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Einstein: His Life and Universe by Walter Isaacson (audio)

A.Word.A.Day recently sent me, among other valuable tidbits, a quotation that perfectly describes Einstein (thought I, being in the middle of his biography):

A harmless hilarity and a buoyant cheerfulness are not infrequent concomitants of genius; and we are never more deceived than when we mistake gravity for greatness, solemnity for science, and pomposity for erudition.– Charles Caleb Colton; Lacon: or Many Things in Few Words; Longmans; 1837. Quoted by A.Word.A.Day, August 31, 2012.

And here’s the poster child for that very thought: hilarity and cheerfulness (among other qualities) combined in one of the geniuses of the modern era.

Walter Isaacson is a well-respected biographer. (His other works include biographies of Kissinger, Ben Franklin, and most recently Steve Jobs.) This well-regarded biography of Einstein appears to be very well-researched and thorough, and I thought the audio narration by Edward Herrmann was well-done and well-suited.

What I liked best about this book was its characterization of Einstein, the charmingly rumpled, distracted, unique genius with the twinkling eyes and the mad wild hair who rode a bicycle. There were times I didn’t like Einstein, too: in the course of separating from and later divorcing his wife, he didn’t treat his two sons very well. It felt like he expected them to behave like little adults – or perhaps more accurately, he behaved like a child. He wasn’t entirely sweet to his wife, either, which is of course common in divorces but no less charming for that. But Isaacson’s portrayal of of Einstein’s mental style was lovely to read: how he thought in pictures, in objects in action, in “thought experiments” and not in words; the way his aversion to authority and accepted truths freed him to think such outlandish thoughts that he revolutionized science; these are the singularities that made Einstein Einstein, and that was an important lesson to take away. Also, it was fun to read the story of his life with the advantage of hindsight – that this is Einstein we’re talking about here – and see all the rejections and belittlings he underwent, and sort of chortle at the irony. (Correction of a well-known myth: Einstein did not, in fact, fail math. He did rather well. However, there was that teacher that said he would “never amount to much.” That part is true.)

I observe that my decision not to pursue a subject like theoretical physics was a very, very good decision. I can follow all sorts of things, grasp all sorts of concepts, but not this. My eyes glazed over within moments of the science-talk beginning (dangerous for driving). I positively cannot “get” Einstein, and I’m comfortable with that. But it made this book a little more difficult than I would have liked, because the book is rather science-heavy. I think there are different ways to do this job, of writing a biography of a scientific figure, or other science-based nonfiction. I think of Soundings or even The Immortal Life of Henrietta Lacks, both lovely narrative works about science and people that treated the people more heavily, and in more depth, than they did the science. The science was there, present (necessarily), and well explained, made accessible by explanation, but the people shown brighter. That worked for me. Here, in Einstein, it was Einstein himself that I was most interested in, and I liked it when his personality, his public image, his family dealings, etc. were at the forefront. Isaacson lost me entirely and quickly every time he wandered into physics and relativity. One way is not better or worse, but different; and it’s clear which style I prefer for my scientific nonfiction.

That said, the man played a starring role, and I believe Isaacson’s intention was to put in the science needed to place Einstein in context. I learned a lot about Einstein, I was entertained by his foibles and eccentricities (the not wearing of the socks! oh my), I was charmed. I was provoked to contemplate some of the troubling moments in world history that Einstein witnessed and participated in (Germany in the 1930′s, fascism, McCarthyism, the atom bomb, on and on). In a nutshell, Isaacson captures well the humanity of Einstein: his charm, his flaws, and his genius, all in one. This biography is moving, entertaining, and very informative. If you’re so inclined, you might even learn some physics from it. :) I can see why Isaacson’s stock as a biographer is high, and I forgive him for baffling me here and there.


Rating: 7 quanta.

