Bird by Bird by Anne Lamott

bird by birdI have known of this book for some time – I first remember hearing of it in Natalie Goldberg’s Writing Down the Bones – and recently yet another reference made me finally go looking for a copy of my own. I’m so glad I did. While Writing Down the Bones had some good writing tips, and Keep It Real provided good nuts and bolts, this was a great combination of writing tips, and nuts and bolts, and also heartfelt and encouraging advice about (as the subtitle says) writing and life.

Lamott’s conversational and even confessional tone makes me feel like we are friends – me and her, personally. She tells me confidentially some of the same things she tells her students in the writing classes she teaches; but it feels like I get a more intimate version. Her description of life as a writer is honest; she pulls no punches about publishing and the woes of full-time writing – well, what would I know about it, but at least I believe she has pulled no punches; that’s the impression her tone gives.

We get some a glimpse of Lamott’s life: her upbringing in a joyfully readerly household; her beloved father, the writer; her long and painful journey towards publication, and her discovery that it doesn’t solve the problems of the world or even of her world; her experiences as a single mother. We get to know her good friends. Lamott is hilarious and imaginative as well as kind. I love her; I want to go have a glass of wine with her right now.

As often when I love something, I find myself reduced to listing my favorite lines.

All you can give us is what life is about from your point of view. You are not going to be able to give us the plans to the submarine. Life is not a submarine. There are no plans.

Wonderful. Not a submarine. She is full of these excellent, inventive lines. This is why she is a writer.

Writing is about hypnotizing yourself into believing in yourself, getting some work done, then unhypnotizing yourself and going over the material coldly.

…And, I would add, repeatedly. When I am doing my best work, this is exactly what happens. I don’t know if I’m hypnotized, precisely, but for me the analogy is vomiting: when it’s going well, I just sit down and braaaaaaap it all just… comes out. And later I can go over it and clean it up. But what I needed to get out, I got out all in one go.

Writers tend to be so paranoid about talking about their work because no one, including us, really understands how it works. But it can help a great deal if you have someone you can call when you need a pep talk, someone you have learned to trust, someone who is honest and generous and who won’t jinx you. When you’re feeling low, you don’t want anyone even to joke that you may be in some kind of astrological strike zone where you’ll be for the next seven years. On a bad day you also don’t need a lot of advice. You just need a little empathy and affirmation. You need to feel once again that other people have confidence in you.

Again, this is advice not only for writing but for life. I think I am going to send this on to everyone I might ever ask for a pep talk, so they can be sure to get it right.

Her writing advice is decidedly geared toward fiction, and I am an aspiring writer of nonfiction. But I think there is still a great deal to be gained here. This is my favorite book of writing-and-life advice to date.


Rating: 9 birds, if that’s not too obvious.

Maximum Shelf: Dead Wake: The Last Crossing of the Lusitania by Erik Larson

Maximum Shelf is the weekly Shelf Awareness feature focusing on an upcoming title we love and believe will be a great handselling opportunity for booksellers everywhere. The features are written by our editors and reviewers and the publisher has helped support the issue.

This review was published by Shelf Awareness on February 9, 2015.


dead wakeIn May of 1915, a torpedo fired from a German submarine struck the RMS Lusitania, a British passenger ship with nearly 200 Americans aboard. She sunk off the coast of Ireland in less than 20 minutes (due to a sequence of events unforeseen even by its attacker), killing 1,200 passengers and crew, fully half of whose remains were never recovered. Common knowledge has it that this event drove the United States to enter a European war that would become World War I, but, in fact, while the Lusitania‘s fate played some role in that decision, it took two full years and the secret German Zimmerman telegram for the U.S. to enter the war in 1917.

Erik Larson examines this extended U.S. isolationism, the final days aboard the Lusitania, and related events and characters in Dead Wake: The Last Crossing of the Lusitania. As in his earlier books (Isaac’s Storm; In the Garden of Beasts), Larson presents exhaustive research with precision and accuracy, in extraordinarily compelling prose. Dead Wake is a masterpiece of gripping narrative nonfiction, arguably the most riveting of Larson’s works.

