Notes of a Native Son by James Baldwin

Posted on November 14, 2012 by pagesofjulia

Notes of a Native Son is a 1955 collection of James Baldwin’s essays and articles, all previously published elsewhere as I understand it. Their subjects range over books, movies, personal history, and social commentary; what each piece has in common is a consideration of race relations in the United States. He is concerned with the American “Negro” (this is no longer considered the right word, but I’m tempted to use it here, because he did) and the relationships amongst Americans, white and black. A persistent question he ponders is that of the black man’s search for identity in a nation that variously rejects him, resents him, or feels guilt over its treatment of him, made more difficult by the loss of his own personal history pre-slavery.

There are some heavy bits here, unsurprisingly. While not exactly academic, some of it is definitely on the philosophic side of things. When Baldwin dives deeply into literary criticism, he loses me (I guess I’m rusty on literary criticism; I used to find such articles much easier to read!): “Everybody’s Protest Novel” and “Many Thousands Gone” nearly made me quit the collection. In “Carmen Jones: The Dark Is Light Enough,” he discusses a movie, and actors, so unfamiliar to me that I was only reading on the surface – where I rather enjoyed the essay, it is true, but where I certainly failed to understand fully what he had to say. On the other hand, “The Harlem Ghetto” struck me as intelligent, occasionally amusing, and relevant today. And as you know, I am always thrilled to make connections across seemingly unrelated books I’ve read or historical figures I’ve studied. Before I was halfway through this book, I’d seen mention of Lillian Hellman (see a recent biography, one of my favorite books of the year) and the Patterson family (another), not to mention of course threads that take me back to The Warmth of Other Suns, which is how I got to this book in the first place. Ah, the circularity of things: it amazes and thrills me.

My favorite pieces in this collection were the autobiographical ones. I like Baldwin’s voice very much: he is wry and funny even when discussing the serious and the tragic. And I was most interested in learning more about him. My edition begins with a “Preface to the 1984 Edition” followed by “Autobiographical Notes,” both of which set the bar high. The titular essay comes about midway through and is also excellent. But my very favorites were the last two. “Equal in Paris” relates Baldwin’s experience being arrested in Paris and tried for possessing a bedsheet from the wrong hotel. It was hilarious, and ended chillingly. And “Stranger in the Village” covers his time spent in a tiny Swiss village where the residents had never seen a black man before, and is where I felt he made his most sweeping and hopeful statements about our present and our future. It was tragic, but forward-looking.

I really enjoyed Notes of a Native Son, although there were a few moments where I got bogged down. Baldwin’s voice charmed me. I recommend him.

Rating: 7 blocks in Harlem.

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The Shining by Stephen King (audio)

Posted on November 7, 2012 by pagesofjulia

Another masterpiece by Stephen King! Probably my favorite yet. Spellbinding.

I suspect the storyline of The Shining is familiar to us all, so I will sketch it very briefly. Jack Torrance is a recovering alcoholic; his family has been made unstable, financially and otherwise, by his drinking. He takes a job at the Overlook Hotel in the Colorado mountains as winter caretaker, which involves moving his wife Wendy and son Danny in for some 6 months, for most of which they will be snowbound and cut off from the world. Danny has a unique gift for seeing things: the past, the future, dead people. The Overlook has a uniquely grotesque history.

The Shining is a masterful book in several ways. Perhaps the most obvious is the atmosphere: King’s pacing, building of tension as the story unfolds, and foreshadowing, are precisely designed to spook his reader. Danny’s gift – his “shine” – provides the perfect vehicle for this foreshadowing. The character development is finely done as well. Jack is a conflicted character; he loves his wife and son and wants to do well by them, but he battles inner demons, particularly alcoholism, and this internal conflict is well done. He feels like a real person. Wendy, too, struggles with what’s right for her family; she has considered leaving Jack before and continues to deliberate. And Danny is a sweet child, not inappropriately aged (the way gifted children sometimes are in fiction) – at least not to my limited childless knowledge. He can see more than he can understand.

The hotel has a will of its own and is a character unto itself. Place, or building, as willful force of evil is a device we’ve encountered before, Rebecca being one of the best examples. The Overlook is another. I love how Jack’s research into the hotel’s history seems to feed its power to harass him. I love that the Overlook preys on Jack’s weaknesses. It is truly, deeply creepy in the most delicious way.

And while we’re discussing characters – how about my very favorite, the hotel’s summertime cook, Dick Hallorann? Hallorann befriends Danny, shares his strange gift (although it shines more strongly in Danny), puts the name “the shining” to it for him, and comes to the family’s aid late in the book. Dick is a lovely, colorful character, full of personality and, again, very human conflicts. I like him very much.