Soundings: The Story of the Remarkable Woman Who Mapped the Ocean Floor by Hali Felt

I’m so glad I picked this book up (and bought it for the library where I work). It sounded like just the sort of thing I appreciate: a biography of a little-known historical figure who made an important contribution to the world as we know it but was herself forgotten. In this case, the “remarkable woman” of the subtitle is Marie Tharp, whose meticulous study and cartography of the ocean floor established the concept of plate tectonics that science now recognizes as fact, but was at best a blasphemous and ridiculous notion before Tharp came along. Her achievements, however, were minimized by a scientific culture in which women did not belong. This biography is additionally appealing to me for its mood: author Hali Felt takes a whimsical, dreamy, almost fanciful tone at times. She describes her own attraction to Tharp’s story (born in part of Felt’s mother’s, and her own, fascination with maps) and the relationship she felt to her subject. She dreams of Tharp coming to her to explain the mysterious and unspoken parts of her life. This book is nonfiction, but it’s honest, personally related, and warm.

There is also an enigmatic love story of sorts hiding within Soundings: Tharp’s career and life were both tied to a man named Bruce Heezen. Heezen was her coworker, then her technical superior; but they shared a partnership in work, in science, in discovery, and apparently in all things. It is known that they were a couple, although they never married and the details of this side of their relationship are very few.

Felt follows Tharp from her childhood with a science-minded father she adored, through her education in English, music, geology, and mathematics, and to her first job in the oil & gas industry (oh, how familiar to this Texas girl). But she was held back: this was the 1940′s, and women in science were mostly expected to make copies, compute numbers, and brew coffee. Eventually Tharp found her way to New York, to Columbia University and the Lamont Geological Observatory. This is where she would meet and work with Heezen and quietly make history.

The science in this book is very friendly and accessible to a general reading public; the story that Felt set out to tell is more that of a woman’s life and accomplishments despite the limitations of her society, than that of tectonic plates per se. For that matter, Felt shows that it was Marie’s combined backgrounds in art as well as science that made her perfectly suited to play the role she did in history. Her meticulous re-checkings of data and attention to detail were indispensable – but so was her interest in visually representing the data available in a way that would show the general public (not just academics) what she’d discovered. So her achievement was artistic as well as scientific. Soundings does make the science side clear, but doesn’t dwell, and is never dry. Rather, Marie Tharp comes to life: she is a precocious child; an ambitious, able, frustrated student; a dedicated scientist; a life partner; an eccentric aging woman caught up in her own past, campaigning to honor and preserve the legacy of her other half.

Hali Felt was honest about the role she plays in the story she relates. She begins in her Introduction by briefly describing her own attraction to maps, and then follows a chronological format, beginning with Tharp’s childhood and following her life, and eventually her death. And then Felt returns to the story: her discovery of Marie Tharp’s existence, her interest, her decision to follow that interest, her research, her relationships with the living descendents of Tharp and Heezen’s world (the “Tharpophiles”), and in the Acknowledgements at the end, she even hints at the process by which she came to write and publish this book. I found all of these Felt-related details interesting too.

In a word, this is a lovely biography, and the style and tone of it may be my favorite part.


Rating: 9 double-checkings of data.

A Queer and Pleasant Danger: The True Story of a Nice Jewish Boy who Joins the Church of Scientology and Leaves Twelve Years Later to Become the Lovely Lady She is Today by Kate Bornstein

A radical gender theorist and performance artist’s memoir makes its eye-catching subtitle look staid.


Kate Bornstein started life as Albert, a Jewish kid on the Jersey shore who knew when he was four and a half years old that he wasn’t a boy. Bornstein’s path was predictably complicated from there, but the lengthy list of problems she lists in her prologue astounds: she suffers from leukemia as well as anorexia, borderline personality disorder, post-traumatic stress syndrome and a history of cutting; she’s a sadomasochist, a transsexual and a former member of the Church of Scientology. Furthermore, A Queer and Pleasant Danger states from the outset its purpose of hopefully someday introducing Kate to her daughter and grandchildren, currently estranged.

If this list of disorders and minority statuses sounds alarming, never fear. Bornstein is funny, flippant, irreverent and witty. We follow Albert as a child in Jersey, a student at Brown, post-graduate studies in theater at Brandeis and the search for meaning that brought him to Scientology; then on his journey to become Kate, through a new life in San Francisco, Seattle and finally New York, with a series of relationships of every arrangement imaginable (and unimaginable). She generally has a good time, especially after becoming Kate, and her story ends on a positive note. Her tone is most serious in discussing the world of Scientology, which she presents as decidedly distressing and wacky, but her voice overall is impertinent and great fun. A Queer and Pleasant Danger is not for the faint-hearted, for reasons that become fairly evident (see: sadomasochism), but is ultimately uplifting, hopeful, even joyous–and always droll.