Nearly 2,000 people boarded the Lusitania in New York City, bound for Liverpool, including 1,300 passengers, of whom 189 were Americans. An unusually large proportion were children and babies. The Lusitania was the biggest and fastest civilian ship on the seas in that 10th month of European war. These superlatives–plus the reassurances of the captain, William Thomas Turner, and the Liverpool-based Cunard Line–allowed the ship to confidently set sail despite a German warning published in all the New York papers on the morning of the Lusitania‘s departure, that “vessels flying the flag of Great Britain, or of any of her allies, are liable to destruction.” Larson provides detail and humanity by profiling several passengers and crew members, including a Vanderbilt heir; a psychic; and a Boston bookseller who boarded with a small but invaluable collection of William Makepeace Thackeray’s original illustrations and Charles Dickens’s own copy of A Christmas Carol, complete with the author’s marginalia.

Just weeks earlier, another vessel had departed from the other side of the Atlantic Ocean. German Unterseeboot-20 was captained by Walther Schwieger, a well-regarded young Kapitänleutnant known for his aggressive and innovative tactics. Because submarines lost radio contact with their bases almost immediately upon departure and remained out of contact for much of their cruise, Schwieger was in full charge of his boat, empowered to cruise, dive and attack on his own, with the full support of his government. In following Schwieger’s submarine in the weeks leading up to the climax, Larson gives the story dimension; far from presenting the German captain as a monster, he is humanized, for example, by the devotion of the men who worked under him, and the presence on board of a litter of puppies rescued, interestingly, from another ship sunk by torpedo.

As he builds toward the inevitable intersection of U-20 with the Lusitania, Larson introduces more characters. Captain Turner of the Cunard Line had decades of experience at sea, and had just testified in a civil case against the owners of the Titanic on behalf of the families of deceased passengers. He was known to his men as a brave and capable but old-fashioned captain, with “one foot on the deck of a sailing ship.” U.S. President Woodrow Wilson had had a rough year, even without the European conflict: having lost his wife Ellen in late 1914, his mourning left him unmoored and struggling to concentrate, until he met widow Edith Bolling Galt. His love for her would prove overwhelming, and their courtship strained–she rejected his first marriage proposal. This love story is affecting, and if it serves as a distraction from the sinking ship at the center of this book, that is a fine style choice by Larson: it was a distraction for Wilson, too.

Meanwhile, a secret section of the British Admiralty was tasked with intercepting and decoding German wireless messages, a purpose known to only nine senior officials, who were hampered in using any information gained for fear of having its cryptanalysis ability revealed. They would therefore fail to warn Turner of U-20’s preying presence in the waters he sailed. Such parallel plots and individual profiles add color and depth to Larson’s account, as when the chief of British naval intelligence is described as “part Machiavelli, part schoolboy.”

The Lusitania‘s story is in itself moving, and carries great historical significance, but these events positively glitter with life in Larson’s engaging, quick-paced and captivating prose. Though it incorporates well-documented history, Dead Wake still contains elements of suspense for all but the most expert readers; as Larson acknowledges, he had his own misconceptions coming into this project, and learned surprising facts in his research, as readers surely will. The pages fly by as such details are revealed and the action ratchets up toward a climactic event that we all see coming, but that still makes us catch our breath. In spellbinding, immediate language, Larson contrasts the “books, and cigars, and fine foods, afternoon tea, and the easy cadence of shipboard life” on the Lusitania with the “U-boat sweat,” foul odors and close air aboard U-20. His enthralling description of passengers joking about submarines and torpedoes, in the very moments before the torpedo strike, and “making polite apologies” just after, in the scramble for life jackets, keep the reader fully engaged. Appealingly, in his “Note to Readers” and “Sources and Acknowledgments,” Larson writes in a more personal voice about the joy of the research process, and about his frank difficulty in understanding the passengers who boarded the Lusitania in the face of warnings from Germany about travel in a war zone.

Dead Wake is both a thoroughly satisfying read, and an unparalleled adventure into world history. Larson’s fans will rejoice, and grow in number.


Rating: 8 life jackets.

How lucky am I to get to interview Erik Larson?? Come back tomorrow to read the result.

Hell and Good Company: The Spanish Civil War and the World it Made by Richard Rhodes

The Spanish Civil War, and its medical, military and artistic contributions to modernity.

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The Spanish Civil War was a precursor to World War II, and served as a practice field where medical and military leaders experimented with new technologies and refined strategies. Creative minds from around the world drew inspiration and horror from the conflict, yielding Picasso’s Guernica, Hemingway’s For Whom the Bell Tolls, Miro’s El Segador and Orwell’s Homage to Catalonia. In Hell and Good Company, Richard Rhodes (The Making of the Atomic Bomb) examines the Spanish Civil War not in exhaustive chronology or complex international intrigue–although both are present–but in its gifts, good and bad, to the world that followed.

