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Edward Abbey: a recipe

Fragments of autobiography, journalistic battle debris, nightmares and daydreams, bits and butts of outdoors philosophizing, all stirred together in a blackened iron pot over a smoking fire of juniper, passionflower and thorny mesquite. Agitate. Redneck slumgullion, like any stew, makes a tasty, nutritious and coherent whole. And why not? Society too, human society, is like a stew – if you don’t keep it stirred up you get a lot of scum on top.

–Edward Abbey, from the introduction to The Journey Home

Here Abbey describes what is to come in this essay collection, but we also get a nice quick punchy taste of his voice and his perspective on humanity.

on mountain lions

This is my memory of what happened.

In August of 1990 I was just past my 8th birthday, backpacking with my parents in the White River National Forest in Colorado. We made camp for the evening; it was still daylight. We were in a low, fairly clear area, with the land rising up around us; the grass was tall and golden-brown. I had wandered off by myself, I don’t remember why, and was wandering back toward camp when I looked up into the eyes of a creature I didn’t recognize. It was the size of our family dog, Eile, a Weimaraner. But its face was that of a cat. It was golden-brown, like the grass. It had paused mid-stride to gaze back at me. We were maybe 10-15 feet apart, and we both stopped and looked at each other for a few seconds. I wanted to make the moment last. I was always excited to see wildlife when we camped and backpacked; I remember being enchanted by marmots. Then the big cat walked off and I went back to camp. I told my father I had seen a new animal, and he asked me to describe it, and I told him the same description I’ve given here: the size of our dog, with the face of a cat, golden-brown. He was very excited and told me that I’d seen a mountain lion. I knew what a lion was and told him that wasn’t right, but later he found a picture of this different kind of lion, with no mane, and I recognized it. Yes, I’d seen a mountain lion. I remember my father being thrilled, but there was some note of alarm, too; I’d made it out of the experience fine, so there was no sense in being frightened (I think he told me that now that it knew we were there, it would stay away from us), but you might not send your eight-year-old off on such an encounter knowingly. I felt no fear, of course, not knowing anything but that this creature resembled my pets back home. Nothing scary about that. I’ve wondered if it simply wasn’t hungry, or if it recognized my innocence, my fearless curiosity, my lack of intention to do it any harm.

The above is my memory more than 20 years later, of course, and it may be faulty. It’s even possible that I remember the story as family lore rather than remembering the incident itself; but I don’t think that’s the case. I can picture the cat, and the dry grassy field.

Do my parents remember this experience the same way? It’s been a long time, and I was small. In fact, I had to look up the when-and-where using Pops’s travel log (thanks so much, Pops, for keeping one!). I was surprised at the date; I thought I was smaller than 8 when this happened. To which Pops says, “eight is still pretty small!”

They’ve shared their memories for us here.

Mom:

My memory is such that I doubt if I was there. I either remember the telling of the tale, or I remember telling the tale. The one thing that seems authentic is a flash of astonishment on your face. Maybe I saw you seeing something – and later heard what Hank actually saw, the mountain lion.

Dad:

I have a “clear” memory of it, which probably has a 50% chance of being accurate.

I don’t remember Karen being there so it will be interesting to see what she says. You and I were on a hike – who knows how far from our backpack-camp given your age. We were walking up over a slight rise when you made some exclamation – I don’t remember what. By the time I looked where you were looking, all I saw was a flash of tawny brown disappearing over the hill and/or into the brush. We were in relatively open, scrubby terrain – not in the woods. This was definitely mountain lion habitat – not bobcat or such.

I asked you to describe what you had seen, and it’s based on your description plus my furtive glimpse that I concluded it was a mountain lion. I remember not having any doubt, and emphasizing to you what a special observation it was. I have and would describe this to others as your sighting, not mine; without your description, I would not have been so sure. I might have reasoned that I probably just saw a deer (no tail flash tho’) or a coyote (no bushy tail tho’).

and then:

You thought you were ALONE?!!! Wow; that’s hutzpah – and how very irresponsible of your parents if true!

All of this came back to me recently in reading a few collections of Edward Abbey’s essays. In an essay entitled “Freedom and Wilderness, Wilderness and Freedom” (oft-quoted and reprinted; my version comes from The Journey Home), he describes his one encounter with a mountain lion. When he became aware of its presence, he was exhilarated, having wanted to meet a lion all his life (something I’d read in earlier essays). He felt fear, but also:

I felt what I always feel when I meet a large animal face to face in the wild: I felt a kind of affection and the crazy desire to communicate, to make some kind of emotional, even physical contact with the animal.