The Overlook Hotel’s evil finds an outlet through Jack Torrance. His struggle with alcoholism and growing cabin fever make him a good target; but it remains clear that Jack is an essentially good man. Even in the worst of times, he experiences some personal growth. Wendy, too, learns about her son and their relationship is left looking stronger than ever as the story comes to a close.

I found this book exciting; suspenseful; rich; engaging; filled with people I cared about. Oh, and the audio! Campbell Scott’s narration is divine. I loved his voices for all the characters, and he contributed significantly to the atmosphere which is probably The Shining‘s finest quality. If you haven’t enjoyed this book yet, I strongly recommend that you get the audio book read by Campbell Scott if at all possible! This has been one of my most enjoyable audio reads this year to date.

Rating: 8 roque mallets.

Movie review to come. Briefly: not as good as the book (who’s surprised?), and really only vaguely related to it. EDIT: movie review here.

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Walden by Henry David Thoreau

Posted on November 5, 2012 by pagesofjulia

my charming little copy of Walden


I have been thinking this review over carefully. Walden is an “important” book. I had some troubles with it, particularly about midway through, when I stalled for several days and was sure I was going to give up. This was while visiting Concord and Walden Pond, no less! I think I owe my father credit: he recommended that I just read it through, with less attention to note-taking and interpretation at every page along the way. And on my long travel day home, I got back into it.

What is it that made this book a little difficult for me? Well, the language is somewhat dated, and the sentences tend to be long and rambling. Picture several long clauses strung together, and then having to look back up half a page to see what the subject was that this verb, finally, is acting upon. That will slow a person down. And the subject matter, the thoughts being communicated, are often quite dense. When Thoreau writes descriptions of his natural surroundings, I can settle into the imagery and the poetry, and float along pleasantly. But when he philosophizes, I am often in trouble. Large ideas are presented here, regarding our relationship with the natural world, politics, and religion. Thoreau jumps around between these subjects. Perhaps this begins to help you understand my trouble.

The first chapter, “Economy,” is lengthy. In my edition it occupies 80 pages, of 350. And no later chapter runs longer than 20 pages. I enjoyed “Economy”: I sympathize with the points Thoreau makes therein. But maybe I was wearied by it. It wasn’t until 200+ pages that I stalled badly. And once I got back into it, I enjoyed it again. I can’t entirely explain that pattern, and I’m sure yours was/will be different. I think the biggest help I got was visiting Walden Pond. This is obvious, no? When my mother and I toured The Wayside, our park ranger/tour guide quoted Nathaniel Hawthorne (and I wish I could find the quotation) on visiting authors’ homes. The gist was that visiting the home of an author is the best way to better understand his or her work, and my (limited) experience visiting authors’ homes certainly backs this up. In this way, walking around Walden Pond enriched my appreciation of Walden and renewed my interest in it.

Walden is a memoir; a political tract; a geographical study; a fine piece of nature writing; and a poetic rambling by a unique sort of Renaissance man. I found it rather effortful reading, but worth it in the end. For those who enjoy thought-provoking, challenging, lyrical writings (and longish sentences), it should be a big hit. For those who find these characteristics a little daunting, but are interested in the legacy of Henry David Thoreau, I recommend giving it a go just the same. I’m glad I did. And go see the place in question if you can, too!

Rating: 6 fallen leaves.

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The Longest Race: A Lifelong Runner, an Iconic Ultramarathon, and the Case for Human Endurance by Ed Ayres

Posted on November 1, 2012 by pagesofjulia

An ultramarathon, run by a master of the sport, becomes a metaphor for the race for human sustainability we are all running.

Ed Ayres has been running competitively for more than half a century. On a professional basis, he’s also studied climate change, sustainability and a variety of issues facing the future of the human race and our planet. The Longest Race is the story of his 2001 run at the JFK 50 Mile, the United States’ oldest ultramarathon. As Ayres attempts, at age 60, to set a new age-group course record, he contemplates the relationship of human endurance to the sustainability of human life in a fast-changing world.

Ayres’s recollections a decade later are heavy on metaphor. The ultramarathon is a symbol not just for his life, but for any man or woman’s life, and ultimately for the lifespan of humanity. The attributes that work toward sustainability at an individual level are equally valuable in a large society, Ayres says, and today’s “sprint culture” would do well to reconsider the concept of pacing. He also touches on the atom bomb, human evolution, the U.S. crisis in physical fitness and the reasons for following a vegetarian diet. But for all its peripatetic allegory, The Longest Race is always the story of one epic 50-mile race in all its technical and visceral elements, and also a celebration of the sport of running and of our ability to keep running in changing times. For those readers inspired by his story, the appendix offers practical advice to the aspiring ultrarunner.