As Germany and Italy begrudgingly contributed to the Spanish nationalist (fascist) side, and the Soviet Union just as reluctantly supplied the republicans, new military technologies met old. Advances in aircraft were matched by new strategies, including “carpet bombing,” a term used for the carnage at Guernica. In response, doctors and nurses from Spain and abroad innovated as well: while reliable blood typing and preservation for blood banking had been under development since World War I, safe transfusions in the field were born in the Spanish Civil War, as was the autochir (a mobile, sterile surgical unit).

Rhodes follows various individuals, famous (Hemingway, Picasso) and less so (volunteer doctors, nurses and soldiers from around the world), providing a vivid, wrenching view of war, art and love. While it scrutinizes world-changing new technologies and ways of life, Hell and Good Company is also a fine, accessible introductory history of the Spanish Civil War, and an evocative human story.


This review originally ran in the February 6, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 7 bombs.

The Kind Worth Killing by Peter Swanson

A modern retelling of Strangers on a Train that is every bit as chilling as the original, with new twists.

killing

In The Kind Worth Killing, a masterful modern reworking of Patricia Highsmith’s Strangers on a Train, Peter Swanson (The Girl with a Clock for a Heart) introduces his two protagonists, Ted Severson and Lily Kintner, on an airplane. Ted is a wealthy, successful businessman who discovered that his beautiful bohemian artist wife is cheating on him with the contractor building their new dream home. Lily is a woman with a difficult past–some experience of unhappy families, cheating and murder. Playing a game of truth after several drinks and the full telling of his tale, Ted casually admits, “What I really want to do is kill her.” And that makes sense to Lily: “Everyone dies. What difference does it make if a few bad apples get pushed along a little sooner….”

The resulting intrigues follow Highsmith’s outstanding original in atmosphere and spirit more than in specific details, which is a fine choice, because the new plot lines showcase suspenseful twists and turns, expert pacing and a breathless race to a surprise ending. Thus Swanson brings the best elements of Strangers on a Train–compelling but increasingly worrisome characters, the momentum of a chance meeting–to a fresh new setting, split between the Boston metro area and the rugged coast of Maine. Even readers unfamiliar with Highsmith will be enchanted by this captivating, powerful thriller about sex, deception, secrets, revenge, the strange things we get ourselves wrapped up in, and the magnetic pull of the past.


This review originally ran in the February 6, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 8 martinis.

Father Brother Keeper by Nathan Poole

This memorable collection of reflective short stories about commonplace tragedies showcases a gentle, painstakingly accurate writing voice.

father brother keeper

Nathan Poole’s debut collection of short stories, Father Brother Keeper, won the Mary McCarthy Prize in Short Fiction and is an emotionally evocative and varied experience. Its contents are rarely connected, as when two consecutive stories follow one family through generations of gentle conflict. However, even stories that don’t share characters do have in common their settings in rural Georgia and a series of small towns. Each is a miniature masterpiece of perfect, often tragic realism, featuring men, women and children dealing with everyday trials: illness, death, divorce, financial hardship.

An old man fights his dementia–“he was losing traction”–when his estranged daughter leaves her two small children with him and drives away. A young man finds more than a dozen bait dogs (fight dogs past their prime) abandoned on his family’s property and accuses the wrong man of the brutality. Two brothers react in different ways toward their mother after their father leaves. Two young neighbor girls who are friends contract the same illness but with different outcomes; mapping this divergence is a challenge for each family. In the stories labelled “Two from Sparta,” four generations live off their land in slightly different ways, each father learning how to make his way with his son. A young man sets out to find the oldest, biggest tree of each species in the country, to honor a death. “It would be an easy thing to do, and good… a dedication. The year I would learn the joy of calling each thing by its proper name.”

Poole’s achievement in this collection is just that, calling each thing by its proper name. Though perhaps simple in their subject matter, each story is weighty in its emotional impact, and sharply, poignantly real. The stories all feature people living simply, accommodating change if not embracing it, and struggling to move forward through whatever life hands them. Poole’s voice is original, authentic and starkly honest; he is clearly compassionate toward his characters even as he walks them through terrible everyday calamities. Father Brother Keeper is a slim book but one that demands to be read slowly and thoughtfully, so that the hints of redemption can percolate. Meticulous, gorgeous and brooding, these stories will appeal to connoisseurs of the short story as well as fans of traditional Southern ways of life and literary fiction.


