EDIT: You might also want to check out my father’s review of same.
This is an amazing book. The first sentences immediately grabbed me. Connors works summers in a teeny, tiny tower room way up in the sky in the Gila National Forest in New Mexico, as a fire lookout. His job is to spot smoke and call it in for control or “management” of the fires. But his “field notes” tell so much more than the story of his career as a lookout. This is the story of his time alone in the Gila, and of the visitors he receives and the visits he pays back to town; it’s the story of his and his dog Alice’s interactions with nature. It’s the story of fire and smoke and the Forest Service’s management of fire. It’s a history of fire, of the Forest Service, of the Gila, of so very many aspects of our nation’s history, and the natural history of the southwest. Connors discusses the varied reactions the government has had to fire: the policy of fire suppression, consistently and in every case, versus the concept of “controlled” or “prescribed” burns, and the ongoing debates. He contemplates society, its benefits and our occasional desire to escape it. He discusses his unique model of marriage, in which he spends some five months a year living alone and mostly out of touch. He also relates ecological issues like fire as a natural control mechanism, erosion, and the preferences of flora and fauna. And more.
I found Fire Season astounding and important. There’s a zen-like balance in it. Connors is a rather balanced man, in that he still craves human contact; he’s not an entirely back-to-the-wild isolationist, nor does he fail to appreciate cold beer and a variety of media. But he achieves a special and rare state of commune with nature, too. His writing, for me, parallels this balance. He can wax philosophical, crafting lyrical, beautiful odes and hymns of reverence to nature, fire, and life; but he never gets overly wordy, tempering the poetry with (still beautifully written) narrative history.
Connors tells so many little stories I would love to pull out of this book and share as vignettes. For example, the story of Apache Chief Victorio’s last stand (that lasted over a year) in the vicinity of the lookout tower where Connors is stationed:
That September day in 1879, on the headwaters of Ghost Creek, marks a peculiar moment in America’s westward march: black soldiers, most of them former slaves or the sons of slaves, commanded by white officers, guided by Navajo scouts, hunting down Apaches to make the region safe for Anglo and Hispanic miners and ranchers. The melting pot set to boil.
Or the history of the smokejumpers, which I didn’t know before – the parachuting firefighters who predate paratroopers and taught them their trade. Or the tale of the Electric Cowboy. Or the story of the little fawn. I cried, mostly because I empathized. Really, it could be read as a series of anecdotes; but the whole is greater than the sum of its parts. The larger story is important, too. I even glimpsed traces of the training I’ve received in trail-building and (more broadly) land management.
The history, the lore, the anecdotes, the author’s relationship with nature, his relationship with his wife, the landscape of the Gila, the details about local species of bird, fish, and game… there are so many gems in this thoughtful, loving, lovely book. I am not doing it justice. It’s a very special book and I strongly recommend this to everyone, no matter who you are. But I especially recommend it if you are… a nature lover, a hiker, a dog lover, a government bureaucrat, a pyromaniac, an environmentalist, a city dweller, a romantic, a firefighter, a skydiver, a cribbage player, a whiskey drinker, a writer, a loner, a philosopher, a historian, a student, or a teacher. This book goes on The List.