This review originally ran in the May 11, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 6 upheavals.

A Difficult Woman: The Challenging Life and Times of Lillian Hellman by Alice Kessler-Harris

Lillian Hellman’s paradoxical, powerful personality set against the backdrop of a turbulent century.

Lillian Hellman (1905-1984) was many things: a successful playwright, screenwriter and memoirist; a suspected Communist (maligned as an unrepentant Stalinist) who stood up against political intimidation in the 1950s; a labor organizer and civil rights activist; partner to Dashiell Hammett for more than 30 years; a woman criticized for being manlike and grasping, but simultaneously overly feminine and stylish; a New Orleans-born resident of New York, Hollywood and Martha’s Vineyard who persisted in calling herself a Southerner. She was respected for her literary contributions, hailed as a hero by a feminist movement that she largely rejected, praised and excoriated for her politics and, ultimately, vilified for what came to be seen as the outrageous mendacity of her memoirs. It would be difficult to locate a biographical subject more contradictory or complex. In A Difficult Woman, Alice Kessler-Harris makes an excellent case that Hellman represents the complexities and changing mores of the 20th century.

The contradictions in her personality and politics are brought into relief by her written work–including plays still popular in repertory theater today–which always included strong moral statements. The concepts of truth and deception, or betrayal and loyalty, play large roles in her work and this insightful biography, rich with context, shows how they were also themes that defined her life. Not an apologia, but an exploration of nuances, A Difficult Woman gives us an infinitely more complex Hellman than the popular image that has survived her.


This review originally ran in the May 1, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!

Rating: 9 ambiguities.

Teaser Tuesdays: A Queer and Pleasant Danger by Kate Bornstein

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should Be Reading. Anyone can play along! Just open your current read to a random page and share a few sentences. Be careful not to include spoilers!

A Queer and Pleasant Danger: the true story of a nice Jewish boy who joins the Church of Scientology and leaves twelve years later to become the lovely lady she is today. And that lengthy title-and-subtitle is the tamest part of the whole book.

Today’s teaser:

“Paul, Mildred, I have news for you. Albert is an artist.”

My mother gasped. My father muttered, “Oh, crap.”

I was thrilled with the diagnosis.

That, of course, was just the beginning for Albert and his parents Paul and Mildred. This is a wild, outrageous book, and I highly recommend it, but it may not be for the faint of heart.

This quotation comes from an uncorrected advance proof and is subject to change.

Edward Abbey: A Life by James M. Cahalan

I appreciated Calahan’s biography of Ed Abbey. I found it the perfect next step in my increasing fascination of the man’s work, which (for me at least) is also necessarily a fascination with the man. As I’ve mused before, there is too much of the man in the work for one to possibly extricate them. And this book was just the thing for me. I learned a lot about Abbey, some of which you can find in that earlier post. Calahan’s angle on Abbey, if you will, seems to be the contradictions of the man – an angle I’m always ready to appreciate. In this case, he (Calahan) speaks often to the public figure Abbey created for himself and the often distinct private, “real” Abbey. And then there are those controversial aspects…

Abbey’s stance on immigration, for example. The public maligned him for being a racist after he spoke (and wrote) against allowing immigrants in from Mexico, which was perhaps an understandable response, but an overly simplistic one. In a nutshell, Abbey conceived his anti-immigration stance as an issue of economics, not of race; he stressed that he was against immigration of any kind of people from anywhere, including the internal migrations within the United States (easterners moving into his beloved west), which he conceded he could do nothing about. He had lots of Hispanic, Mexican, and Native American friends, and liked to visit Mexico. He also, though, wrote and spoke of the unpleasantness of Mexico and Latin America and stated that he didn’t want to live there (and neither, he pointed out, did most Latin Americans – meaning those immigrated to the US). I understand this stance perfectly and see how it could be a position without consideration of race: more people are bad for these precious and shrinking wild open spaces, regardless of their race. But it’s easy to see where he got beat up for this position, too, especially considering his reluctance to back down from controversy, to apologize or restate his position. Rather, he was inclined to bait his critics by making farcically backwards remarks.