This review originally ran as a *starred review* in the February 5, 2015 issue of Shelf Awareness for the Book Trade. To subscribe, click here.


Rating: 7 barrels.

Jam! on the Vine by LaShonda Katrice Barnett

The vivid life of an African American newspaperwoman, civil rights activist and lover both entertains and inspires.

jam

LaShonda Katrice Barnett’s debut novel, Jam! on the Vine, is filled with color, suffering and feeling. Barnett’s protagonist Ivoe Williams is inspired by the life of Ida B. Wells-Barnett, newspaperwoman, suffragette and civil rights leader, and she sparkles from the first page, when she steals newspapers from her mother’s white employer to revel in the smell of the ink and the magic of print. Her mother, a Muslim and a former slave, is a talented gardener and cook, her father a masterful storyteller, so she is surrounded by art and encouraged in her education. The plucky Ivoe, a native of rural Texas born just after Emancipation, receives an unlikely scholarship to attend college in Austin, where she studies printing and journalism. She returns home overqualified for the kind of work available to young black women. Under the forces of power and prejudice, the Williams family will ultimately fracture and be forced to migrate to the city, where new challenges await. Ivoe finds love and purpose in work, eventually founding a Kansas City newspaper called Jam! on the Vine, which pursues the rights of African-Americans and women.

The connections to Wells-Barnett’s life are vague; the vibrancy of Ivoe’s trials and loves are a credit to Barnett the author. Sensual evocations are among Jam!‘s greatest triumphs: the Texas dirt and the tomato vines it sprouts, the savory jam crafted by Ivoe’s mother from their fruit, the family’s music and laughter, blood and pain and pleasure. Ivoe is stimulated by her study at the university, the tactile challenge of setting type and the intellectual exertions of politics and social justice. She grows from a gutsy child to become a famished student, then a frustrated young woman and, finally, finds love and joy and danger, in the Red Summer of race riots in 1919.

It is no exaggeration that the beautifully written Jam! on the Vine recalls Alice Walker and Zora Neale Hurston. Sensuality, pleasure and pain, as well as the righteous difficulties of the early civil rights movement, yield a story that is passionate, inspired and lively. Barnett’s (editor of I Got Thunder and Off the Record) prose flows with rhythm and feeling, and her characters both major and minor are intriguing. While Ivoe’s hard, important work and her love of written words will endear her especially to readers interested in the history of journalism and the civil rights movement, this literary novel has broad appeal.


This review originally ran in the February 3, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 7 jars.

The Sweetheart by Angelina Mirabella

The unlikely, humorous, heartrending story of a teenaged female wrestler in the 1950s.

sweetheart
Angelina Mirabella’s debut novel, The Sweetheart, opens with an older woman’s reflections, then quickly flashes back to 1953 Philadelphia. Leonie Putzkammer is an awkward, bookish teen with no self-confidence, despite a figure her peers would kill for and some tumbling skills left over from gymnastics. When she is recruited to attend Joe Pospisil’s School for Lady Grappling in Florida, a star-struck Leonie is sure everything will change. She gains a tag-team partner, Screaming Mimi, and a boyfriend, Spider, as well as an intimidating coach. Soon she is assigned a new name, Gwen Davies–later, Gorgeous Gwen Davies and, finally, the Sweetheart.

Many readers will sympathize with the older protagonist when she addresses her younger self: “What you have wanted more than anything was change… but the idea that the old life would no longer be waiting here for you is hard to accept.” The heart of this story addresses questions of autonomy, self-determination and regret: how to become someone different without entirely losing your past, how to recover from making the wrong choices or even how to tell when you have made wrong choices. Told from an unusual retrospective second-person perspective and perfectly evoking 1950s culture, The Sweetheart is often hilarious but also filled with the wholly realistic yearnings and heartbreak of young-adult reinvention, and is peopled by familiar, sympathetic characters. Mirabella’s impressive debut offers laughter, tears, failure, redemption, striving, success and a sweetheart we can’t help but love.


This review originally ran in the January 30, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 7 MoonPies.