This review originally ran in the October 19, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Rating: 8 miles to go.

EDIT: See also my father’s glowing review of same.

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Master of the Mountain by Henry Wiencek

Posted on October 31, 2012 by pagesofjulia

The sad but enlightening story of Thomas Jefferson, a dedicated slaveowner masquerading as an emancipationist. Henry Wiencek studied George Washington’s convoluted relationship to slavery in An Imperfect God; with Master of the Mountain, he turns his attention to Thomas Jefferson. As one would expect, Sally Hemings is a crucial part of the story, but Wiencek also meticulously records the experiences of many others among the more than 600 slaves Jefferson owned in his life, offering a detailed portrait of daily life at Monticello.

After speaking out eloquently about the need for emancipation early in his life, Jefferson not only let pass several opportunities to push for abolition but worked to maintain the existence of slavery, noting the profits to be had–even though in public writings and correspondence with anti-slavery activists, Jefferson continued to claim a devotion to human rights and disgust with the “peculiar institution.” Wiencek appears briefly to consider the forgiving popular characterization of Jefferson’s relationship with slavery as “compartmentalized” or “complex.” But as Jefferson devolves from a youthful, idealistic opponent to a staunch defender of slavery, Wiencek firmly condemns Jefferson’s pretense of virtue, put to the lie by the abuses at Monticello. Master of the Mountain is well-documented and detailed without being tedious. The stories of real people come alive, making Jefferson’s wrongs all the more painful and his hypocrisy the more outrageous. The final chapter calls this founding father to account in no uncertain terms.

This review originally ran in the October 26, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Rating: 6 advantages taken.

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Mad River by John Sandford

Posted on October 18, 2012 by pagesofjulia

A series of bloody murders in Minnesota’s farm country, and the supremely likable detective who will stop them.


John Sandford’s Mad River stars Virgil Flowers, a supporting character in Sandford’s Prey novels who graduated to his own series with 2007’s Dark of the Moon. This sixth installment stands capably alone; series readers will recognize certain characters, but the plot twists and building suspense require no backstory.

Flowers is an investigator for the Minnesota Bureau of Criminal Apprehension called out to the tiny farm town of Shinder to investigate a string of brutal murders, starting with a highway patrol officer. The spree is quickly connected to a trio of local youths, and as the tension mounts and the murders spread across the state, the challenge is to catch the killers before the vengeful local cops get to them. Flowers suspects there’s a connection to something even bigger and needs the killers taken alive.

The central plot is riveting, but strained relations within the law enforcement community, Flowers’s visits with his loving parents and his dalliance with an old flame provide further drama. The story’s travels around the state add local color: expanses of empty farm land make the killers nearly impossible to track. Perhaps the greatest strength of Mad River, though, lies in Flowers himself. It’s hard to think of a more balanced and genial investigative hero, yet he’s still able to keep cops and bad guys alike in line. The bulk of the mystery is revealed fairly early on, though the killers’ motivations and dynamic remain riveting until the final pages–and the ultimate question persists to the tantalizing end.

This review originally ran in the Oct. 12, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Rating: 6 small town cops.

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My Man Jeeves by P.G. Wodehouse (audio)

Posted on October 15, 2012 by pagesofjulia


As recently noted, I am saddened to have to move on past Jonathan Cecil’s narration of the Jeeves audiobooks. Here I give Simon Prebble’s voice a go, with the very first published Jeeves book. This is a short story collection – not a format I’m a fan of generally, but I finally got around to starting at the beginning. Most of the stories here included had been published before, and only about half feature Bertie Wooster and his butler Jeeves. The other half star Reggie Pepper, a character I had not encountered before. Wikipedia claims he was an early prototype for Bertie, but I didn’t taste that flavor at all. I found Pepper much cleverer than Bertie (although he doesn’t always feel that way himself). And while Reggie’s stories were diverting in the usual Wodehouse way, they did begin to feel a little much like the usual Wodehouse: I started recognizing formulaic phrases and the like. It felt a little bit repetitive. I liked the Bertie Wooster stories much more. Were they less formulaic? Or am I just more forgiving of my old friend Bertie? Hard to say. But the ordering of the stories, which goes Jeeves-Jeeves-Jeeves-Pepper-Pepper-Pepper-Pepper-Jeeves, had me a little sad faced until that final Bertie and Jeeves story popped up. My preferences are clear.

