All the Wandering Light by Heather Fawcett

This one follows Even the Darkest Stars, with similar darkness, coming-of-age growth and learning and complication, and love. As is my usual practice, this review will contain spoilers for that previous book but not for this one.

So, on with the spoilers: at the end of book one, we had been hit with the shocking news that River himself was secretly a witch, and therefore obviously (to Kamzin and those of her world) a natural enemy. He has broken the binding spell that stole the witches’ power generations ago, and now their powers are restored, and the Empire is in danger. We learn quickly, though, that River is not so much motivated by wanting to overthrow or hurt anybody; rather, he wanted the freedom of possessing the powers he was born to. He wants to be himself. But by releasing all witches, he has enabled those who have crueler goals than he does, including revenge. His brother Esha intends to be the next emperor of the witches, and desires power enough to destroy the humans’ Empire, including Kamzin and everyone she loves.

In similar fashion to book one, a race is on, this time to get to a fallen star that is said to offer unimaginable power to whomever wields it: the human Emperor or the witch one. Kamzin travels with her friend Tem, her sister Lusha (and the two sisters offer nearly infinite messy siblinghood), and for part of the way, Mara, who was once a member of River’s crew. In the other camp, River reluctantly, even half-heartedly, helps his brothers. The plot of the book follows these two groups, centered on our protagonist, Kamzin–angry and hurt at her betrayal by the magnetic River, who had been a bit of a romantic interest–and her counterpart, River himself, who is likewise confused at the way the world reshapes around him and the power struggles that involve him even without interesting him much. This conflict will build to affect (again) the very fate of the world, and hinge upon the ability of the humans, in particular, to reconsider old prejudices.

Along the way, the part of this book that I struggled most with was the detail in some of the fighting or conflict scenes. Maybe it’s just this reader, for whom the fighting (in its minutia) will never be the most interesting part of the story. But especially with the ethereal, ghostly sort of enemy (and other only-halfway-there monsters), the shadowplay violence is a bit abstract, and doesn’t hold my attention well enough to sustain the way some of those scenes dragged on. I got a bit impatient. I think where Fawcett excels is, yes, worldbuilding, but most of all relationships: the way people (or witches, or stars!) interact and communicate and treat each other. And/or, this is where I’m most engaged with any story. There was lots to love here, just a little that I wished moved a bit more quickly. It’s worth noting that the two books in this duology were Fawcett’s first two. It’s clear to me that she’s improved from here.

I have just two more middle grade books of hers to read and then we have to wait for her to write more. Fawcett remains one of my favorite authors of the last year or two, so I hope she’s hard at work!


Rating: 7 beautiful ball gowns (what?!).

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