After reading Under the Wide and Starry Sky, I was driven to reread Treasure Island. I suspect that I only ever read the Great Illustrated Classics version, in fact: and I loved that series for several years, but I worry now about what I missed. (I reread certain of those classics in full later on, but not all. What misconceptions am I still harboring?) Husband and I first attempted this audio version, read by David Buck, on our U-haul drive cross-country this fall. But the Scottish accent, and the story-within-a-story format, proved too difficult for the big loud truck and our navigation of unfamiliar roads. Fair warning: this is not a criticism of the book (or the audiobook), but it is not the most distraction-friendly listen I’ve encountered.
The story itself is, of course, riveting, once you get into it. It is narrated from a distance of some years by the voice of Jim, who is a young boy (perhaps 12 or so?) in the time of his tale. At his father’s seaside inn, Jim assists in hosting a mysterious sailor we call Billy Bones; Billy is apparently frightened of certain other seafaring men, particularly a one-legged man who wishes him ill. When Billy dies – of fright, after a visit from a band of related ruffians – Jim finds a map within the possessions of the deceased. Local community members Dr. Livesey and Squire Trelawney conspire with young Jim to buy and staff a ship to go looking for buried treasure they believe is indicated on the pirate map.
Here Stevenson securely establishes several tropes of pirate fiction. The cook they install on board their ship is peg-legged Long John Silver, who sings “yo ho ho and a bottle of rum,” talks in the pirate-talk (“aye, matey”), and carries a parrot on one shoulder. The treasure map, marked with an X, takes them to a deserted island, where the shipmates plan a mutiny: Squire Trelawney has haplessly engaged a bunch of pirates for his crew, and they will be captained not by the captain he’s hired, but by Silver himself. By luck, Jim finds out about their scheme in time to warn Trelawney and the doctor, and the three of them take cover – with their honest captain and a few other loyals – on the island, but Silver and his men are bent on treasure and murder. Also by luck, Jim meets a man who identifies himself as Ben Gunn: he was marooned on the same island years ago, by the very same pirates. And he knows where the treasure is.
Originally published as a story for young boys, Treasure Island keeps the pace up and the action quick, after the first few chapters of set-up at Jim’s father’s inn. (Those early chapters do run the risk of wearying the short attention span of young boys and my Husband, though.) The ship’s journey is fraught with danger, but once on Treasure Island the action really ramps up: there are battles, injuries and fatalities, double- and triple- and quadruple-crossings, treasure! and intrigue. I’ll stop with the plotline there. Jim is the unlikely but triumphant hero of this story (again betraying its original audience); by virtue but mostly by luck, he contributes every major piece of action or intelligence throughout. What fun!
Pacing and action are the clear strengths of this adventure tale, which is as it should be. David Buck’s narration is fine – he does voices and accents where appropriate – but I think this version probably missed some opportunity for theatrics that this wildly theatrical story offered. It’s still a great yarn, and sets up a number of recognizable pirate jokes we know and love today. It would still suit young boys well (although look out for a slightly slow start).