We Are All Completely Beside Ourselves by Karen Joy Fowler (audio)

**AVOID SPOILERS!** (There are none below.) As a commenter pointed out, there may be spoilers even on the dust jacket or other coverings for the book or audiobook itself. Proceed cautiously. Just trust me and read the book itself.


beside

This is one of those with a big reveal to it that *makes* the book. For the love of whatever you love, please, avoid all discussion of We Are All Completely Beside Ourselves until you read it. Excepting this review, of course, which promises to be spoiler-free and is therefore safe, and brief.

I’m glad Liz recommended this one to me, on audio specifically, and I shall do the same. Get the audiobook, which is beautifully and feelingly narrated by Orlagh Cassidy. Our young female protagonist/narrator Rosemary is a little troubled, but likeable right from the start. She uses the unusual second-person voice, breaking down the fourth wall to talk directly to her audience: “you may have the impression from what I’ve just said, that… but here’s another thing I’d like you to know…” Her story is compelling from the beginning, and involves a number of different threads and an occasionally disjointed timeline. I don’t know what else I can tell you without giving it all away. It’s about family, self-determination, the nature of memory. Life. You will laugh and be amazed. Go out and get this book now, and don’t let anybody tell you anything about it. Oh – a little bird told me Karen Joy Fowler gave away the big secret in a book talk somewhere. She is an outstanding writer, but apparently a potentially disastrous speaker. Avoid her talks til you’ve read the book. Go read the book. That’s all.


Rating: 8 studies quoted.

Whipping Boy: The Forty-Year Search for My Twelve-Year-Old Bully by Allen Kurzweil

The lengthy and bizarre search for a childhood bully, with humor, pathos and redemption.

whipping boy

During his single year at a boarding school in Switzerland, sixth-grader Allen Kurzweil roomed with a boy improbably named Cesar Augustus, who bullied him physically and emotionally. Then Allen moved on, lived all over the world, found a successful career in journalism and writing, married a French anthropologist and had a son. But throughout those intervening years, Allen was bothered by the memory of Cesar.

In researching Cesar’s likely whereabouts, Allen dismisses false leads and relives old trauma. Eventually, he finds his childhood tormentor in a nearly unbelievable narrative: Cesar was sentenced to three years in prison for his role in a criminal scam so outlandish that it reads like a novel. Allen Kurzweil’s Whipping Boy is a work of nonfiction, with no names changed; just when it starts feeling like a thriller, it gets stranger than fiction.

Kurzweil is obsessed with Cesar, his “menace and muse.” He wants to right wrongs, to avenge himself and to solve a mystery. He also wants to stick up for his son, also bullied at a young age. Along the way, he is distracted–as is the reader–by the monstrosity and incredibility of con men who claim to be royalty, with costumes and jewelry to match, who manage to defraud eminent savvy businesspeople; and he is forced to consider questions about the nature of memory. But in the end, courage and closure are the rewards for a heartfelt, very funny, poignant and extremely weird story to which Kurzweil’s self-deprecatory voice is perfectly suited.


This review originally ran in the January 27, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 7 foosballs.

Unbecoming by Rebecca Scherm

A delicious, deceptively simple tale of art, crime, love and betrayal.

unbecoming

In the opening pages of Rebecca Scherm’s debut novel, Unbecoming, Julie from California is working in Paris at an antiques repair shop, polishing and replacing hinges, cleaning beadwork and resetting jewels. Except her name is really Grace, and she’s from Garland, Tennessee. Two young men are about to be paroled from prison in Garland, and Grace is nervous, because her name is not all she’s lying about. From this beginning, we follow Grace back in time: her unhappy home life, her great luck in being loved by a popular boy from a good family, her joy at being his mother’s daughter, her departure for college in New York City, her work in art appraisal and her ignominious retreat from all of the above. Only at the end of the novel do we learn how exactly Grace landed in Paris with a new name, a forged biography and a fear of her past.

Unbecoming is beguiling: a love story with twists and turns; the tale of an insecure, insufficiently loved girl from the wrong side of the tracks; a delightfully nuanced narrative about trust and trustworthiness. Grace is endearing and intriguing, although she is not all (or is more than) she seems. Layers of lies, longing and duplicity recall The Talented Mr. Ripley, another chilling masterpiece of dishonesty’s helpless acceleration. Scherm’s light, confident touch with pacing, suspense and characterization is pitch-perfect. Beware staying up all night to rush through this engrossing, enchanting debut.


This review originally ran as a *starred review* in the January 27, 2015 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 8 trillions.