These stories really do feel like early Wodehouse. I think he got better with time. And to be fair, there is something formulaic about his writing, and that’s not all bad, if you hit upon a successful formula. Funny and fun (and easily taken in chunks, of course, being short stories), but not the very best of Wodehouse that I’ve discovered.

And the narrator? Maybe he would have pleased me if he had been my introduction to Wodehouse, but having fallen for Johnathan Cecil’s voice, I cannot be persuaded of any other. This may be a problem independent of the specific narrators in question, however, so, grain of salt.

Enjoyable, but fewer belly laughs than I’ve come to expect.

Rating: 4 trouser creases.

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Rules of Civility by Amor Towles (audio)

Posted on October 12, 2012 by pagesofjulia

I have one to proselytize for, friends. Rules of Civility will certainly make the list of the greatest books I discovered in 2012.

The book opens with the story’s narrator, Katey, and her husband Val at an art opening in 1966. A few pages set the scene and the style of this book – and oh, the style! – before we’re whisked back into Katey’s reminiscences, beginning just a few hours before the new year of 1938 will be rung in. She and her best-friend-and-roommate, Eve, are out on the town, and they meet a man who buys them champagne for the toast at midnight. And then we follow Katey through the year.

Katey’s life changes a great deal in 1938, in all its aspects: career, home life, relationships, love, aspirations, her understanding of herself and of her world. I don’t want to mention any more of the plot, because I found such joy in discovering its twists myself, and you should too.

This book has many strengths. Its story is interesting: a single year, 1938, in the life of an ambitious young woman in New York City. And there are such surprises that I dropped my chin on my chest more than once. But the plot alone would not have made the book what it is. The characters are strong as well: Katey is pretty fabulous, as are a number of others. But neither is this the shining facet that draws the eye. I think the real victory is in the writing. You may have noticed (and I hope you’ve forgiven me) that I used not one but three teasers to whet your interest (here and here). It’s very evocative: I could see, hear, smell the New York City described; and further, I felt all the emotions Towles wrote. Driving to and from work and listening to this story (and Rebecca Lowman’s masterful, perfect narration), I arrived at my destination confident and optimistic, hopeful for the future, downcast, flabbergasted, or whatever that chapter called for. It was one of those very rare books that engaged me completely, made me lie awake at night worrying, wishing for certain events to transpire, caring deeply about fictional characters. It was amazing. And of course I have no great understanding of 1938 New York City; but Towles (and Lowman) have me utterly convinced that it sounded and looked and smelled and tasted exactly as described here.

And while I’m praising the writing, the style with which Katey’s voice comes alive, I must praise the reading of this audio version as well. Lowman has a frank, languid tone that feels precisely right for Katey; I love that she slows down. Her pacing is sometimes indolent and sometimes despairing, but it always adds to the sense of nostalgia in the beautiful piece of art that is Rules of Civility.

Oh, and it’s worth adding too that Katey is a reader, and literary references abound, which enriches the overall effect considerably for me and perhaps for you too.

Without having given away much plot, then, I assure you that the setting, the sense of style, and the writing on display in Rules of Civility are all remarkable. This will definitely be one of the best books I read this year, and the audio version is superb. Run out and get a copy.

Rating: 9 martinis.

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In the Electric Mist with Confederate Dead by James Lee Burke

Posted on October 10, 2012 by pagesofjulia

As noted recently in my book beginning, Burke is an old favorite. Between this book’s title and its colorful cover, I felt especially drawn to it. The electric mist and the Confederate dead are some of the odder, more alluring moments in this story, too, but they are not its center.

Detective Dave Robicheaux is the star of Burke’s bestselling series. In this installment, he’s at home in New Iberia, a small community on the Gulf Coast of Louisiana. There’s a movie production in town, which brings with it various complications of the local scene: a group of gangsters come in from New Orleans; the Hollywood actors drive drunk and make trouble; several girls turn up dead in what looks like the work of a serial killer; and a body surfaces that relates to an event in Robicheaux’s own distant past. He continues to attend AA meetings and his alcoholism continues to be one of the sources of conflict in the story. There are some weird, almost paranormal forces at work – or are they just the manifestations of his alcoholism? – and that keeps things interesting and colorful.

This book shares certain themes with all Burke’s work, including racial injustice that persists in the South; a love of nature (and some outstanding, lovely writing conveying the natural beauties of south Louisiana); struggles with alcoholism; and corruption in positions of authority, manifested in the conflicts Robicheaux has with his workplace superiors. One of Burke’s greatest strengths, in my opinion, is the strong sense of place that he conveys with his lovely, lyrical writing. He waxes poetic about the beauty of nature; and both the natural setting and the cultural references evoke south Louisiana unmistakably. His stories, it seems, could be set nowhere else. (This is not true. Swan Peak is set in Montana and is equally successful. But my point about a strong sense of place stands.) While his plots are interesting and his mysteries do indeed keep the reader on her toes, Burke’s beautiful writing and obvious care for natural and cultural settings are the best and most unique parts of his work. I feel that his closest readalike author is Michael Connelly. Connelly’s writing is not nearly as lyrical, but his strong sense of Los Angeles, and Detective Bosch’s love for jazz and LA, and the dark, brooding mood both authors create, make them a matched pair in my view.