Similarly, Abbey’s relationship with women was a complicated one. He repeatedly stated that they were the “better” sex, that he respected women and certainly that he loved them (as evidenced, in some sense, by his five wives and many extramarital relationships!). But there was that ludicrous letter he wrote to “Mizz” magazine, and all the cheating he did on his wives. He was supportive and helpful in the professional writing careers of a number of serious women (Terry Tempest Williams comes to mind, as I recently read her most recent work – the review should be out any time now). But even in his fifth and by far most successful marriage, he was firm in his wish for his wife to be a full-time mother to their children. Misogynist? Ah, I don’t quite think so; but his relationship with women was complicated.

And another example: Abbey repeatedly denied that he was a naturalist. I’ll let Cahalan himself speak here.

It is true that Abbey was not a naturalist in the scientific way that Rachel Carson or even Annie Dillard was qualified to be; he got mediocre grades in subjects such as zoology. Wendell Berry was right (and Nancy Abbey agreed) that Abbey’s real subject was himself – that as an author he was primarily an “autobiographer” more than an “environmentalist.” Yet Desert Solitaire and The Monkey Wrench Gang activated more than a generation’s worth of activists toward a radical new brand of direct action in defense of wilderness. While telling the story of himself and his friends, Abbey managed to change the world.

I share these observations on Abbey just to share some of what I’m learning about him. But back to the book review:

I like that Cahalan has a coherent approach to Abbey’s life here: the contradictory man, the public vs. private figure, the questions his life raises. Cahalan muses on these questions without authoritatively answering them, which is appropriate. These are questions without definitive answers. It is a sensitive biography, appears well-researched, and gave me just what I was looking for. I leave it thoughtful and curious about still more Abbey, but thoroughly satisfied (for now) in terms of biography. I recommend this work, and I still recommend all the Abbey you can find!


Rating: 7 women younger than the last.

book beginnings on Friday: Edward Abbey: A Life by James M. Cahalan

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

Today we’re taking a look at a biography of Edward Abbey.


The more Abbey I read, and love, the more I want to know about the man. Do you do this? My interest in an author of nonfiction invariably turns to the author himself (or herself). I’ve been looking for a few Abbey books, in this case. This was the biography I chose. I also have a copy on the way of Doug Peacock’s Walking It Off. Peacock was the inspiration for Abbey’s fictional character Hayduke, of The Monkey Wrench Gang, and his book is a reminiscence of their relationship. But that’s another post.

Cahalan’s biography of Abbey begins, in the introduction:

This is a book in which I seek to separate fact from fiction and reality from myth. At the outset, I have to tell readers that Edward Abbey was not born in Home, Pennsylvania; he resided in several other places before his family moved close to Home. And he never lived in Oracle, Arizona.

Already I’m learning things. I had already observed, as Cahalan continues, that Abbey claims a birth in Home and a late life and death in or near Oracle. These place-names are nicely symbolic, which has to have appealed to him, and his PO Box in Oracle helped to deflect some of the fans who pursued Abbey in his later years and who he (understandably, I think) wished to avoid. But who knew he fudged the truth so hard, and so early on, and in such relatively unimportant details? (There will be another post here soon about the friction between fact and nonfiction writings.)

I’m really excited about this biography, as I’m excited about Abbey in general and also debunking biographies in general. And I love that in the short introduction, Cahalan mentions Hemingway, riding bicycles, and the ill-fated trip through Big Bend with his then-fiance that Abbey writes about in The Journey Home – three things I love. :)

What are you reading this week? And are you excited?

First Lady of Fleet Street by Eilat Negev and Yehuda Koren

The biography of a pioneering female newspaper editor in early 20th-century London.


Rachel Sassoon was the heiress daughter of a wealthy Jewish businessman who was rooted in Baghdad but proud of the family’s new status after he moved them to London in 1860, while Rachel was still a baby. Only nine years old when her father died, Rachel’s options were increased by his fortune and broadened by his absence until, long past the standard marriageable age, and with considerable life experience behind her, she made what her family viewed as an unforgivable decision: she married Frederick Beer, who was also of Jewish ancestry but had converted to Christianity. (For this, Rachel was ostracized from the family until Frederick’s death, when a brother had her certified as “of unsound mind.”)