He tried to shake its hand. And if that sounds crazy, I ask you to go find a copy of this essay and read it all the way through. It’s only 11 pages long. And by the time he wants to shake this lion’s hand, I propose that you might be with him, searching for communion. I certainly was.

Abbey only had the one encounter, and in earlier essays I’ve read, he laments that fact; he waited for and sought that one encounter all his life. It makes me feel that much luckier that I got to see one, too.

Aside from the beauty and grace and rarity of the mountain lion, there’s a question growing out of this blog post about the nature of memory. That, too, reminds me of some recent reading: you may have noticed me raving lately about A Difficult Woman, the Lillian Hellman biography by Alice Kessler-Williams which – among many other things – examines the themes of memory and truth in Hellman’s life. I believe that our memories are fluid and unreliable. It may be that there is no absolutely true memory; it is my experience that people consistently share different memories of the same event. That being said, I think my father probably has it right; we were probably together. It seems more likely (because why would you let your 8-year-old wander around alone in mountain lion country), and I’m inclined to trust his memory which was then mature over mine which was then young… also, inflating my own role to a solo encounter feels like something a child’s memory might do. But it’s interesting to see these different memories, don’t you think?


Be advised: I’m out of town, so you’re viewing pre-scheduled posts until April 9. I love your comments and will respond when I return! But I’ll be out of touch for a bit. Thanks for stopping by!

Edward Abbey: A Life by James M. Cahalan

I appreciated Calahan’s biography of Ed Abbey. I found it the perfect next step in my increasing fascination of the man’s work, which (for me at least) is also necessarily a fascination with the man. As I’ve mused before, there is too much of the man in the work for one to possibly extricate them. And this book was just the thing for me. I learned a lot about Abbey, some of which you can find in that earlier post. Calahan’s angle on Abbey, if you will, seems to be the contradictions of the man – an angle I’m always ready to appreciate. In this case, he (Calahan) speaks often to the public figure Abbey created for himself and the often distinct private, “real” Abbey. And then there are those controversial aspects…

Abbey’s stance on immigration, for example. The public maligned him for being a racist after he spoke (and wrote) against allowing immigrants in from Mexico, which was perhaps an understandable response, but an overly simplistic one. In a nutshell, Abbey conceived his anti-immigration stance as an issue of economics, not of race; he stressed that he was against immigration of any kind of people from anywhere, including the internal migrations within the United States (easterners moving into his beloved west), which he conceded he could do nothing about. He had lots of Hispanic, Mexican, and Native American friends, and liked to visit Mexico. He also, though, wrote and spoke of the unpleasantness of Mexico and Latin America and stated that he didn’t want to live there (and neither, he pointed out, did most Latin Americans – meaning those immigrated to the US). I understand this stance perfectly and see how it could be a position without consideration of race: more people are bad for these precious and shrinking wild open spaces, regardless of their race. But it’s easy to see where he got beat up for this position, too, especially considering his reluctance to back down from controversy, to apologize or restate his position. Rather, he was inclined to bait his critics by making farcically backwards remarks.

Similarly, Abbey’s relationship with women was a complicated one. He repeatedly stated that they were the “better” sex, that he respected women and certainly that he loved them (as evidenced, in some sense, by his five wives and many extramarital relationships!). But there was that ludicrous letter he wrote to “Mizz” magazine, and all the cheating he did on his wives. He was supportive and helpful in the professional writing careers of a number of serious women (Terry Tempest Williams comes to mind, as I recently read her most recent work – the review should be out any time now). But even in his fifth and by far most successful marriage, he was firm in his wish for his wife to be a full-time mother to their children. Misogynist? Ah, I don’t quite think so; but his relationship with women was complicated.

And another example: Abbey repeatedly denied that he was a naturalist. I’ll let Cahalan himself speak here.

It is true that Abbey was not a naturalist in the scientific way that Rachel Carson or even Annie Dillard was qualified to be; he got mediocre grades in subjects such as zoology. Wendell Berry was right (and Nancy Abbey agreed) that Abbey’s real subject was himself – that as an author he was primarily an “autobiographer” more than an “environmentalist.” Yet Desert Solitaire and The Monkey Wrench Gang activated more than a generation’s worth of activists toward a radical new brand of direct action in defense of wilderness. While telling the story of himself and his friends, Abbey managed to change the world.

