guest review: Sylvia Center for the Arts presents Orlando (2019), from Pops

From Pops, from Bellingham’s Sylvia Center (formerly the iDiOM).

Sylvia Center for the Arts presents Orlando, by Sarah Ruhl in 2003 and directed by WWU professor Rich Brown, with five players on a spare stage. Woolf and the story are still mostly inscrutable to me, but the players and staging are wonderful, with multiple vignettes easily adequate to carry the story and action. This production is creatively played with humor and energy as the narrative speeds through centuries, while centered on Orlando personally.

It is a very physical interpretation with much movement, often choreographed like dance; passage of time is depicted by the actors furtively running in circles or helter-skelter in the small stage area. They may use each other for props like tables and chairs; small props emerge on cue from pockets or capes. Some minor wardrobe changes occur in the flow of staging. Ship voyages are inventively evoked by actors’ bodies locked together and swaying with the waves.

Karlee Foster as the androgynous Orlando is perfect, physically as well as in body language and expression. She is ruffled, wild and spirited, but also ruminates over social conventions; all of which is belied by a tranquil and well-groomed promotional studio photo. The 3-man chorus is excellent, and not mere backdrop; they serve as continuous narrators but each also plays at least one woman’s part. The fifth player is an exotic Sasha, Orlando’s lifelong icon of youthful love. Her ‘Romanian’ accent is nearly overdone and perplexing, but her irresistible effect on Orlando is intently, comically obvious.

Suiting the tale, Orlando passionately kisses each of many characters (and all players) at least once – or more! Other, intimate couplings are openly implied with inventive, chaste staging devices, like backlit silhouettes or covering capes. And, always fun, there is a Shakespearean play-within-a-play – of Shakespeare’s own Julius Caesar! (the murder of Cassius) It was delightful, lively entertainment; kudos to the venue, the company and the small arts community that continues to display actors of such craft and energy.

What fun this sounds like! I remain unsure of Woolf, and remember Orlando as daunting (I believe from the 1992 film) (then again, I was 10 in 1992, what do you expect). But this stage performance sounds delightful. Maybe that’s just my feeling about (well-produced) theatre in general. I am jealous; I’m not seeing more theatre these days…

Thanks, Pops!

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