She found love with Frederick, but more importantly for posterity, she found a newspaper: Beer’s Observer drew her interest, but it took her own newspaper, the Sunday Times, to unleash Rachel’s creative and industrial spirit. She took on issues of women’s rights and suffrage, workers’ rights, the arts, criminal justice, and international political and social issues; the Sunday Times was for a decade Rachel Beer’s personal soapbox.

Eilat Negev and Yehuda Koren’s matter-of-fact portrayal of Rachel’s life sheds light on the experiences of women and people with Jewish backgrounds in her time, while the stories of the Beer and Sassoon families depict larger issues regarding the era’s immigration and business patterns. The First Lady of Fleet Street is an engaging snapshot of several aspects of early 20th-century life as seen through the lens of one remarkable woman.


This review originally ran in the March 2, 2012 issue of Shelf Awareness for Readers. To subscribe, click here, and you’ll receive two issues per week of book reviews and other bookish fun!


Rating: 5 understudied women.

book beginnings on Friday: A Difficult Woman: The Challenging Life and Times of Lillian Hellman by Alice Kessler-Harris

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

Alice Kessler-Harris is a well-respected author and historian, and here she tackles the formidable subject of Lillian Hellman. I am not terribly familiar with Hellman, so this book is my introduction, and so far it looks like it will be a fine one. I love biographies of ambiguous, contradictory, not-entirely-loveable characters; they’re so much more interesting than altogether sympathetic or entirely monstrous ones!

For this Happy Friday today I will be sharing several snippets, because I feel like it. First of all, Kessler-Harris opens her introduction with a quotation I loved:

If a man could say nothing against a character but what he can prove, history could not be written; for a great deal is known of men of which proof cannot be brought.
–John Boswell, The Life of Samuel Johnson

I love this idea, and the implication that history involves the unproveable, unavoidably. Beware! This quotation is followed by Kessler-Harris’s first sentences:

In 1976, aged seventy-one, playwright and memoirist Lillian Hellman posed in a mink coat for a resonant advertisement. Cigarette in hand, gazing insouciantly at the camera, Hellman claimed the legendary status she craved.

Indeed. Beginning her introduction with a description of that remarkable photograph (below) really evokes her subject right at the beginning. The photo in question:

The first chapter, however, returns to a standard biography’s beginning:

Beautiful Julia Newhouse, daughter of a wealthy southern family, married Max Hellman–who had nothing to recommend him but charm–in 1904. A year later, Julia gave birth to a child they called Lillian Florence Hellman.

These unadorned sentences tell us a little something about Julia & Max, which I appreciate. Hellman’s story is fascinating, and so far I really enjoy the way Kessler-Harris is portraying it, with the context of her time & place fully involved.

This quotation comes from an uncorrected advance proof and is subject to change.

book beginnings on Friday: The First Lady of Fleet Street by Eilat Negev and Yehuda Koren

Thanks to Katy at A Few More Pages for hosting this meme. To participate, share the first line or two of the book you are currently reading and, if you feel so moved, let us know what your first impressions were based on that first line.

Today I’m reading The First Lady of Fleet Street: The Life of Rachel Beer: Crusading Heiress and Newspaper Pioneer. I’m intrigued for several reasons: I tend to appreciate biographies of semi-obscure figures (if they’re well done, which I can’t yet judge of this one); this will be my second newspaperwoman biography of the year (here‘s the first); and I like Rachel’s last name. :) The book begins with a prologue:

Late May 1903. Earl’s Court, a two-storey stone mansion in Tunbridge Wells.

A slight woman sits erect in her chair, nearly swallowed by her weighty crepe mourning dress. Heavily framed mirrors, priceless paintings, dim-gilt Chinese cabinets, and fresh lilies and orchids adorn every inch of the spacious drawing room.

Well done, I say, and I am optimistic.

What are you reading this weekend?

This quotation comes from an uncorrected advance proof and is subject to change.

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