucht, saudade seem to touch on it. Bragg’s travels capture me; how will I ever go back to that other book, let alone my life, when this is done?

The Last September by Nina de Gramont

As a literary novel of both suspense and emotion, this flashback-filled murder mystery has broad appeal.

last september

The Last September, by Nina de Gramont, portrays an immediately gripping world of secrets, trauma, and conflicting loyalties. Spanning mental illness, the meaning of family, and the lengths we go to for love, this novel begs to be read in a single sitting.

…Click here to read the full review.


This review was published on August 27, 2015 by ForeWord Reviews.

IMG_4538


My rating: 8 tiny scribbles.

Teaser Tuesdays: The Annihilation of Nature by Ceballos, Ehrlich and Ehrlich

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading.

Look out for a forthcoming Maximum Shelf issue on this beautiful coffee-table book about Earth’s sixth mass extinction event, which is human-caused and going on now.
annihilation of nature

The Tasmanian tiger, with its remarkable coloration and tiger-like stripes, was the largest predator marsupial. Females were unique in that their pouch opened to the rear and, interestingly, the males also had a pouch into which they could withdraw their scrotum. The last captive individual died in 1936.

If that is not fascinating stuff about this species, I don’t know what. And the tragedy of losing such singularities cannot be understated – and this book is full of it, I’m afraid.

This quotation comes from an uncorrected advance proof and is subject to change.

Dear Mister Essay Writer Guy: Advice and Confessions on Writing, Love, and Cannibals by Dinty W. Moore

Finely crafted short essays masquerading as self-effacing jokes about writers and writing, in q&a form.

dear mister essay writer guy

Dinty W. Moore (Between Panic and Desire), the editor of Brevity, solicited respected contemporary essayists for questions regarding the form, so he could answer them in Dear Mister Essay Writer Guy: Advice and Confessions on Writing, Love, and Cannibals. An essay riffing on the question at hand accompanies each q&a. The resulting collection of self-deprecating humor includes bits of writing advice as a bonus.

Cheryl Strayed has concerns about her predilection for the em dash: Moore assures her that “em dashes can replace commas, semicolons, colons, the large intestine, and parentheses.” Brenda Miller worries that Facebook “is like one big communal personal essay”; Moore answers with a selection of his status updates over a period of months, which are as sage and instructive as they are hilarious. Roxane Gay wonders about the value of writers writing about writing. Other seekers of wisdom include Judith Kitchen, Phillip Lopate, Brian Doyle and Lee Gutkind. Moore makes room to share a “found essay” left on his voicemail by Mike the Tree Guy, and to list the side effects of memoir, including “nausea, sleep problems, constipation, gas, and swelling of the navel.”

Moore is rarely serious and keeps his tongue in his cheek throughout, but the result is enlightening as well as entertaining. With fewer than 200 pages, Dear Mister Essay Writer Guy is a quick and enjoyable read, to be taken in pieces as small as the reader prefers. Its witty, modest tone belies the artistry of the essays contained, which are exemplars of the short form.


This review originally ran as a *starred review* in the August 28, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 7 polar bears, naturally.