I share these observations on Abbey just to share some of what I’m learning about him. But back to the book review:

I like that Cahalan has a coherent approach to Abbey’s life here: the contradictory man, the public vs. private figure, the questions his life raises. Cahalan muses on these questions without authoritatively answering them, which is appropriate. These are questions without definitive answers. It is a sensitive biography, appears well-researched, and gave me just what I was looking for. I leave it thoughtful and curious about still more Abbey, but thoroughly satisfied (for now) in terms of biography. I recommend this work, and I still recommend all the Abbey you can find!


Rating: 7 women younger than the last.

Edward Abbey on privacy

In the early 1970′s… the stone house was isolated enough that Abbey could stand outside and urinate in peace – as his friend Dick Felger once observed him doing from the roof of the house, after Abbey called out to him when he was driving by. This was Abbey’s privacy test; when outdoors urination was no longer feasible, it was time to move on. He told Sandy Newmark that “if you can’t pee in your own front yard, you live too close to the city.” –from James M. Cahalan’s Edward Abbey: A Life

I have to say I could appreciate this notion of privacy. I may have to come up with an Abbey quotations meme around here, to go along with hemingWay of the Day and two-wheeled thoughts.

musing on Edward Abbey

I’ve been thinking a lot about Edward Abbey recently, as you know. I’m currently reading his Down the River, a collection of essays, as well as Cahalan’s biography, Edward Abbey: A Life, so I’m a little immersed. My fascination with him is recent, and I have a long way to go in studying him, but that’s the exciting thing about discovering an author you love, especially when that author was prolific enough to keep you busy for a while, which Abbey was. (I guess it would be even better if he were alive and still writing.) I’ve read only four (Down the River makes five) of his 25 books (I’m using this bibliography), and I’m already holding a second book about him, his friend Peacock’s memoir Walking It Off. It’s exciting to know there’s that much more to read by and about him. Heck, I haven’t read everything I want to read by and about Hemingway yet, and I’ve spent years studying him.

I’m contemplating why I’m so interested in him. I love his writing, of course. But there are other authors whose writing I admire whom I fail to get interested in as individuals. Authors of fiction often are able to stay separated from their work, of course, unless their fiction becomes very autobiographical – which was true of both Abbey and Hemingway. The fact that he writes nonfiction, and autobiographical fiction, makes Abbey the man play a significant role in my reading of him, obviously. And Abbey is fascinating because he’s sympathetic, yes – meaning I agree with many of his politics and values and emotional reactions to the world – but he’s also fascinating because he’s nuanced, complex, contradictory, and not 100% sympathetic. The most fascinating figures, to me, are those that we cannot wholeheartedly and completely endorse. Hemingway, Hefner, Harry Hughes (I haven’t read it yet, but one of my favorite library patrons has been raving about the apparently fascinating and weird biography of Hughes we have here), Lillian Hellman whose new biography by Alice Kessler-Harris I found so wonderful, and my oldest, best friend, are all complex personalities, very different from one another, but somehow similar in their contradictions.

Of course, the more I read about Abbey, the more I see how similar he is to my longtime favorite, Ernest Hemingway. They were married four and fives times, respectively. Hemingway left each of his first three wives for the next; the fourth he left in death. Abbey left wives 1, 2 and 4 for 2, 3 and 5; his third wife died, and he left the fifth in death. Both were serially unfaithful. Both authors were aware that they had a gift, struggled with their writing which they took very seriously, rewriting repeatedly, working very hard on their craft; and both struggled with some form of depression and angst in the process. As perhaps is evidenced by their plentiful relations with the opposite sex, both were very charismatic men. Their writing styles bear a resemblance, as do their outward projections of themselves as masculine, hearty, strong, skilled with their hands. The biggest difference, the one that glares off the page at me as I read Abbey’s biography (which I’m not finished with yet, so take me with salt!) is the circumstances of their deaths. According to Wikipedia – since I’m not jumping ahead in my book – Abbey died from “complications from surgery; he suffered four days of esophageal hemorrhaging, due to esophageal varices, a recurrent problem with one group of veins.” This is a far cry from Hemingway’s demise, from a self-inflicted double-barreled shotgun blast to the forehead. I can’t tell you how relieved I am to be focused on a literary hero whose life, for all its tragedies, excludes the unique tragedy of suicide.

I’m very much enjoying getting immersed in the life of this prickly, unique, humorous and passionate man whose work I very much admire. And I’m struck by the fact that all those adjectives could apply to my first literary obsession, Papa. Who have you been stuck on lately, and why?

book beginnings on Friday: Edward Abbey: A Life by James M. Cahalan

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

Today we’re taking a look at a biography of Edward Abbey.