In the Electric Mist with Confederate Dead is vintage (1993), classic James Lee Burke, and thus strongly recommended.

Rating: 7 crawfish poboys.

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On a Farther Shore: The Life and Legacy of Rachel Carson by William Souder

Posted on October 4, 2012 by pagesofjulia

Rachel Carson was born in 1927 and by the 1950’s was the author of several bestsellers, a national hero for her lyrical, literary, scientifically accurate books about the ocean. She also published myriad magazine and newspaper articles, both as a government employee and as a freelance writer. In 1962 she published a somewhat different kind of book. Silent Spring retained the literary style for which she was well loved, but its subject – while still the natural world – took a different tone. Carson wrote about the then-widely-used pesticide DDT and its sinister effects, not just on the insects it claimed to target, but on wildlife generally including many fish and birds (hence the title) and even human life.

The immediate reaction to her book was mixed. Critical reviews were more positive than negative, but the government (to varying degrees) and the pesticide industry (predictably and totally) offered less praise. Carson came under attack as a hysterical nature faddist and Communist sympathizer, even as Silent Spring topped bestseller lists and initiated federal investigations. Today, the ecology and environmental movements credit Rachel Carson and Silent Spring with helping to establish what is now a central issue of our times.

William Souder’s new biography of Carson, published on Silent Spring‘s 50th anniversary, begins with the conjecture that Carson’s name is now “unknown to almost anyone under the age of fifty.” There are a few of us, of course (although I confess my personal poll may not constitute a random sampling), but his point is well taken: in 2012, Carson is less on our minds. But even if DDT is no longer sprayed on kids playing at the beach and the rivers we catch our fish out of, environmental issues are among the most pressing of our day. (I am thinking of climate change, overpopulation, water tables, land use, urban sprawl, species extinction…)

That’s the argument for Carson as a biographer’s subject. Now, how did Souder do? As observed yesterday, his style is rather a traditional one. Souder himself does not enter into the story as a character; he doesn’t give us his own impressions (unless you delve into the Notes at the back of the book, on which more is coming in a later post). I am a fan of the newer style of “creative nonfiction” exemplified most recently at pagesofjulia by Soundings, but that doesn’t mean the straightforward sort of biography is necessarily dry, either.

Souder brings his subject to life. His plentiful research (again see those Notes) clearly and exhaustively outlines Carson’s background and personality, and enigmas. For instance, he notes the weekend in college when she went one two dates with a boy from another school, and then as far as we can tell, never dated again. He writes eloquently of her strange single-mindedness, for example in reading Henry Williamson for his nature writing (which she loved) while totally ignoring his frank Nazi sympathies.

I will mention one angle that I noted as absent: there is nothing in Souder’s book about Carson suffering for her sex in the field of science. This seemed like a natural obstacle for her to have faced as a science writer in the 1950’s and 1960’s, and I wonder at its absence, particularly in comparison to Soundings, where Tharp’s professional limitations as a woman are one of the central issues. Did Carson not feel that she was held back? Did Souder miss something? His work feels thorough. I am hesitant to think he missed such an important angle, but it makes me wonder. There are a few references by her contemporaries to her status as a “spinster,” but even these don’t feel particularly biting. And apparently her critics entirely missed the lesbian question. Carson had a very close female friend for the final 10-12 years of her life with whom she exchanged ardent letters. Whether they had a sexual relationship is not known, although Souder makes the case that it’s unlikely; but that’s irrelevant in looking for contemporary criticism of her for it. It seems like such an obvious way for her detractors to attack her. I just wonder.

Despite my questions about the role sexism might have played in Carson’s career, this biography feels well-researched, thoughtful, and finely wrought. It can also serve as a fairly good quick introduction to the history of ecology, environmentalism, and nature writing: Aldo Leopold, John Muir, and Teddy Roosevelt all get put into context. In fact, context is one of its strengths (again, see yesterday’s post). I feel like I know Carson much better now, which is of course what I was looking for, but it was also an enjoyable read. I recommend On a Farther Shore, because Rachel Carson is every bit as relevant today as ever.

Rating: 7 birds’ eggs.

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