Vanya and Sonia and Masha and Spike references Chekhov; but no familiarity with his work is required to enjoy this one. Vanya and Sonia are aging siblings – she’s adopted, they will remind you a few times – still living together in the family home, mostly bickering with one another and dissatisfied with their lives (particularly Sonia, who is casually mentioned as being bi-polar). Their sister Masha is a successful actor – less so on the stage, more so in the movies, particularly sexy slasher flicks; but she is aging, too, and feeling less secure about her sex appeal and professional future. When Masha comes to visit this time, she brings Spike: a much younger aspiring actor and a hot piece of male flesh inclined towards taking his clothes off. This habit is the source of some laughs, as everyone onstage is entranced by his beauty (Vanya as well as his sisters is attracted to men); but as Nina points out late in the play (I paraphrase): Spike is beautiful; it’s a shame about his personality.
Oh yes, Nina. The cast of six is rounded out by a beautiful young neighbor girl, Nina, also an aspiring actor and a huge fan of Masha’s; and the housekeeper, Cassandra. Cassandra is a real hit: like her Greek namesake, she is cursed to make predictions that are… often right, more or less; but that are disregarded. She is a strong personality and a great stage presence, and provides still more comic relief. The play is not short on laughs, in fact, despite some heavy subject matter: depression and late-life regrets; family dynamics; climate change and politics; a rapidly changing and-not-always-for-the-better world. I was struck by a line (again I paraphrase) about how there are now 900 (or some such number) television channels available, and you can always find a news channel that tells you what you already believe. Late in the final act we are treated to that classic, the play-within-a-play, written by Vanya and performed by Nina, which takes place in the post-climate-change-apocalypse, when humans are extinct.
It got a little long-winded here and there, I confess; I think Husband appreciated the fart jokes and lighter, always-accessible humor of Fool better than this one. There were some tangents. But I appreciated every one! I highly recommend this mashup of serious topics, comic relief, and plentiful references to literature and the arts. The actors were strong, too. I heard a few missed lines – just a few, just barely – but was still very impressed by the personalities. Cassandra and Sonia were real standouts; I was especially struck by the arc achieved by Sonia, from dumpy house-bound depressive through an exhilarating costume party to actually making plans to go out on a date. I cheered her on. And Spike’s portrayal in the near-nude was both hilarious and, yes, attractive.