The more Abbey I read, and love, the more I want to know about the man. Do you do this? My interest in an author of nonfiction invariably turns to the author himself (or herself). I’ve been looking for a few Abbey books, in this case. This was the biography I chose. I also have a copy on the way of Doug Peacock’s Walking It Off. Peacock was the inspiration for Abbey’s fictional character Hayduke, of The Monkey Wrench Gang, and his book is a reminiscence of their relationship. But that’s another post.

Cahalan’s biography of Abbey begins, in the introduction:

This is a book in which I seek to separate fact from fiction and reality from myth. At the outset, I have to tell readers that Edward Abbey was not born in Home, Pennsylvania; he resided in several other places before his family moved close to Home. And he never lived in Oracle, Arizona.

Already I’m learning things. I had already observed, as Cahalan continues, that Abbey claims a birth in Home and a late life and death in or near Oracle. These place-names are nicely symbolic, which has to have appealed to him, and his PO Box in Oracle helped to deflect some of the fans who pursued Abbey in his later years and who he (understandably, I think) wished to avoid. But who knew he fudged the truth so hard, and so early on, and in such relatively unimportant details? (There will be another post here soon about the friction between fact and nonfiction writings.)

I’m really excited about this biography, as I’m excited about Abbey in general and also debunking biographies in general. And I love that in the short introduction, Cahalan mentions Hemingway, riding bicycles, and the ill-fated trip through Big Bend with his then-fiance that Abbey writes about in The Journey Home – three things I love. :)

What are you reading this week? And are you excited?

two-wheeled thoughts: Edward Abbey on bicycles, or anything non-motorized

A man on foot, on horseback or on a bicycle will see more, feel more, enjoy more in one mile than the motorized tourist can in a hundred miles.

–Edward Abbey, Desert Solitaire

I will give him the benefit of the doubt and assume he means a woman, too. I’m just relieved to see that Abbey acknowledges us two-wheeled, human-powered vehicles as part of the solution. :)

reasons why we read what we read

Do you ever think about how you make your choices? I know my fellow book bloggers do: they list the books they’ve picked up and note that this one was mentioned by their favorite author or that one biographies a figure they find relevant for a certain reason. Many times we make reading choices conscious of our reasons, even consciously pursuing new directions: feeling the need to read more diverse authors, read more women, more nonfiction, learn about a subject, or follow an interest inspired by… any number of things, really. Oftentimes my future reading is guided by my past reading. Hemingway has inspired my reading of so many of his contemporaries, for example. The Hellman biography I’m reading now is taking me in so many nonfiction directions; I want to read more about the several waves of the labor movement, for example, and the several waves of communism (and Communism) in the U.S. after reading about Hellman.

But I don’t think we always make our reading choices for conscious reasons. We absolutely do judge a book by its cover sometimes, or cover blurb: a Lee Child blurb will always catch my eye, rightfully or wrongfully (is he being paid for it?). In the library where I work, I see people make reading choices based on their covers regularly. Covers are especially good indicators in romance and so-called chick lit (don’t blame me, I didn’t name it). And while I’m on the subject of the library, this question – how we choose our reading, and whether we’re aware of it – is especially pertinent to readers’ advisory services, where we recommend reading based on what the patron has enjoyed in the past. Joyce Saricks (who doesn’t seem to have a website! but is the author of several books on the subject – go look her up, she’s wonderful) articulates the need for understanding why certain books appeal to us, for reasons outside of subject. For example, a reader is not necessarily interested especially in reading books about murder cases in Los Angeles; she might be more interested in the mood, the atmosphere, the psychological background, even the writing style exemplified by Michael Connelly. All of this means thinking about why we like certain books.

How about for purposes of travel? My parents do a lot of this when they travel. There is the reading of guidebooks, of course, but to me that’s a chore, part of trip planning. The real fun is in reading the history of the place, or fiction set there, and that’s very much at the forefront of some of the reading I’m doing these days, too. Our upcoming trip to the Gila came more or less out of a book – Fire Season – and in planning for that trip I’ve been looking at some reading in turn. Aldo Leopold’s A Sand Country Almanac is on the list, as well as a book I recently made a trip to go view (more on that in a day or two), Some Recollections of a Western Ranchman by William French. And for an upcoming trip to Ireland, I am accepting two books from my mom and my buddy Barrett (who’s going to Ireland with Husband and I, what fun!): one fiction, one nonfiction, I told them. Because of course I’m very busy reading all the Edward Abbey I can find (which interest also came from Fire Season), and I have a stack of books for review from Shelf Awareness, too. That’s another motivator to read specific books: because I have book reviews due!

