I think I will call it a great credit to Tana French that even though this novel took me months to finish, due to my much-reduced audio-listening time, I never lost the thread or lost interest. It can be hard to read a book that slowly, over that much time. But The Secret Place is gripping, compelling, peopled by fine, interesting, and distinctive characters; it lent itself pretty well to this less-than-ideal reading (listening) schedule.
French’s dedicated readers will recognize several characters from earlier novels, although these books do not exactly form a series. The central detective in The Secret Place is Stephen Moran, who has been relegated to the depths of the Cold Cases unit, where he is not particularly happy. Then a gift is dropped in his lap: Holly Mackey, who was but a little girl in Faithful Place, is now 16 years old and boarding at a chi-chi girls’ school called St. Kilda’s. She brings Moran a card stating that the writer knows who killed Chris Harper, found murdered last year on St. Kilda’s grounds.
Moran takes this card to the Murder squad, where he has ambitions, and begins working with Detective Antoinette Conway, a prickly, defensive sort. The two form an unlikely, tentative team, and the rest of the novel covers a single, very long day they spend on campus at St. Kilda’s, solving the case.
Or at least part of it does. The Secret Place is split into two narratives, which alternate chapters: the story of Moran & Conway’s single long day, and the last 18 months or so in the lives of Holly Mackey and her three girlfriends. Holly, Selena, Julia and Becca are very, very close. They all knew Chris Harper, some more closely than they’ve let on to the police; their friendship and their lives are caught up in the case, and Moran knows it. As Moran & Conway work the case, the second narrative brings readers up to date in the girls’ lives.
As an audio production, this is effectively played by two readers, a male reader for Stephen Moran’s story and a female third-person narrator of Holly and her friends’ lives. The latter narrative is ghostly, compelling, and mystical; there are magical elements, although of course this is a realistic story; the magic is simply that of youth.
Moran is a sympathetic character who wants badly to “make it,” to fit in in Murder, to have a partner, to have a friend. He is sensitive and self-conscious, yearning. The girls wield their own self-referential magnetic power, very much evocative of the strange world of teenagerhood. Friendship, its meaning and its powers, are very much the central themes of this story.
In short, Tana French has done it again. Her characters are mesmerizing, both realistic and spell-binding. The plot is twisty: beware thinking you know where she’s headed! I love this stuff. Keep it coming.