The second book in L’Engle’s Time Quintet series stars the same quirky, likeable Murry family members: chiefly Meg, along with her brother Charles Wallace; and to a lesser extent, their mother and twin brothers. (Their father is again away in this story. I wonder if he’ll come to play a stronger role in later books.) Calvin, friend of the family and Meg’s tentative romantic interest, plays a lead role alongside Meg. Where their task in A Wrinkle in Time was to save the Murry father, this time it’s Charles Wallace himself who’s in danger: there’s something wrong with his mitochondria, and the farandolae who dwell therein.
As A Wrinkle in Time used outside supernatural influences – Mrs. Whatsit, Mrs. Who, and Mrs. Which – to direct Meg and Charles’s actions, A Wind in the Door features a Teacher named Blajeny and a cherubim named Proginoskes (Progo for short). Yes, cherubim is generally considered to be plural, but Proginoskes is “practically plural” – he is at first mistaken for a drive of dragons by Charles Wallace.
To save Charles Wallace from the rebellion of his farandolae (and you can look it up: while farandolae are fictional, mitochondria are as real as the tesseract that starred in A Wrinkle in Time), Meg and Calvin, along with Blajeny and Progo, must become very very very small and get to know one of Charles Wallace’s farandolae intimately, going inside Charles Wallace to fix him up.
I enjoy the characters that L’Engle creates. I will say that her young people don’t always sound like young people – which is explained in Charles Wallace’s case because he is nothing like a normal young person (this book opens with him being constantly beat up at school for talking about mitochondria and the like); but I think Meg is supposed to represent a more approachable, normal-ish girl, and along with Calvin, Sandy and Dennis, she can be a little odd. But somehow, even as I note this, it doesn’t bother me. Realism is not a central dogma of this series; it is fantasy after all.
I love the science (even though it’s science fiction, and I suppose might confuse the young readers – and the not-so-young – as to what’s real; that’s a concern), and I love that L’Engle makes science interesting and relevant in a series starring a girl. That’s no small thing even today, but these books were published in the 1960′s, 70′s, and 80′s, and I think this deserves note and applause. That said, Meg is on the one hand a mathematical genius, and on the other a little whiny and reliant upon big strong Calvin. Perhaps that’s where the realism comes in.
With a few quibbles, I definitely did, again, enjoy this listen. It’s read by the author in a somewhat gravelly voice, and she does voices for her characters. I recommend the books, for readers of all ages (I am not much of a YA [young adult] reader, myself), and I recommend the audio. I’ll be continuing with the series: next up is Many Waters.