So I’m looking at the stack of books on my desk right now, and it’s composed like so: two books recommended by a friend (one a gift from same); one sent by an author; eleven from Shelf Awareness, awaiting consideration for review; one biography of an author I admire, checked out from local library; one memoir of a friend of same author; two Ireland travel books; one book by an old favorite author; two books just arrived in my library (where I work) that I’m interested in. I think these represent a variety of reasons why I read what I read.

Why do YOU read what you read?

And for another post – feel free to write this one! – having discussed why we read what we read, the larger question: why do we read? That might be a longer post. :)

Teaser Tuesdays: Down the River by Edward Abbey

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!


I am continuing to love Edward Abbey (with that one outlier, Black Sun). I’ve just started Down the River but had to quote from page 3, already, because I find these lines funny.

None of the essays in this book requires elucidation, other than to say, as in everything I write, they are meant to serve as antidotes to despair. Despair leads to boredom, electronic games, computer hacking, poetry, and other bad habits.

Poetry lovers (and poets), keep your sense of humor as you’re lumped into the same category as boredom and electronic games! Ha. This is a very Abbey moment, seems to me.

looking back on early 2012… looking forward to a new trend

As I wrote at the beginning of the calendar year, I am moving away from challenges and lists and readalongs this year, hoping to follow more truly my reading urges, ideally with an emphasis on my TBR list(s) and shelf (shelves). Well, here we are two months (more or less) into 2012, and I see my reading urges taking shape. I wanted to share what I’m observing, and what I’m looking forward to.

First, what’s happened in the last eight weeks? I’ve read 25 books (wow! that many? really?), but I haven’t had really excellent luck. I really loved eight of them, which is a scant third: not very good stats. I loved:

If you have noticed a pattern above, so have I: I am leaning heavily towards a certain two bearded men whose first names start with ‘E’. (On a personal note, I have been toying pictorially with the three bearded men in my life…)

Ernest Hemingway, Edward Abbey, and my Bearded Husband


My newfound (or newly recovered) interest in Abbey has come out of my love of Philip Connors’s Fire Season, which I called my favorite book of 2011. I’m still not done being moved by it; Husband is actually reading it himself (a truly momentous occurrence), I am planning a reread at the earliest available moment, and we’re planning a summer trip to the Gila National Forest itself, possibly even to meet the author who has graciously been corresponding with me and overlooking my rabid fandom. The unfortunate coincidence of Fire Season‘s publication with the worst drought in Texas’s history, and a series of wildfires including one that touched my family, has had me thinking about some of the themes involved. I’ve read a few other pieces of nature writing this year (Liebenow’s Mountains of Light and March’s River in Ruin – both lovely, and both reviews to come in Shelf Awareness). But mostly I’ve been revisiting Abbey himself, who represents the epitome of nature writing, at least for me in my not-very-well-read experience. I can’t begin to go into what his writing does for me at this moment; that’s another blog post. But he makes me laugh, and cry, and think and feel, and plan trips. I am trying to take to heart his exhortation to “get out there and hunt and fish and mess around with your friends, ramble out yonder and explore the forests, encounter the grizz, climb the mountains, bag the peaks. Run the rivers, breathe deep of that yet sweet and lucid air, sit quietly for a while and comtemplate the precious stillness, that lovely, mysterious and awesome space. Enjoy yourselves…”

And Connors, and Abbey, are shaping my reading, too, of course. I’m working on building my collection of Abbey’s books, and a few books about him; I have Aldo Leopold’s A Sand Country Almanac coming to my local library; and I have my eye on Muir, although with a few reservations. (I did love his Stickeen as a child. If you see it, grab it.) I have a few books on New Mexico and the Gila coming, too, to help plan our trip this summer.

Again, my thoughts on Abbey are large and evolving, and I’m not feeling worthy of trying to communicate them today. But I’m working on it.

And then there’s the other bearded man. I do have still a handful of Hemingway works on his little shelf that I haven’t read; and I have several biographies of him and other related fiction and nonfiction. My love for Hemingway has not faded yet.

So I guess what I’m trying to say, very long-windedly, is that I am finding great joy in my reading these days by focusing on a few areas that are holding my interest: mainly, two authors I greatly respect, and the writings about and surrounding them. I hope to delve more deeply into Abbey (and similar) and Hemingway, as 2012 rolls on by. Of course my reviews for Shelf Awareness continue; but they take 3-4 reviews a month from me, and that makes up a minority of my reading, so I have time to do my own thing. There will always be some variety, too – this weekend I checked out the new Girl Reading by Katie Ward just because it looked good – but I am doing pretty well at putting down the books that don’t work for me, because I know there’s lots more Abbey et al out there for me.

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