
Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.
Alice Kessler-Harris is a well-respected author and historian, and here she tackles the formidable subject of Lillian Hellman. I am not terribly familiar with Hellman, so this book is my introduction, and so far it looks like it will be a fine one. I love biographies of ambiguous, contradictory, not-entirely-loveable characters; they’re so much more interesting than altogether sympathetic or entirely monstrous ones!
For this Happy Friday today I will be sharing several snippets, because I feel like it. First of all, Kessler-Harris opens her introduction with a quotation I loved:
If a man could say nothing against a character but what he can prove, history could not be written; for a great deal is known of men of which proof cannot be brought.
–John Boswell, The Life of Samuel Johnson
I love this idea, and the implication that history involves the unproveable, unavoidably. Beware! This quotation is followed by Kessler-Harris’s first sentences:
In 1976, aged seventy-one, playwright and memoirist Lillian Hellman posed in a mink coat for a resonant advertisement. Cigarette in hand, gazing insouciantly at the camera, Hellman claimed the legendary status she craved.
Indeed. Beginning her introduction with a description of that remarkable photograph (below) really evokes her subject right at the beginning. The photo in question:

The first chapter, however, returns to a standard biography’s beginning:
Beautiful Julia Newhouse, daughter of a wealthy southern family, married Max Hellman–who had nothing to recommend him but charm–in 1904. A year later, Julia gave birth to a child they called Lillian Florence Hellman.
These unadorned sentences tell us a little something about Julia & Max, which I appreciate. Hellman’s story is fascinating, and so far I really enjoy the way Kessler-Harris is portraying it, with the context of her time & place fully involved.
This quotation comes from an uncorrected advance proof and is subject to change.
Filed under: book beginnings | Tagged: biography, nonfiction | 8 Comments »